pointillism
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Alfred William (Willy) Finch was a ceramist and painter in the pointillist and Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland. In 1883 he became a founding member of Les XX, a group of twenty Belgian painters, designers and sculptors, who rebelled against the prevailing artistic standards and outmoded academism. He was impressed by the works of Georges Seurat and Paul Signac and changed his own painting style from a more realistic approach into a pointillistic style. In the following years, Finch became one of the leading representatives of his style in Belgium, along with Théo van Rysselberghe. During the early 1890s Finch switched careers from painting to pottery, upon the realization that he couldn't make a living by painting. In 1897, invited by count Louis Sparre, Finch moved to Porvoo, Finland, to head the Iris ceramics factory, and influenced the development of the local Jugendstil. After the factory was closed, Finch resumed his painting career.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
![RONSARD, Pierre de (1524-1585). Les Hymnes de P. de Ronsard, Vandomois : A tres illustre et reverendissime, Odet, Cardinal de Chastillon [relié avec] Hymne de Bacus par Pierre de Ronsard, avec la version latine de Iean Dorat. [relié avec] Le Sec](/assets/image/picture_1320819/70897/ce1aea53e9d244b10e43ab8e6f6d93cb1616454000jpg__fix_374_244.jpeg)
![RONSARD, Pierre de (1524-1585). Les Hymnes de P. de Ronsard, Vandomois : A tres illustre et reverendissime, Odet, Cardinal de Chastillon [relié avec] Hymne de Bacus par Pierre de Ronsard, avec la version latine de Iean Dorat. [relié avec] Le Sec](https://veryimportantlot.com/assets/image/picture_1320819/70897/ce1aea53e9d244b10e43ab8e6f6d93cb1616454000jpg__fix_374_244.jpeg)
Sir Thomas Malory was a British politician, writer, poet and author of The Book of King Arthur.
Malory was born to a noble family in the county of Warwickshire in the early 15th century. As a knight he took part in the War of the Scarlet and White Rose on the side of the Earl of Warwick, in 1444 or 1445 represented his county in the English Parliament. He was convicted several times, spent the last 20 years of his life in prison, where he created his novels.
Malory wrote his book, consisting of eight volumes, while in prison for various crimes, completing it in 1469 AD, and he was released the following year. He called his work "The Whole Book of King Arthur and his Noble Knights of the Round Table," but when published in 1485 the book was titled "The Death of Arthur," which stuck. The only surviving manuscript is in the British Library in London.
The identity of the author of the King Arthur saga is still disputed by researchers. It is possible that another person hides under the name of Malory, but the influence of this medieval work on history and literature is undeniable.
Francis Thompson was a British poet and literary critic.
Thompson received a Roman Catholic education at Ushaw Seminary College, also studying medicine in Manchester, but became addicted to opium. From 1885 he lived in poverty in London, where 1888 his first two poems were finally published. After that he published two more collections of poems. His unsettled and deprived life ended at the age of 47 from tuberculosis.
Thompson is now ranked among Britain's greatest Catholic poets. Francis Thompson's most famous poem is "The Heavenly Dog" (1893).
Marie de Rabutin-Chantal, marquise de Sévigné was a 17th-century French writer of epistolary genre.
Marie came from a noble family, but was orphaned at the age of six and raised by her uncle Philippe II de Coulanges. She received a good education and married Henri de Sévigné in 1644. In 1651 he was killed in a duel, and Madame de Sevigne was left a widow with two children. She led an ordinary social life, and only the marriage of her daughter, painful separation from her and loneliness suddenly revealed in the Marquise literary gift.
Since 1671 for thirty years, Madame de Sévigné wrote to her daughter about 1700 letters, and this correspondence has both historical and literary significance. In her letters, the woman relates current news and events of secular society, describes prominent people, comments on all of these, and reports on the details of her own life. Her letters reflect the intellectual sophistication of the salon culture of the period. Madame de Sévigné also touches on serious philosophical and religious topics, nature, art, morality, and psychology.
Her letters were read out in the salons, passed from hand to hand. Gradually they turned into a collection, the first edition of which was published in 1726, gradually expanding and supplementing. The popularity of the Letters of Madame de Sévigné grew over the years, becoming a source of historical study of the era and language. Francophone educational institutions in many countries around the world have included Sevigné's works in their curricula. The crater Sevigné on Venus is named in her honor.
Henri Edmond Cross, a French painter and printmaker, emerged as a pivotal figure in the Neo-Impressionism movement, significantly influencing the realm of modern art. His work, celebrated for its innovative use of color and technique, played a crucial role in transitioning from Pointillism to broader, more expressive brushstrokes, marking a departure from strict naturalism. This evolution allowed for greater personal expression and creativity, profoundly impacting artists like Henri Matisse, who was inspired by Cross's harmonious representations of Arcadian landscapes.
Cross's paintings, characterized by their vibrant color harmonies and lyrical emotion, encapsulate the artist's desire to portray utopian ideals, often reflecting his anarchist beliefs in a hopeful, ideal society. His works, such as "L'air du Soir" and "La Plage de Saint-Clair," showcase his mastery of light and color, embodying the Neo-Impressionist vision of creating harmonies of pure color independent of naturalistic constraints. These pieces not only exemplify Cross's technical prowess but also his philosophical aspirations, intertwining art with social and political ideals.
Despite the challenges posed by his health in later years, Cross's productivity and creativity remained undiminished, leading to significant critical acclaim and commercial success. His solo exhibitions, particularly the one held at Galerie Druet in Paris in 1905, received widespread acclaim, underscoring his influence on the art world and his role in shaping the principles that would guide future movements such as Fauvism.
For collectors and experts in art and antiques, Henri-Edmond Cross's work represents a crucial juncture in the evolution of modern art, offering insights into the transition from the meticulous dots of Pointillism to the expressive freedom of later movements. His legacy is preserved in esteemed institutions like the Musée d'Orsay, where his masterpieces continue to inspire admiration and study.
For those interested in the intersection of art, culture, and history, signing up for updates on sales and auction events related to Henri-Edmond Cross can offer valuable opportunities to engage with the vibrant legacy of this influential artist. This subscription ensures access to the latest offerings and insights into the world of Neo-Impressionism, inviting enthusiasts to deepen their appreciation for Cross's contribution to modern art.
Maximilien Luce was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism.
