Sculptors Abstract art
Urs Aeschbach is a Swiss media artist working in various techniques. Nature is always a pictorial theme in Urs Aeschbach's paintings. Her main characters are mushrooms, woody plants, animals, jellyfish, as well as dogs and horses. The artist's paintings are inspired by photographs and illustrations. In addition to paintings, Eschbach creates art and construction projects, video works, as well as constructions and installations.
Wolfram Aïchele was an artist from Baden-Württemberg in Southern Germany, son of renowned animal artist Erwin Aichele. After training as a sculptor, he studied religious and Byzantine art, drawing inspiration from his pilgrimage to Serbia, Kosovo, Macedonia, and Mount Athos. Aïchele focused on painting icons using egg tempera, aiming to revive the pure iconographical style corrupted in the 19th century. He later moved to Paris, where he explored various influences such as Eastern European folk art, Persian miniatures, and modern artists like Chagall and Klee. Aïchele's work transitioned to a unique blend of figurative and abstract art, primarily expressed through watercolors and painted collages.
Frederico Aguilar Alcuaz is a Filipino abstract painter, sculptor and ceramist, and master tapestry artist.
He studied painting at the University of the Philippines' School of Fine Arts, then lived and worked both in the Philippines and Spain, and in Brno, Czech Republic, he worked extensively on tapestries.
Alcuaz has earned international acclaim with his vivid abstract works in various genres and techniques, and he has exhibited extensively internationally.
Andreu Alfaro Hernández was a Spanish sculptor.
Alfaro learned the principles of geometry and applied his knowledge to create abstract works. His sculptures are usually full of nuances that play with the module, the series and light and color. He was also described as a minimalist artist, albeit with reservations.
Harold Ambellan is an American painter and sculptor.
He studied sculpture and fine art in Buffalo before moving to New York City. The human figure is central to Harold Ambellan's work. He created monumental figures and drew extensively, leaving thousands of drawings. Ambellan was one of the participants in Roosevelt's Federal Art Project, which hired hundreds of artists during the Great Depression who collectively created more than 100,000 paintings and over 18,000 sculptures.
Ambellan remained committed to figuration in both his sculpture and painting. He was elected president of the Sculptors Guild of America in 1941, and that same year his work was exhibited in group shows at the Metropolitan Museum of Art in New York and the Academy of Fine Arts in Philadelphia.
In 1944, Ambellan participated in the liberation of Normandy as part of the U.S. Navy, then taught three-dimensional art at the Workshop School in New York City. In 1954, for political reasons, Ambellan moved to France and remained there for the rest of his life, working and exhibiting throughout Europe.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
John Armleder is a Swiss performance artist, painter, sculptor, critic, and curator. His work is based on his involvement with Fluxus in the 1960s and 1970s, when he created performance art pieces, installations and collective art activities that were strongly influenced by John Cage. However, Armleder's position throughout his career has been to avoid associating his artistic practice with any type of manifesto.
Charles Arnoldi is an American painter, sculptor and printmaker.
In the early 1970s, the artist attracted attention for his wall-relief wood sculptures, such as Honeymoons in the collection of the Honolulu Museum of Art.
The use of wood remained a feature of Arnoldi's oeuvre, although, since the 1980s, he has often employed it in combination with other media. In the 1990s, Arnoldi's output changed radically. He began producing abstract paintings on canvas, first black and white, and later brightly colored.
Jean Arp, born Hans Peter Wilhelm Arp, was a German and French poet, painter, graphic artist and sculptor. one of the founders of the Dada movement in Zurich.
Arp used abstract forms in his work and experimented with different materials such as wood, metal and stone. He was also known for his poetic works, in which he applied a method of randomly selecting words, called the "clutter method". Arp believed that this method helped him express his thoughts more precisely and originally. Arp's influence on the arts is still significant today.
Helen Ashbee is a British artist, sculptor and jeweller. Daughter of renowned architect, designer and social reformer Charles Robert Ashbee.
Helen Ashbee was a textile designer and after the death of her husband, Italian painter Francesco Cristofanetti, she finds her real business in Paris - 'abstract sculpture' and related jewellery, for which she always did many preparatory drawings.
Pablo Atchugarry is a Uruguayan artist, best known for his abstract sculptural art. His works are included in many major collections, both private and public, and he has held more than one hundred solo and collective exhibitions worldwide.
