riva 1920
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Alejandro Jesús Obregón Rosės was a Colombian painter, muralist, sculptor and engraver.
Obregón is a good example of the abstract Surrealist trend in Latin America.
Color plays a fundamental role in integrating the structures of his design, using geometric forms and expressionism.
Alejandro Jesús Obregón Rosės was a Colombian painter, muralist, sculptor and engraver.
Obregón is a good example of the abstract Surrealist trend in Latin America.
Color plays a fundamental role in integrating the structures of his design, using geometric forms and expressionism.
Morton Wayne Thiebaud war ein US-amerikanischer Maler und bedeutender Vertreter der amerikanischen Pop Art.
Morton Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects — pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs — as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art.
Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for New Statesman and Arts New York, this continued periodically in later years.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Morton Wayne Thiebaud war ein US-amerikanischer Maler und bedeutender Vertreter der amerikanischen Pop Art.
Morton Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects — pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs — as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Rafael Soriano was a Cuban painter who lived in the United States.
He has started painting in 1940s, and soon became one of the primary practitioners of concrete art in Cuba and Latin America.
After Soriano's death in 2015, his family created the Rafael Soriano Foundation in order to encourage a deeper appreciation of his artwork as one of the major Latin American Artist of his time. In particular, this Foundation promotes exhibitions that focus on his work in order to be placed in museums and collections around the globe. They also maintain a main database that catalogues all works made solely by Soriano.
Alejandro Jesús Obregón Rosės was a Colombian painter, muralist, sculptor and engraver.
Obregón is a good example of the abstract Surrealist trend in Latin America.
Color plays a fundamental role in integrating the structures of his design, using geometric forms and expressionism.