simon van den berg
Simon van den Berg was a Dutch painter, a prominent representative of 19th-century Dutch Romanticism.
Simon was a farmer's son and took up painting rather late. However, after studying with the painters Moleyn in Rotterdam, J. de Meijer and P.G. van Os, who specialized in animals and landscapes, Simon van den Berg became a prominent painter in Holland.
He painted pastoral scenes with shepherds and livestock, and also worked with etchings and lithographs. Van den Berg was director of the Mauritshuis (Maurice House) from 1880 to 1889. During his long life, he also nurtured many talented young artists.
Simon de Vos was a Flemish painter, graphic artist and art collector, a member of the Guild of St. Luke in Antwerp.
Simon de Vos specialized early in his career in cabinet and genre painting in the style of the Utrecht Caravagistes. His depictions of merry company and scenes from fables are well known. From about 1640 he increasingly painted large-scale religious, allegorical and historical scenes in the style of Peter Paul Rubens and Antoni van Dyck. Among his pupils was Jan van Kessel the Elder (1626-1679).
Simon de Vos was financially successful: by the end of his life he owned four estates in Antwerp and a collection of 290 paintings.
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. Hogenberg was the author of graphic works, engravings of city views and maps of the first four volumes of the six-volume atlas Theatrum Orbis Terrarum (Description and drawings of the most famous cities in the world), published in 1570 by the Flemish geographer Abraham Ortelius. Hogenberg's engravings are an invaluable source of information about urban development in medieval Europe.
Georg Braun was a German topographical geographer, cartographer and publisher.
Braun was the editor-in-chief of the Civitates orbis terrarum, a groundbreaking atlas of cities, one of the major cartographic achievements of the 16th century. It was the first comprehensive and detailed atlas, with plans of the world's famous cities and bird's-eye views, and became one of the best-selling works of the time.
The book was prepared by Georg Braun in collaboration with the Flemish engraver and cartographer Frans Hoogenberg. Braun, as editor-in-chief, acquired tables, hired artists, and wrote the texts. They drew on existing maps as well as maps based on drawings by the Antwerp artist Joris Hofnagel and his son Jacob. Other authors include Pieter Bruegel the Elder (c. 1525-1569), Jacob van Deventer (c. 1505-1575), and more than a hundred other artists and engravers.
Simon Novellanus was a Dutch-born German artist, graphic artist and engraver who worked in Cologne in the second half of the 16th century.
He is known to have been a skilled engraver and collaborated with cartographer and engraver Franz Hogenberg in the production of books and atlases. Novellanus's sprawling, multi-layered landscapes are executed in a light and varied etching technique that creates intense light and atmosphere.
Simon van den Berg was a Dutch painter, a prominent representative of 19th-century Dutch Romanticism.
Simon was a farmer's son and took up painting rather late. However, after studying with the painters Moleyn in Rotterdam, J. de Meijer and P.G. van Os, who specialized in animals and landscapes, Simon van den Berg became a prominent painter in Holland.
He painted pastoral scenes with shepherds and livestock, and also worked with etchings and lithographs. Van den Berg was director of the Mauritshuis (Maurice House) from 1880 to 1889. During his long life, he also nurtured many talented young artists.
Taryn Simon is an American photographer. She is known for her conceptual photography, which explores themes of power, control, and the hidden structures that shape our world.
Simon's work often involves extensive research and collaboration with experts in various fields. Her photographs are often large-scale and meticulously composed, featuring subjects ranging from political figures and cultural icons to everyday objects and places.
Some of Simon's most famous projects include "An American Index of the Hidden and Unfamiliar," which documented hidden sites and organizations throughout the United States, and "Contraband," a series of photographs of items seized by customs officials at JFK International Airport.
Simon's work has been exhibited in major museums and galleries around the world, and she has received numerous awards and honors for her contributions to the field of photography. She continues to produce new work and is widely regarded as one of the most important photographers of her generation.
Jean-François Oeben, or Johann Franz Oeben, was a German ébéniste (cabinetmaker) whose career was spent in Paris. He was the maternal grandfather of the painter Eugène Delacroix.