For each sculpture, Atchugarry personally selects an appropriate block and is actively involved in carving it, with minimal help from assistants. He works with white Carrara marble from Tuscany, gray stone from Bardiglio, black from Belgium, and pink from Portugal. Aside from working with stone, he utilizes bronze finished in various patinas, ceramic, and, more rarely, various types of wood.
Ugo Attardi was an Italian painter, sculptor and writer. Attardi moved from Genoa to Rome in the early 1950s, where he formed the group Forma 1 together with other artists. His sculpture of Ulysses is now permanently installed in Battery Park in New York
Tauba Auerbach is a visual artist working in many disciplines including painting, artists' books, sculpture and weaving. They live and work in New York.
A life-long student of math and physics, Auerbach's work contends with structure and connectivity on the microscopic to the universal scale.
Edgar Augustin was a German painter and sculptor.
Augustin studied sculpture in Münster with Karl Ehlers, then was a pupil of the master Gustav Zeitz in Hamburg. His oeuvre includes partly abstract figurative representations in bronze, wood and plaster as well as paintings, drawings and graphics. Some of Edgar Augustine's sculptures are located in public spaces in Hamburg and other cities.
Edgar Augustin was a member of the Free Academy of Arts in Hamburg and the Special Association of Artists in Germany. In the second half of the 20th century, Augustin was one of the pioneers of figurative wood sculpture and is considered its most important representative.
Kenjiro Adzuma (Japanese: 吾妻 兼治郎) is a Japanese abstraction sculptor known for his avant-garde and innovative approach to sculpture and installation art, one of Japan's most important post-World War II artists. He also lived and worked in Italy for many years. He studied sculpture at the Graduate School of Art at the University of Tokyo and at the Brera Academy of Fine Arts in Milan, where he attended Marino Marini's class.
Kenjiro Adzuma was a key figure in the Japanese art movement known as Mono-ha (School of Things) in the late 1960s and early 1970s. Mono-ha artists explored the relationship between natural and industrial materials, often juxtaposing them to create thought-provoking installations.
Phyllida Barlow is a British artist. She studied at Chelsea College of Art (1960-63) and the Slade School of Art (1963-66). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired in 2009 and is thus an emerita professor of fine art. She has had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Angela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Erwin Bechtold is a German abstract painter and sculptor. He spent some time in Paris, where he had the opportunity to work with Fernand Léger.
Erwin Bechtold was the founder of the artist's group Ibiza 59, whose members sought to create art free of subjective expression. Bechtold's paintings from this period were characterised by minimal geometric forms and the use of a monochromatic colour palette.
Later in his career, Bechtold began experimenting with sculpture, creating large-scale works that explored the relationship between form and space.
Wolfram Beck was a German sculptor, draughtsman, and painter who worked with wood, steel, bronze, acrylic, and stone. He was trained at the Higher School of Artistic Culture in Berlin, and his work initially included large organic wooden works, portrait busts, and torsos in clay and stone. In the 1970s, Beck created strictly geometric and airy-filigree constructions from mechanical and electronic components that could be moved by actuators or by hand. He also created colorfully accented and fragile looking objects in metal and acrylic. Beck's work can be found in the collections of Axel Springer, Egon Eiermann, and others.
Curt Beckmann is a German painter and sculptor.
He studied at the Düsseldorf State Academy of Art, was a member of the Rhine Secession, Das Junge Rheinland, was a member of the Malkasten Association of Artists, the Association of West German Artists and the Association of German Artists.
Beckmann's work is distinguished by the contemplative quality of the female nude bodies. He gradually moved from naturalistic figures to an almost abstract expressionist representation of them.
Ulrich Beier was a North German sculptor who enjoyed a considerable reputation in his region of Schleswig-Holstein and Hamburg. From 1945 to 1948 he studied sculpture in his hometown with Christian Brodersen, before continuing his studies in Hamburg with Richard Steffen, a pupil of Aristide Maillol.
Ulrich Bayer has been a member of Gruppe 56 since 1962.
Miguel Ortiz Berrocal was a Spanish figurative and abstract sculptor. He is best known for his puzzle sculptures, which can be disassembled into many abstract pieces. These works are also known for the miniature artworks and jewelry incorporated into or concealed within them, and the fact that some of the sculptures can be reassembled or reconfigured into different arrangements. Berrocal's sculptures span a wide range of physical sizes from monumental outdoor public works, to intricate puzzle sculptures small enough to be worn as pendants, bracelets, or other body ornamentation.
