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Mela Muter, real name Maria Melania Mutermilch, was a Polish-born Jewish artist who spent most of her life in France.
At the age of 25, in 1901, she moved to Paris with her husband and became known as a modernist painter. Her work was influenced by Paul Cézanne, Paul Gauguin and Vincent van Gogh. Muter painted mainly portraits, landscapes and still lifes.
Antoni Tàpies i Puig, 1st Marquess of Tàpies was a Catalan Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.
Teo Otto was a German stage designer. He trained in Kassel and Paris and in 1926 taught at the Bauhaus in Weimar. In 1928 he became an assistant at the Berlin Staatsoper. Following the Nazis' seizure of power in Germany, he returned to Switzerland where he was resident designer at the Zürich Schauspielhaus for 25 years.
Mattia Moreni is an Italian painter and sculptor, a representative of the abstract trend in Italian art.
The artist is interesting because he went through all the significant phases in the art of the 20th century. Beginning with figurative fovea and expressionism, he turned to post-cubism and then to abstract-concrete forms. Later Moreni turns to informal and neo-expressionism. Decay, death and splendor become the themes of his work. After anthropoid watermelons, the decline of the human species is captured by the artist through other images: sterile female macros and sets of symbols, including the relationship between humanoid computer and humanoid computer.
Moreni's paintings have received wide international acclaim.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
