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Joan Miró, a celebrated Spanish artist, was a master in painting, sculpture, and ceramics, renowned for his unique style that blurred the lines between Surrealism, Fauvism, and Expressionism. Born in Barcelona to a family of a goldsmith and a watchmaker, Miró grew up immersed in the rich cultural heritage of the Barri Gòtic neighborhood. His artistic journey began with drawing classes at the age of seven and continued at the prestigious La Llotja art academy. Despite an initial venture into the business world, Miró's passion for art prevailed, leading him to abandon his clerical career after a nervous breakdown.
Miró's work is noted for its exploration of the subconscious, often depicting a childlike perspective. This approach was both a critique of traditional painting methods and a means of expressing Catalan pride. His art, challenging to categorize, often featured symbolic elements and nationalistic qualities. One of his notable early works, "The Farm," reflects a transition to a more individual style, blending elements of his Catalan roots with broader artistic influences. This piece, later purchased by Ernest Hemingway, encapsulated the essence of Spain in its imagery.
In Paris, Miró joined the Surrealist movement in 1924, where his work began to reflect the influence of automatism, emphasizing spontaneous, automatic, or subconscious creation. He experimented with various mediums, including painting-poetry and collage, and even ventured into set and costume design for Sergei Diaghilev's Ballets Russes.
During World War II, Miró remained in Spain, and his work from this period, including the 22 Constellations series, reflected an interest in the night, music, and stars. His forms became increasingly abstracted, and he experimented with various techniques, often incorporating primary colors and evocative titles.
Miró's career spanned several decades, during which he continually evolved his style and explored new mediums. His contributions to art were recognized with numerous awards and retrospectives, including a major career retrospective at MoMA in 1941 and the Spanish Gold Medal for Fine Arts in 1980. Among his last major works was a tapestry for the World Trade Center in New York City, created in 1974.
For art collectors and enthusiasts, Joan Miró remains a figure of immense interest, not only for his distinct style and contributions to Surrealism but also for his ability to blend poetic imagery with political commentary. To stay updated on new product sales and auction events related to Joan Miró, sign up for our updates and immerse yourself in the world of this extraordinary artist.
Ismaël Boulliau (Boulliaud), also known as Ismael Bullialdus, was a French astronomer and mathematician who followed the teachings of Copernicus.
Boulliau worked as a librarian for many years and had the opportunity to study the scientific works of Copernicus, Galileo, and Kepler, and as a result became a strong supporter of the heliocentric system of the world. Boulliau was also intimately acquainted with Huygens, Gassendi, Pascal and other prominent scientists of the time, and he translated many works from Greek into Latin.
Boulliau's main astronomical work, published in 1645, was Astronomia philolaica (Astronomy of Philolaus, named after the ancient Greek Pythagorean philosopher Philolaus, who promoted the idea of the motion of the Earth). In it, he supported Kepler's first law that the planets move on ellipses, and provided new evidence for this. Isaac Newton, in Book III of The Mathematical Beginnings of Natural Philosophy, relies on measurements of the magnitudes of planetary orbits determined from observations by Kepler and Boulliau.
Boulliau was also interested in history, theology, classical studies, and philology. He was active in the Republic of Letters, an intellectual community whose members exchanged ideas.
