wolfgang stähle
Wolfgang Tillmans is a German photographer. His diverse body of work is distinguished by observation of his surroundings and an ongoing investigation of the photographic medium’s foundations.
Tillmans was the first photographer – and also the first non-British person – to be awarded the Tate annual Turner Prize. He has also been awarded the Hasselblad Award, the Royal Photographic Society's Centenary Medal, the Royal Academy Summer Exhibition's Charles Wollaston Award, The Culture Prize of the German Society for Photography, and is an Academician of the Royal Academy of Arts, London.
Wolfgang Amadeus Mozart, full name Johann Chrysostomus Wolfgang Amadeus Mozart, was an Austrian composer and virtuoso musician. Mozart is one of the greatest composers in music history on par with Beethoven and Haydn.
Wolfgang was born into the family of violinist and composer Leopold Mozart (1719-1787), at the age of five he had already begun composing and gave his first public performance. His older sister Maria Anna (1751-1829) was also a prodigy, and from 1763 Leopold and his children began traveling around Europe with performances.
Mozart had a phenomenal musical ear, memory and was a superb improviser. Unlike any other composer in music history, he was versatile and wrote in all musical genres of his time. During his short life, Mozart composed more than 800 works, many of which are recognized as the pinnacle of the symphonic, concert, chamber, opera and choral repertoire. The general public is familiar with the composer's three operas: The Marriage of Figaro, Don Giovanni and The Magic Flute.
Society did not immediately appreciate the scale of Mozart's genius. It was only many years later that the vivid image of a prodigy, a refined salon composer who could miraculously think through an entire work in his head, gave way to the image of a serious, meticulous and brilliant creator of music.
Wolfgang Amadeus Mozart, full name Johann Chrysostomus Wolfgang Amadeus Mozart, was an Austrian composer and virtuoso musician. Mozart is one of the greatest composers in music history on par with Beethoven and Haydn.
Wolfgang was born into the family of violinist and composer Leopold Mozart (1719-1787), at the age of five he had already begun composing and gave his first public performance. His older sister Maria Anna (1751-1829) was also a prodigy, and from 1763 Leopold and his children began traveling around Europe with performances.
Mozart had a phenomenal musical ear, memory and was a superb improviser. Unlike any other composer in music history, he was versatile and wrote in all musical genres of his time. During his short life, Mozart composed more than 800 works, many of which are recognized as the pinnacle of the symphonic, concert, chamber, opera and choral repertoire. The general public is familiar with the composer's three operas: The Marriage of Figaro, Don Giovanni and The Magic Flute.
Society did not immediately appreciate the scale of Mozart's genius. It was only many years later that the vivid image of a prodigy, a refined salon composer who could miraculously think through an entire work in his head, gave way to the image of a serious, meticulous and brilliant creator of music.
Louis Majorelle was a prominent French artist, cabinetmaker, furniture designer, and a leading figure of the Art Nouveau movement. Trained initially as a painter, Majorelle shifted focus to furniture design, taking over his family's business and emerging as a dynamic force within the École de Nancy.
Louis Majorelle was instrumental in the Art Nouveau style's development, known for his innovative and nature-inspired designs. He was one of the founding members of the École de Nancy, a collective that aimed to promote Lorraine's decorative arts. Louis Majorelle's work, particularly in furniture and interior design, showcased his skill in integrating natural forms with functional pieces. His use of materials such as mahogany and his incorporation of floral and organic motifs were distinctive of his work. Notably, Majorelle's Nénuphar bed, displaying water lily motifs, stands as a testament to his design philosophy and can be seen at the Musée d'Orsay in Paris.
The Villa Majorelle, his own residence in Nancy, serves as an embodiment of Art Nouveau architecture, featuring intricate ironwork and woodwork crafted by Louis Majorelle himself. This house not only served as his home but also as a beacon of Art Nouveau's architectural potential, showcasing the movement's aesthetic in a living environment.
For collectors and experts in art and antiques, Louis Majorelle's work represents the pinnacle of Art Nouveau's embrace of naturalistic designs and the seamless blend of art and craftsmanship. His contributions to the movement have left an indelible mark on the history of decorative arts.
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Max Friedrich Ferdinand Rabes was a German Impressionist painter. Although he is best remembered as an Orientalist painter, he rejected that label during his lifetime and wanted all of his works to be equally recognized. He was initially self taught, through making nature studies and sketches. Later, he took lessons from the landscape painter, Paul Graeb (1842–1892). He made numerous trips to North Africa and the Middle East. In 1898 he was invited to accompany Kaiser Wilhelm II on a trip to Istanbul and Palestine. He was appointed an honorary doctor and became a Professor at the Berlin University of the Arts. In 1899, he was awarded the Order of the Zähringer Lion. In 1914, he undertook a trip to the front lines in East Prussia. The following year, he was at the western front in Belgium and, in 1917, visited Verdun. In addition to his canvases, he did decorative work; including landscape murals at a castle in Lausitz (1901) and a villa in Iserlohn (1905), as well as ceiling paintings and allegorical murals at the Schauspielhaus in what is now Wrocław (1906-1908).
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Caspar David Friedrich was a German painter of the late eighteenth and first half of the nineteenth centuries. He is known as a painter, draughtsman, watercolorist and is considered a key figure of early German Romanticism.
Caspar David Friedrich was the leader of the so-called Dresden Romantics, known for their emotionally intense landscapes. The artist himself viewed nature as a reflection of the soul and a symbol of religious experiences, creating works with deep symbolism. He actively used landscape to convey his emotions and used the technique of transporting the viewer into the virtual space of the painting. His works often depicted figures immersed in the contemplation of nature, facing infinity, which created a unique effect.