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Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Etienne-Pierre Ventenat was a French botanist, mycologist and writer.
Etienne-Pierre Ventenat was one of the greatest botanists in France. Empress Josephine Bonaparte hired him to describe and catalog rare plants at her castle of Malmaison. Josephine enlisted eminent botanists such as Claes and Blaikie to collect plants on a grand scale. Ventenat was commissioned to write the text of the work on the Malmaison collection, and the illustrations were created by the talented artist Pierre-Joseph Redoute, nicknamed the "Raphael of Flowers." As a result, a sumptuous book entitled Jardin de la Malmaison (The Garden of Malmaison) was published in 1803.
Master Gijsbrecht van Brederode was a Northern Dutch book illuminator who worked in Utrecht in the 3rd quarter of the 15th century.
The artist got his name from the book of hours, which he illuminated for Gijsbrecht van Brederode, dean of Utrecht Cathedral (died in 1475). It is known that between 1465 and 1470 this master created almost all the miniatures in this manuscript.
Frederic Moore was a British illustrator, naturalist and entomologist.
Moore worked for many years as assistant curator for the East India Company at the London Museum and discovered many species of butterflies. He also published six volumes on the butterflies of South Asia (Lepidoptera Indica) and a catalog of birds in the East India Company's collection.
Frederic Moore was a member of the Linnean Society of London and the Entomological Society of London.
Winfred Gaul was a German artist of Informel and analytical painting.
Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Alfred Sisley was a Franco-British painter, celebrated as a key figure in the Impressionist movement. Born in Paris to British parents, Sisley dedicated his artistic career to capturing the tranquil landscapes of his adopted France, particularly the areas around Paris and Moret-sur-Loing, where he spent his later years.
From the beginning, Alfred Sisley was a devoted landscape artist, preferring to work en plein air to capture the subtle shifts in the atmosphere and light of his surroundings. Unlike some of his contemporaries who explored urban scenes or human figures, Sisley's works predominantly feature rural settings, quiet streets, and serene river scenes, often devoid of people. His approach was deeply influenced by earlier landscape painters like Jean-Baptiste-Camille Corot, yet his style embodies the quintessential Impressionist focus on light and color.
Despite his dedication and prolific output, Alfred Sisley's work did not gain significant recognition or financial success during his lifetime. It was only posthumously that his paintings began to receive the acclaim they deserved, with his canvases now held in prestigious collections worldwide, including the Musée d'Orsay and the National Gallery.
For collectors and experts in art and antiques, Alfred Sisley's works represent a poignant chapter in the history of Impressionism, characterized by a gentle yet profound rendering of the natural world. His paintings not only reflect the beauty of the French countryside but also encapsulate the fleeting moments of light and weather, making them timeless masterpieces of Impressionist art.
For those interested in the serene beauty of Alfred Sisley's landscapes and updates on exhibitions or sales of his works, signing up for specialized newsletters can provide invaluable insights and opportunities.
Pierre-Joseph Redouté was a French artist and botanist of Belgian origin, a royal painter and lithographer.
Redouté traveled extensively from his youth and carefully studied the pictorial art of various masters, but his main interest eventually became botanical illustration. He gained access to the Botanical Gardens in Paris and the botanical library. Over time, the talented Redouté became a very popular and successful painter of flowers and plants, publishing more and more albums.
In the 1790s, Redouté was internationally recognized as one of the most popular floral artists in the world. His depictions of plants are still as fresh as if they had just been painted. His album of watercolor illustrations, The Lilies, is one of the most expensive printed books in history.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Fred Thieler was a German abstract artist known for his colorful, gestural paintings. He was born in Königsberg, Germany, and studied at the Academy of Fine Arts in Königsberg before moving to Berlin in 1945.
Thieler's early work was influenced by the Expressionist and Surrealist movements, but he soon developed his own unique style characterized by bold colors and dynamic brushstrokes. He often used a palette knife to apply paint to the canvas, creating thick, impasto layers that added depth and texture to his works.
Throughout his career, Thieler participated in numerous exhibitions in Germany and internationally, including the Venice Biennale and Documenta in Kassel. He was also a member of the influential German art group "Quadriga," which included artists such as Bernard Schultze, Karl Otto Götz, and Otto Greis.
