Poets Self-portrait
Erwin Bovin is a German painter and poet. He received his first art education at the School of Applied Arts in Neuchâtel under the direction of William Racine. He took part in the First World War as an interpreter. During this time, he created, among other things, drawings and watercolors depicting the front in the Argonne forest. After the war, he continued to study and worked as an art teacher. In 1932-1942 he lived as a freelance artist. After leaving his position as a teacher, he went to Amsterdam to visit the Rembrandt exhibition there, and then stayed to live in the Netherlands. In addition to landscapes, Bovin painted numerous portraits and family paintings for wealthy Dutch people.
María del Carmen Mondragón Valseca, also known by her pen name Nahui Olin, was a Mexican artist, model and poet.
Carmen Mondragon was associated with the avant-garde movement, known for her unconventional lifestyle and outspoken nature. Her contributions to Mexican modernism and her role as muse to famous artists and writers further cemented her status as a cultural icon.
Nahua Olin's personal life and relationships were equally unconventional. She had affairs with famous artists, including Diego Rivera and Gerardo Murillo (Dr Atl), which influenced her artistic expression and worldview. Her exploration of love, desire and identity through her art and personal experiences has made her a symbol of female empowerment and sexual liberation.
Robert Reinick was a German painter and poet who studied at the Berlin Academy of Arts and later at the Düsseldorf Academy under Friedrich Wilhelm von Schadow. He also travelled to Italy in 1838 and became a member of the Ponte Molle Society in Rome. Reinick settled in Dresden in 1844 and worked as a poet, translator and artist until his death in 1852. He was friends with many notable personalities, including Robert Schumann and Richard Wagner. Reinick's poem "Wie ist doch die Erde so schön, so schön!" was set to music by Johannes Brahms and gained great popularity through its use in the film Oedipussi by Loriot.
Salvatore Tonci was an Italian painter, musician, singer, and poet, renowned for his multifaceted artistic talents and his life largely spent in Russia. Born in January 1756 in Rome, Tonci moved to Russia in 1797, where he significantly contributed to the cultural scenes of St. Petersburg and Moscow until his death in December 1844. He was instrumental in the founding of the Architectural School in Moscow and is celebrated for his portrait paintings, which capture prominent figures of his time in a style that combines Italian finesse with Russian sensibilities.
Throughout his career, Tonci produced a series of notable works, including portraits of Russian Emperor Paul I and the poet Gavrila Derzhavin. His work is characterized by its historical depth and artistic mastery, reflecting the social and political landscapes of 18th and 19th century Russia. His contributions were not limited to painting; he also engaged in poetry and played a vital role in the artistic community as an educator, supervising drawing classes at the Moscow School of Painting, Sculpture and Architecture for over two decades.
For those interested in exploring the works of Salvatore Tonci or learning more about his contributions to art and culture, his paintings and other artistic expressions provide a fascinating glimpse into the rich cultural interchange between Italy and Russia during his lifetime. To stay updated on new discoveries and auction events related to Salvatore Tonci, you can sign up for updates, ensuring you don't miss out on any valuable insights or opportunities related to this remarkable artist.
Maximilian Alexandrovich Voloshin (Russian: Максимилиа́н Алекса́ндрович Волошин) was a multifaceted Russian figure, known for his profound contributions as a poet, artist, literary critic, art historian, mystic, philosopher, and journalist. His work, deeply intertwined with the landscapes of Crimea and the ancient, complex terrains of Koktebel, reflects a geological, philosophical, and pantheistic precision, rather than geographical accuracy. Voloshin's watercolors of Crimean landscapes, notable for their lack of geographical precision but profound depth in geological and philosophical terms, are celebrated for capturing the essence of Crimea's natural beauty. His poetry and art, deeply influenced by symbolist movements, did not align with any single avant-garde art group, showcasing his unique stance as both an artist and a poet. Voloshin's life was a testament to his eccentricity and depth, filled with intellectual pursuits, extensive travels, and a commitment to community and humanism, particularly evident in his efforts during the tumultuous times of the Russian Civil War, where he sought to mediate between opposing factions.
Voloshin's contributions to Russian culture are significant, with his works offering insights into Russian history and philosophy. Despite periods of obscurity, particularly under Soviet rule, his legacy as a key figure of the Russian Silver Age endures, with his home in Koktebel now serving as a museum and a place of pilgrimage for many. His poetry, characterized by its philosophical depth and historical insight, has found resonance in modern times, not only within literary circles but also in music, with bands like Little Tragedies setting his poems to music.
For those interested in exploring the profound and visionary works of Maximilian Voloshin, his poetry and art continue to offer a window into the soul of Russian history and the natural beauty of Crimea. Collectors and experts in art and antiques might find the exploration of Voloshin's work both enriching and enlightening.
For updates related to Maximilian Alexandrovich Voloshin, including new product sales and auction events featuring his work, sign up for our newsletter. Stay connected with the legacy of a visionary poet and artist whose work transcends time and geography.