Gastone Biggi was an Italian painter, sculptor, writer, poet, and musicologist.
Biggi combined painting with his activities as an art writer and musicologist. In 1962 his key work The Birth of the Point was published, theorizing the study of the sign module, which he would develop throughout his life. That same year he formed Group 1.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
André Borderie is a French artist and sculptor.
Classically trained as a technician and working as a civil servant in the telecommunications sector, André Bordari met the poster artist Paul Colin in 1942, who encouraged him to take up painting.
A fateful meeting with the Austrian sculptors Vera and Pierre Sekely in 1946 led Bordari to the decision to devote himself entirely to art.
André Borderi is known for his paintings, tapestries and ceramics.
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Stanley Boxer was an American artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts.
Joe Bradley is an American visual artist, known for his minimalist and color field paintings. He is also the former lead singer of the punk band Cheeseburger. Bradley has been based in New York City and Amagansett.
Bradley has developed a style of visual language that is fluid throughout both the art historical canon and the artist's personal experiences. Bradley continually reinvents his work in his paintings, drawings, and sculptures, with a profound fluency in iconic modes of art-making that allows him to elegantly move throughout Abstraction, Minimalism, and the gestural mark-making of Abstract Expressionism. Yet it is his awareness of both internal and external influences that frees him to take such ideas and make them all his own, never rooting himself in certainty. To him, the act of painting requires one to travel amongst the infinite conversations of painters past and present, frequently referencing what he calls the "shared space" of painting, an embracing of the relative nature of all visual art.
Constantin Brâncuși was a Romanian sculptor, painter, and photographer who made his career mainly in France, becoming one of the pivotal figures of modern sculpture and a pioneer of modernism. Born in 1876 in Hobița, Romania, Brâncuși displayed a talent for carving from a young age, a skill honed during his early life as a shepherd in the Carpathian Mountains. His work evolved from traditional forms to groundbreaking abstract sculptures that sought to capture the essence rather than the literal representation of his subjects.
After moving to Paris in 1904, Brâncuși's unique style began to take shape. He worked briefly in the studio of Auguste Rodin, but soon left to pursue his own vision, stating that "Nothing can grow under big trees." This decision marked the beginning of his pursuit to distill forms to their simplest essence, a philosophy that would define his career. Brâncuși's sculptures, such as "The Kiss" and "Bird in Space," are celebrated for their smooth, simplified forms that evoke the core of the subject matter with minimal detail. His work in wood, bronze, and marble often carried a serene, timeless quality, blending modernist aesthetics with a touch of his Romanian heritage.
Brâncuși's contributions to art were not limited to sculpture. He was also an accomplished photographer, using his camera to capture the spatial relationships and compositions of his studio and sculptures, an extension of his artistic vision. His works are held in high regard worldwide and are featured in prominent collections, such as the Museum of Modern Art in New York and the Tate in the United Kingdom.
The legal battle over "Bird in Space" in 1927 highlighted the challenges Brâncuși faced in having his work recognized as art by traditional standards. This case, which eventually ruled in his favor, established a precedent for modern art's recognition beyond traditional forms and representations.
For art collectors and experts, Brâncuși's oeuvre represents a bridge between the tactile craftsmanship of earlier periods and the conceptual, form-driven concerns of modern art. His legacy is a testament to the power of innovation, vision, and the enduring appeal of simplicity in form.
For those interested in the evolution of sculpture and the role of art in transcending cultural and temporal boundaries, Constantin Brâncuși's work offers profound insights. We invite you to sign up for updates on new product sales and auction events related to Brâncuși's work, ensuring you stay informed about opportunities to engage with the legacy of this pioneering artist.
Peter Brandes is a Danish painter, sculptor, ceramic artist and photographer.
Brandes' art is abstract and often in brown colours. He had his breakthrough as artist in the beginning of the 1980s. He has, inter alia, done artwork on Roskilde Domkirke and mosaic (colored glass) windows in a church at Nordkap and the church Village of Hope, south of Los Angeles. In 1998, he created the enormous Roskilde Jars which stand outside the main Roskilde Railway Station.
Brandes is self-taught and his art circles around themes from Christianity. Ancient Greek mythology has also inspired his art. Brandes has illustrated a number of books, for example Homer’s Iliad. A great part of Brandes' ceramic works are inspired by ancient Greek art and mythology.