In addition to painting, Thieler also worked as a graphic designer and a teacher. He was a professor at the Academy of Fine Arts in Berlin from 1965 to 1981, where he had a significant impact on the next generation of German artists.
Thieler's work can be found in many private collections and museums, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Museum Ludwig in Cologne.
Wifredo Óscar de la Concepción Lam y Castilla, better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.
Odilon Redon was a prominent French artist, renowned for his unique contributions to the Symbolist movement. His artistic journey began with a focus on charcoal and lithography, creating works known as "noirs" that reflected a deep, dream-like quality. Redon's art evolved to incorporate vibrant colors and themes, often inspired by Buddhist and Hindu cultures. Notably, his paintings such as "The Death of Buddha" and "The Buddha," alongside others, displayed his fascination with Eastern philosophies and their integration into his art.
Redon's works are celebrated for their evocative, almost mystical qualities, blending elements of the natural world with fantastical, often surreal imagery. His attention to detail in portraying flowers, plants, and imaginary creatures reflected his interest in natural sciences and botany. This interplay between the real and the imagined is a hallmark of his work, making him a pivotal figure in the Symbolist movement.
His influence is evident in various collections and museums. For instance, the Musée d'Orsay in Paris houses some of his most significant works, including his decorative panels for the Château de Domecy-sur-le-Vault. These panels marked a transition in his style from ornamental to more abstract painting. Additionally, the Getty Museum in California and the Los Angeles County Museum of Art hold significant collections of Redon's works.
For art collectors and enthusiasts, Odilon Redon's work represents a blend of imagination, deep emotional resonance, and a unique interpretation of Symbolist ideas. His ability to capture the unseen and give it form on canvas or paper makes his work a valuable addition to any collection.
If you're interested in staying updated on sales and auction events featuring Odilon Redon's art, signing up for updates can be a great way to stay informed. This subscription is specifically tailored for new product sales and auction events related to Odilon Redon, offering a focused and business-like approach to your art collection interests.
Alfred William (Willy) Finch was a ceramist and painter in the pointillist and Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland. In 1883 he became a founding member of Les XX, a group of twenty Belgian painters, designers and sculptors, who rebelled against the prevailing artistic standards and outmoded academism. He was impressed by the works of Georges Seurat and Paul Signac and changed his own painting style from a more realistic approach into a pointillistic style. In the following years, Finch became one of the leading representatives of his style in Belgium, along with Théo van Rysselberghe. During the early 1890s Finch switched careers from painting to pottery, upon the realization that he couldn't make a living by painting. In 1897, invited by count Louis Sparre, Finch moved to Porvoo, Finland, to head the Iris ceramics factory, and influenced the development of the local Jugendstil. After the factory was closed, Finch resumed his painting career.
Alfred Garrievich Shnitke (russian: Альфред Гарриевич Шнитке) was a Soviet and Russian avant-garde and postmodernist composer, music educator and musicologist.
Alfred's father was journalist and Russian-German translator Harry Shnitke, his mother was German teacher Maria Vogel, and Russian and German were spoken in the house. In 1946-1948 he lived with his family in Vienna, where he learned to play the piano and compose. From 1948 he lived in the Moscow region, then in Moscow. In 1953 Shnitke graduated from the conducting and choir department of the Music and Pedagogical College (now the Shnitke Moscow State Institute of Music), and in 1958 from the Tchaikovsky Moscow Conservatory. Between 1961 and 1972 he taught instrumentation, score reading, polyphony and composition at the Moscow Conservatoire. From the mid-1970s he appeared as a pianist, performing his own compositions.
In the early 1960s Shnitke turned his attention to modern compositional techniques, including dodecaphony, became an active supporter of the European musical avant-garde and tried to find his own style. His first significant achievements in this field were Dialogue for cello and seven instrumentalists (1965) and the Second Violin Concerto (1966).
Shnitke wrote more than 200 musical works in various genres, including the operas The Story of Dr. Johann Faust (1983-1994) and Life with an Idiot (1991); and the ballets Labyrinths (1971), Sketches (1971-1985) and Per Gynt (1986). Among his choral works, Requiem (1975) is widely known, as well as Poems of Penitence for a cappella choir (1987) and others. The composer wrote nine symphonies, concertos for violin, viola, cello, piano and other instruments. Shnitke also wrote music for many famous and popular films and cartoons from 1964-1994, as well as for theatrical productions of the main theaters of Russia.
