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Jan Jastram is a German sculptor.
Jan comes from a creative family: his father is the famous sculptor Jo Jastram (1928-2011), his mother is the graphic artist Inge Jastram (1934-2019), his brothers and sister are also sculptors. Jan studied wood sculpture at the Technical School of Applied Arts in Schneeberg, today he lives and works in Stralsund.
Jan Jastram usually makes his figures by hand with a chainsaw from oak or elm. Some of his bronze sculptures are located in public places.
Gaetano Pesce is an Italian architect and a design pioneer of the 20th century. Pesce was born in La Spezia in 1939, and he grew up in Padua and Florence. During his 50-year career, Pesce has worked as an architect, urban planner, and industrial designer. His outlook is considered broad and humanistic, and his work is characterized by an inventive use of color and materials, asserting connections between the individual and society, through art, architecture, and design to reappraise mid-twentieth-century modern life.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court.
Alexander Hamilton was an American politician and statesman, the founder of the American financial system.
A native of Great Britain, Hamilton arrived in continental America in late 1772 and enrolled at King's College in New York. He became captain of an artillery company in 1776 and fought in the battles of Kips Bay, White Plains, Trenton, and Princeton during the American War of Independence. For four years he served on George Washington's staff as adjutant with the rank of lieutenant colonel. And in 1782, Hamilton was chosen by New York as a delegate to the Confederate Congress.
Alexander Hamilton was also one of New York's delegates to the Constitutional Convention in Philadelphia in 1787. He was a passionate advocate of the Constitution and, along with future President James Madison and John Jay, contributed to the famous book The Federalist (1788), writing most of the essays for it. After George Washington was elected the nation's first president in 1789, he appointed Hamilton Secretary of the Treasury. As the first Secretary of the Treasury (1789-1795), Hamilton developed plans to finance the national debt, secure federal credit, encourage the expansion of manufacturing, and organize a federal bank. In 1801, Hamilton founded the New York Evening Post newspaper.
On July 11, 1804, Hamilton was mortally wounded in a duel with his personal and political rival, Vice President Aaron Burr. Today, Alexander Hamilton is revered as one of the founding fathers of the United States, he is known for his role in creating America's financial system, and his portrait is on the ten dollar bill.
Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Robert Milton Ernest Rauschenberg was an American artist renowned for his pioneering work that blurred the boundaries between painting and sculpture, thereby anticipating the Pop art movement. From his early days at the Art Students League of New York to his experiments at Black Mountain College, Rauschenberg's career was marked by innovation and collaboration. His "Neo-Dadaist" approach, shared with contemporaries like Jasper Johns, questioned traditional distinctions between art objects and everyday items, drawing inspiration from Marcel Duchamp's Dadaist principles.
Rauschenberg's most notable works, such as "Erased de Kooning Drawing" and his "Combines," utilized found materials and images to create new art forms that challenged viewers' perceptions. His use of non-traditional materials like twine, soil, and even taxidermied animals, alongside traditional canvas and paint, set new precedents for what could be considered art. His groundbreaking silkscreen paintings incorporated found images, further cementing his role in the evolution toward Pop art.
The artist's work is represented in major museums and galleries worldwide, reflecting his significant impact on contemporary art. His pieces like "Canyon" and "Monogram" are celebrated for their innovative integration of sculpture and painting, while "Signs" captures the tumultuous spirit of the 1960s through its collage of cultural figures and events, housed in institutions like the Museum of Contemporary Art, San Diego, and The Minneapolis Institute of Arts.
For collectors and experts in art and antiques, Rauschenberg's oeuvre represents a critical junction in the history of modern art, where the lines between different media and disciplines were explored and often erased. His legacy is not just in the objects he created but in his bold reimagining of the art-making process itself, encouraging a dialogue between art and life that continues to inspire artists today.
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