Benjamin Bronni is a German artist, sculptor, and architect.
He studied at the Stuttgart State Academy of Art and Design and works on a symbiosis of painting, sculpture and installations. Bronny has a strong interest in architecture, so he often develops site-specific works. In paper works, paintings and plastic wall objects, Benjamin Bronni explores the rhythmic fusion of form and space. The artist performs his work by hand, but also uses digital processes such as 3D rendering.
James Brown was an American-born painter active in Paris and Oaxaca, Mexico. He was most well known in the 1980s for his rough painterly semi-figurative paintings, bearing affinities to Jean-Michel Basquiat and East Village painting of the time, but with influences from primitive art and classical Western modernism. His work has taken on several styles over the years but maintains a hand-made look combining concerns of the modernist tradition with motifs and spiritual interests from tribal art. Much of his work is a non-realistic but contains depictions or signs of recognizable faces or objects. However, the line between representation and abstraction is often a difficult one in his work. Besides paintings Brown has also produced sculptures and series of prints at various points in his career, and in the 1990s started to heavily utilize collage.
Will Brüll was a German painter and sculptor. Brüll's work was characterised by abstract painting and sculpture influenced by the De Stijl movement and artists such as Piet Mondrian and Theo van Doesburg. He studied at the Düsseldorf Academy of Fine Arts, where he developed his own distinctive style. Brüll exhibited his work widely in the Netherlands and abroad. Many of his works are in public and private collections.
Hede Bühl is a German artist. She is known for her abstract paintings, which often feature bold colors and expressive brushstrokes. Bühl studied at the Kunstakademie Düsseldorf under Joseph Beuys and worked as a freelance artist from the 1970s onwards.
Her work has been exhibited in numerous galleries and museums across Germany, including the Museum Ludwig in Cologne and the Kunstmuseum Düsseldorf. Bühl's art has been described as energetic and intuitive, with an emphasis on the emotional and physical experience of painting. Her work has also been noted for its connection to the natural world, as she often incorporates elements of landscape and organic forms into her compositions.
Fran Bull is an American sculptor, painter, and print-maker living and working in Brandon, Vermont and Barcelona, Spain. Bull became known originally for her Photorealism paintings made in the mid 1970s and 80s. In the late 1980s, Bull’s art began to develop towards abstraction, or neo-abstract expressionism. Sparked by her newfound approach to painting, in the mid-1990s Bull began to explore other media. Since that time her artistic output has included performance art, sculpture, mixed media, and printmaking, as well as painting. She has been especially prolific in the area of printmaking. Bull has produced many diverse series of etchings that continue to be exhibited worldwide.
Michael Burges is a German abstractionist artist. He creates his creations in a special technique of mirror painting on glass "Reverse Glass Paintings". The materials used are acrylic, gold leaf, aluminum. His Reverse Glass Paintings have an extraordinary color presence and aesthetic precision. Thanks to a proprietary design with an aluminum frame, the works seem to float in front of the wall. They interact with light and reflection, with random color patterns and structures.
Alberto Burri was an Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. He had connections with Lucio Fontana's spatialism and, with Antoni Tàpies, an influence on the revival of the art of post-war assembly in America (Robert Rauschenberg) as in Europe.
Michael Buthe was a German artist who lived and worked between Germany and Morocco. He exhibited widely throughout Europe during his life and is known for his eclectic and prolific oeuvre which encompasses painting, sculpture, and installation.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Louis Cane is a contemporary French painter, sculptor and furniture designer. Louis Cane attended the National School of Decorative Arts in Nice then the Superior School of Decorative arts in Paris in 1961. Cane was a part of the Supports/Surfaces Movement in France that lasted from 1969 to 1972 and co-founded and edited the Peinture, Cahiers Theoriques. In 1978, began sculpting again. They consisted of female figures in a traditional style. Cane focused on the concept of deconstruction of the canvas. By 1970, Cane transitioned into a series of cut-out paintings, the toiles découpées, which he worked with for several years. From 1972 to 1972, he produced a series called Sol/Mur as apart of the Supports/Surfaces movement. In 1978, Cane went from abstract painting to figuration. He reflected on the history of pictorial forms. He also started integrating sculpture into his practice. The statues were almost exclusively female occasionally appearing in form of burlesque or baroque expressionism.