Alfred Shnitke is an Honored Art Worker of the RSFSR, winner of the N.K. Krupskaya State Prize of the RSFSR and the State Prize of the Russian Federation. In 1990 the composer, together with his wife, pianist Irina Kataeva-Shnitke, moved to Germany and received German citizenship, as an exception he was allowed not to renounce his Soviet citizenship. He taught composition at the Hochschule für Musik und Theater in Hamburg, and was elected a member of the West Berlin Academy of Arts, the Bavarian Academy of Fine Arts, and the Royal Swedish Academy.
Shnitke died in Hamburg from the effects of four strokes, and is buried at the Novodevichy Cemetery in Moscow.
Wifredo Óscar de la Concepción Lam y Castilla, better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.
Winfred Gaul was a German artist of Informel and analytical painting.
Odilon Redon was a prominent French artist, renowned for his unique contributions to the Symbolist movement. His artistic journey began with a focus on charcoal and lithography, creating works known as "noirs" that reflected a deep, dream-like quality. Redon's art evolved to incorporate vibrant colors and themes, often inspired by Buddhist and Hindu cultures. Notably, his paintings such as "The Death of Buddha" and "The Buddha," alongside others, displayed his fascination with Eastern philosophies and their integration into his art.
Redon's works are celebrated for their evocative, almost mystical qualities, blending elements of the natural world with fantastical, often surreal imagery. His attention to detail in portraying flowers, plants, and imaginary creatures reflected his interest in natural sciences and botany. This interplay between the real and the imagined is a hallmark of his work, making him a pivotal figure in the Symbolist movement.
His influence is evident in various collections and museums. For instance, the Musée d'Orsay in Paris houses some of his most significant works, including his decorative panels for the Château de Domecy-sur-le-Vault. These panels marked a transition in his style from ornamental to more abstract painting. Additionally, the Getty Museum in California and the Los Angeles County Museum of Art hold significant collections of Redon's works.
For art collectors and enthusiasts, Odilon Redon's work represents a blend of imagination, deep emotional resonance, and a unique interpretation of Symbolist ideas. His ability to capture the unseen and give it form on canvas or paper makes his work a valuable addition to any collection.
If you're interested in staying updated on sales and auction events featuring Odilon Redon's art, signing up for updates can be a great way to stay informed. This subscription is specifically tailored for new product sales and auction events related to Odilon Redon, offering a focused and business-like approach to your art collection interests.
Alfred Aberdam was a Polish painter associated with the School of Paris, known for his participation in the artistic movements of the early 20th century. Born in Lviv, then part of the Austro-Hungarian Empire, Aberdam's journey in the arts began with his studies at the Munich Academy in 1911. His life and work were marked by significant historical events, including imprisonment during World War I and an active period in Poland's art scene before settling in Paris. Aberdam's contributions are remembered through his numerous exhibitions, including solo showcases in Paris, London, and Tel-Aviv, as well as posthumous retrospectives like the one in Geneva's Petit Palais in 1970.
Aberdam's works reflect the cultural dynamism of the School of Paris, capturing a confluence of influences that characterized the European art scene. Despite being somewhat lesser-known, his paintings have been traded at auction, reflecting a continued interest and recognition of his artistic legacy. His art remains an important part of the narrative of Jewish painters in Paris from 1905 to 1939, contributing to our understanding of the era's artistic diversity.
For collectors and experts in art and antiques, Aberdam's work embodies the intricate history and cultural exchanges of the early 20th century European art world. His paintings not only represent his individual talent but also tell the story of the times in which he lived, worked, and created. Understanding Aberdam's art is a journey through the cultural melting pot that was Paris during a pivotal period in modern art history.
For those interested in exploring the legacy and works of Alfred Aberdam further, or seeking to keep abreast of new product sales and auction events related to his work, subscribing for updates is invaluable. Stay informed on the latest developments and opportunities to appreciate or acquire pieces by this notable artist. Subscribe now to ensure you are alerted to new sales and auction events featuring the esteemed Alfred Aberdam.
