michael mattern
Michael Faraday was a British physicist and chemist, explorer and experimenter.
Faraday, because of his family's poverty, was unable to receive a formal education, but at the bookbinding shop in London where he worked, he read many books, including encyclopedias and textbooks on chemistry and physics. He persevered in self-education, attending hearings at the City Philosophical Society and later lectures by Sir Humphry Davy at the Royal Institution, who as a result took the able student on as an apprentice. In 1825 he replaced the seriously ill Davy in the management of the laboratory of the Royal Institution.
In 1833 Faraday was appointed to a research chair of chemistry created especially for him, where, among other achievements, the scientist liquefied various gases, including chlorine and carbon dioxide. His study of heating and lighting oils led to the discovery of benzene and other hydrocarbons, and he experimented extensively with various steel alloys and optical glasses. Faraday was an excellent experimentalist who presented his ideas in simple language. He is best known for his contributions to the understanding of electricity and electrochemistry. The concepts behind electromagnetic induction, diamagnetism, and electrolysis were some of his most important discoveries. His electromagnetic research formed the basis of the electromagnetic equations that James Clerk Maxwell developed in the 1850s and 1860s.
Between 1831 and 1855, Faraday read a series of 30 papers before the Royal Society, which were published in his three-volume Experimental Investigations in Electricity. His bibliography numbers some 500 printed articles. By 1844 he had been elected a member of some 70 scientific societies, including the St. Petersburg Academy of Sciences.
Michael Faraday was a British physicist and chemist, explorer and experimenter.
Faraday, because of his family's poverty, was unable to receive a formal education, but at the bookbinding shop in London where he worked, he read many books, including encyclopedias and textbooks on chemistry and physics. He persevered in self-education, attending hearings at the City Philosophical Society and later lectures by Sir Humphry Davy at the Royal Institution, who as a result took the able student on as an apprentice. In 1825 he replaced the seriously ill Davy in the management of the laboratory of the Royal Institution.
In 1833 Faraday was appointed to a research chair of chemistry created especially for him, where, among other achievements, the scientist liquefied various gases, including chlorine and carbon dioxide. His study of heating and lighting oils led to the discovery of benzene and other hydrocarbons, and he experimented extensively with various steel alloys and optical glasses. Faraday was an excellent experimentalist who presented his ideas in simple language. He is best known for his contributions to the understanding of electricity and electrochemistry. The concepts behind electromagnetic induction, diamagnetism, and electrolysis were some of his most important discoveries. His electromagnetic research formed the basis of the electromagnetic equations that James Clerk Maxwell developed in the 1850s and 1860s.
Between 1831 and 1855, Faraday read a series of 30 papers before the Royal Society, which were published in his three-volume Experimental Investigations in Electricity. His bibliography numbers some 500 printed articles. By 1844 he had been elected a member of some 70 scientific societies, including the St. Petersburg Academy of Sciences.
Elisabeth Jean Frink was an English sculptor and printmaker.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