Arturo Carmassi was an Italian abstractionist painter, sculptor, and printmaker.
He studied at the Albertina Academy in Turin. Carmassi created many images, sculptures and engravings on metal and worked in lithography and silkscreen. He has participated in numerous exhibitions and biennales and is an internationally recognized sculptor.
Sir Anthony Alfred Caro was an English abstract sculptor who played a key role in the development of twentieth-century sculpture.
Caro trained at the Royal Academy School in London. In the early 1960s, he began making brightly colored abstract steel structures that he placed directly on the floor - the lack of a pedestal meant a radical shift in the dynamic between the work and the viewer. In addition to steel, he also created works in bronze, lead, silver, ceramics and wood, as well as on paper.
Nicola Carrino is an Italian sculptor.
Since 1969 he has been creating large three-dimensional geometric-modular works that fit organically into the surrounding landscape.
Carrino was professor of sculpture at the Academy of Fine Arts and a member of the Accademia Nazionale di San Luca.
Andrea Cascella was an Italian painter and sculptor, a member of the Cascella dynasty of artists.
During World War II he was an active member of the Resistance in the Garibaldi Ossola formations as a training commander. Andrea Cascella also participated in the meetings of artists, directors, screenwriters, writers and poets of the 1940s-70s Menghi Osteria Brothers.
One of his most beautiful works is considered to be the monument to the fallen at Auschwitz, which he designed with his brother Pietro. Cascella also created sculptures for churches and bas-reliefs for public buildings.
Vija Celmins is a Latvian-American artist. She is best known for her photorealistic paintings and drawings of natural and man-made objects.
Celmins and her family fled Latvia during World War II and eventually settled in the United States. She studied art at the John Herron School of Art in Indianapolis and later at the University of California, Los Angeles.
Celmins began her career as a painter in the 1960s, and by the 1970s she had developed her signature style of photorealism. She is known for her painstaking attention to detail, and her paintings and drawings often take months or even years to complete. Some of her most famous works include images of the night sky, oceans, and rocks.
Celmins has been the subject of numerous solo exhibitions in museums and galleries around the world, including a retrospective at the Centre Pompidou in Paris in 2006. Her work is held in the collections of many major museums, including the Metropolitan Museum of Art in New York, the Museum of Modern Art in New York, and the National Gallery of Art in Washington, D.C.
Saint Clair Cemin is a postmodern sculptor.
Saint Clair Cemin lives and works in New York City and Beijing. His work encompasses multiple styles, approaches, and materials, from neo-surrealism to furniture to toys in popular culture to the history of sculpture.
Saint Clair Cemin's work is included in the collections of the Whitney Museum of American Art, Fonds National d’Art Contemporain, Paris, France; Emily Fisher Landau Collection, Long Island City, NY; Rooseum, Stockholm, Sweden; Eli Broad Family Foundation, Los Angeles, CA; Museum of Contemporary Art, Los Angeles; and Inhotim, Minas Gerais, Brazil.
Alfredo Chighine was an Italian painter and sculptor of the Informel movement.
His art has evolved from early scribbled lines to vivid and lively precision paintings. In recent years Chighine has achieved his main goal: brightness, surface texture and flowing lines.
Antoni Clavé was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen.
Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage.
Ernst Stocker, better known as Coghuf, was a Swiss painter, draftsman and sculptor. He designed tapestries and stained glass windows.
Coghuf's work is characterised by abstract forms, bright colours and a sense of dynamic movement. Coghuf's work often conveys emotional depth and explores the relationship between form and space.
William Congdon is an American artist known for his strong and deeply personal paintings exploring themes of spirituality, existentialism and the human condition.
William Congdon's early work was influenced by Expressionism and the post-war abstract art movement. Over time, however, his artistic style evolved, and he developed a unique approach combining abstraction with representational elements. His paintings often depicted isolated figures, cityscapes and landscapes, conveying a sense of introspection and emotional depth.
Congdon's works are characterised by a rich colour palette, dramatic brushwork and a sense of raw emotion. He explored the contrast between light and darkness, creating compositions that were both contemplative and expressive.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Pedro Coronel Arroyo was a Mexican sculptor and painter, part of the Generación de la Ruptura, bringing innovation into Mexican art in the mid 20th century. Coronel’s training was with artists of the Mexican muralism tradition, with influence from artists like Diego Rivera. This influence remained with the use of pre Hispanic themes and colors in his work. However, his artistic trajectory took him towards more use of color and more abstract forms in his work, due to influences from artists such as Rufino Tamayo. His work was exhibited and gained recognition in Mexico, the United States and Europe. Shortly before his death, he donated his considerable personal art collection to the people of Mexico, which was used to open the Museo Pedro Coronel in the city of Zacatecas.
