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Ludolf of Saxony (German: Ludolf von Sachsen), also known as Ludolf der Kartäuser, was a Roman Catholic theologian and Christian writer of German origin.
The major work of his life was Vita Christi (Life of Christ), also known as Speculum vitae Christi (Mirror of the Life of Christ), completed in 1374. The book is not only a biography of Jesus, but also a history, commentaries by church fathers, and a series of dogmatic and moral reflections, spiritual teachings, meditations, and prayers. This work was very popular in the fourteenth and fifteenth centuries and was first printed in the 1470s.
Carlo Cignani was an Italian painter, a representative of the Bolognese Baroque school.
Although he was educated in Bologna, he was more influenced by Correggio. The last 20 years of his life the artist spent in Forli, engaged in painting churches. The fresco "Assumption of the Virgin" in the dome of the cathedral of Forlì was painted by Cignani on the motives of the painting of the dome of the Cathedral of Parma, made by Correggio.
His son Felice (1660-1724) and nephew Paolo (1709-1764) were also artists.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Nicolaus Copernicus (Polish: Mikołaj Kopernik) was a Polish and German scientist, astronomer, mathematician, mechanic, economist, and Renaissance canonist. He was the author of the heliocentric system of the world, which initiated the first scientific revolution.
Copernicus studied the humanities, including astronomy and astrology, at the University of Krakow and at the University of Bologna in Italy. Together with other astronomers, including Domenico Maria de Novara (1454-1504), he was engaged in observing the stars and planets, recording their movements and eclipses. At the time, medicine was closely related to astrology, as the stars were believed to influence the human body, and Copernicus also studied medicine at the University of Padua between 1501 and 1503.
Nicolaus Copernicus, based on his knowledge and observations, was the first to suggest that the Earth is a planet that not only revolves around the sun every year, but also rotates once a day on its axis. This was in the early 16th century when people believed the Earth to be the center of the universe. The scientist also suggested that the Earth's rotation explained the rising and setting of the Sun, the movement of the stars, and that the cycle of the seasons was caused by the Earth's rotation around itself. Finally, he correctly concluded that the Earth's motion in space causes the planets to move backwards across the night sky, the so-called retrograde direction.
Although Copernicus' model was not completely correct, it laid a solid foundation for future scientists, such as Galileo, who developed and improved mankind's understanding of the motion of celestial bodies. Copernicus completed the first manuscript of his book De Revolutionibus Orbium Coelestium (On the Rotation of the Celestial Spheres) in 1532. In it, the astronomer outlined his model of the solar system and the paths of the planets. However, he published the book only in 1543, just two months before his death, and dedicated it to Pope Paul III. Perhaps for this reason, and also because the subject matter was too difficult to understand, but the church did not finally ban the book until 1616.
Carl Gustav Carus was a German painter of the first half of the 19th century. He is known as a landscape painter, as well as a scientist, physician (gynecologist, anatomist, pathologist, psychologist) and a major theorist of Romanticism in art.
Carus created idyllic landscapes depicting moonlit nights, mountains, forests, Gothic architecture and ruins. In his work, according to critics, he combined a romantic view of nature with the classical ideal of beauty, understood the beautiful as a triad of God, nature and man. Noteworthy are his small-format, spontaneously created landscape sketches with images of clouds. The master is the author of "Nine Letters on Landscape Painting" - one of the main theoretical works that laid the foundations of the German Romantic school of painting.
Hartmann Schedel was a German humanist, medical scientist, historian and chronicler.
Schedel was the first to compile a world chronicle, the so-called Visual History of the Earth from the Creation of the World to the 1490s, known as Schedelsche Weltchronik (Schedel's World Chronicle). It was published in 1493 in Nuremberg. About 600 woodcuts for this book were created by the artists and engravers Michael Wolgemuth (1434-1519) and Albrecht Dürer (1471-1528). The illustrations depict biblical scenes, family trees, portraits of famous personalities, and fairy tale or legendary creatures. However, the main ones here were maps of the world, Germany and Central Europe.
Hartmann Schedel was one of the first cartographers to use machine printing. He was also a renowned collector of books, artworks and engravings by old masters.