Edgar Degas, a French artist, was a master of painting, sculpture, and drawing, celebrated for his profound influence on the Impressionist movement despite his preference for being called a realist. Degas was born into a well-off family in Paris, France, and demonstrated a keen interest in art from an early age, eventually shaping his path to become one of the most sophisticated draftsmen of his time. His rigorous academic training and close study of classical art initially aimed him towards a career in history painting, but Degas soon pivoted towards contemporary subject matter, thus cementing his role as a classical painter of modern life.
Degas is renowned for his dynamic portrayals of movement, particularly in his depictions of dancers, racehorses, and everyday Parisian life. His works are characterized by their psychological depth and the isolation of his figures, showcasing his unique ability to capture the essence of his subjects with both empathy and critical distance. More than half of his oeuvre focuses on dancers, reflecting not only his fascination with the ballet but also his innovative approach to composition and form. This focus on the human figure, explored in various media including oil, pastel, and sculpture, underscores Degas's commitment to studying the nuances of human movement and expression.
Degas's artistic career is marked by his experimentation with various techniques and materials, as seen in his bronze sculptures and pastel nudes. One of his most famous sculptures, the study of the young ballet student Marie van Goethem, showcases his pioneering use of real objects in sculpture, a practice that prefigured later artistic innovations. Despite the controversies that sometimes surrounded his work, particularly in his depictions of the female nude, Degas's legacy as an artist who bridged the gap between traditional academic art and the modern movements of the early 20th century remains undisputed.
For collectors and experts in art and antiques, Degas's work offers a fascinating study in the evolution of modern art, highlighting the artist's deep engagement with the cultural and social dynamics of his time. His pieces, whether in the form of paintings, sculptures, or prints, continue to captivate audiences with their complexity, beauty, and innovative spirit.
If you are keen to stay updated on sales and auction events related to Edgar Degas, signing up for updates is a prudent choice. This subscription service ensures that you remain informed about new opportunities to acquire works by this pivotal figure in the art world, without overwhelming you with unnecessary information.
Franz Moritz Wilhelm Marc, a pivotal figure in German Expressionism, remains celebrated for his innovative contributions to 20th-century art. Born in Munich, Bavaria, within the German Empire on February 8, 1880, Marc's journey into the art world was profoundly influenced by his education at the Academy of Fine Arts in Munich. His distinct artistic vision is most famously encapsulated in works like "The Tower of Blue Horses", "Yellow Cow", and "Blue Horse I", each radiating with vibrant colors and emotional depth. Marc's affiliation with Der Blaue Reiter, a journal he co-founded, underscored his role in the German Expressionist movement, emphasizing the spiritual and symbolic significance of color in art.
Marc's oeuvre predominantly features animals, presented not merely as subjects but as embodiments of primal purity and emotional resonance. This choice of subject matter, combined with a stark, almost cubist portrayal, allowed Marc to explore themes of spirituality, masculinity (often symbolized by blue), and the tumultuous essence of life itself. His work "Fate of the Animals", which hangs in the Kunstmuseum Basel, exemplifies this thematic exploration, portraying a premonition of chaos and destruction that eerily anticipated the outbreak of World War I.
Tragically, Marc's promising career was cut short by his death at the Battle of Verdun on March 4, 1916, during World War I, where he served in the German Army. Despite his premature demise, Marc's legacy endures through his profound impact on modern art, as seen in his vibrant compositions that continue to captivate audiences in galleries and museums worldwide. His artworks, once labeled as "degenerate" by the Nazis, have transcended this vilification, achieving acclaim and fetching high sums at auction, with "Die Füchse (The Foxes)" reaching a record £42,654,500.
For collectors and experts in art and antiques, Marc's work represents not only a high point in German Expressionism but also a window into the artist's profound belief in the spiritual power of color and form. His legacy is a testament to the enduring allure and significance of early 20th-century modern art. To stay updated on sales and auction events related to Franz Marc's work, signing up for updates offers a direct link to the vibrant legacy of this remarkable artist.