Roberto Crippa was an Italian painter and sculptor. He studied at the Brera Academy of Fine Arts in Milan, where he developed his artistic skills by exploring different styles and techniques.
Crippa's early work was influenced by Surrealism, with its dreamy and symbolic images. However, he soon moved away from figurative representation and began to use abstraction. His artistic style evolved into a unique combination of abstraction and geometric forms.
One of Crippa's notable contributions to art was his involvement in the Movimento Arte Concreta (Concrete Art) movement in Italy. This movement advocated non-representational art, emphasizing geometric forms, mathematical precision and a focus on the formal aspects of art. Krippa's work from this period demonstrates a fascination with grids, lines and geometric patterns.
Joseph Csaky, a Hungarian avant-garde artist, sculptor, and graphic artist, is renowned for his pioneering contributions to the Cubist movement. Born in 1888, Csaky's journey into the art world was profoundly influenced by his discovery of Auguste Rodin's work, which paved the way for his mastery in sculptural techniques. His innovative approach is highlighted in his Cubist sculptures, where he skillfully integrated volumetric and spatial relationships, utilizing abstract architectonic forms and drawing inspiration from non-Western art such as Cycladic, Oceanic, and ancient Egyptian art.
Joseph Csaky's commitment to originality is evident in his personal artistic language, which he developed while being part of the vibrant Parisian art scene. His works, such as "Euterpe – Muse of Lyric Poetry" and "Imbrication de cônes," showcase his ability to translate Cubist principles into three-dimensional forms.
Art collectors and experts appreciate Joseph Csaky's contributions to modern sculpture, with his works being sought after in art galleries and auctions. His pieces like "Woman Raising her Hand" and "Figure, dite aussi Femme" not only reflect his artistic prowess but also his influence on subsequent art movements.
For those interested in the fusion of Cubism and sculpture, Joseph Csaky's oeuvre offers a profound insight into the evolution of modern art. To stay updated on new product sales and auction events related to Joseph Csaky, consider signing up for updates. This subscription will keep you informed about the latest developments and opportunities to engage with Csaky's enduring legacy.
Aaron Curry is an American painter and sculptor, with works in the collections of the Museum of Modern Art, the Los Angeles County Museum of Art, the Chicago Museum of Contemporary Art and the San Francisco Museum of Art. His work has been shown at the Lincoln Center for the Performing Arts (in 2013) and the Katonah Museum of Art (in 2015) in New York, at the Musée d'art contemporain de Bordeaux in France (in 2014), and at the DeCordova Museum and Sculpture Park in Lincoln, Massachusetts (in 2017).
Fernando de Szyszlo Valdelomar was a Peruvian painter, sculptor, printmaker, and teacher who was a key figure in advancing abstract art in Latin America since the mid-1950s, and one of the leading plastic artists in Peru.
Richard Deacon is a Welsh sculptor. He is known for his abstract sculptures that explore the relationships between form, space, and materials.
Deacon initially studied at the Somerset College of Art in Taunton before going on to study at the Central Saint Martins College of Art and Design and the Royal College of Art in London. He began his career as a sculptor in the 1970s and has since become one of the most prominent British sculptors of his generation.
Deacon's sculptures are often made from materials such as laminated wood, steel, and ceramics, and take on a wide range of forms, from organic and biomorphic to geometric and architectural. He is known for his use of curves, lines, and bold colors, as well as his exploration of negative space and the relationship between objects and the space around them.
Deacon has exhibited widely throughout the world, including at the Tate Gallery in London, the Museum of Contemporary Art in Los Angeles, and the Guggenheim Museum in New York. He has been awarded numerous honors for his work, including the Turner Prize in 1987 and a CBE in 1999.
Albrecht Demitz is a German graphic artist and sculptor who belongs to the "New Fauves" (German "Neue Wilde") group in Berlin. His paintings are often expressive, abstract and executed in expressive bright colors. He works in silkscreen techniques in particular, and creates sculptures from various materials - wood, twigs, stones, metals and waste.