Writers Renaissance
Giovanni Boccaccio was an Italian humanist scholar, writer and poet of the Early Renaissance.
Boccaccio was the son of a Tuscan merchant who sent him to Naples to study business and law. Giovanni revolved in aristocratic circles there and became acquainted with Petrarch's work. In Naples he wrote his first works of poetry, raising the poetry of Italian minstrelsy to literature. Returning to Florence in 1341, Boccaccio, in addition to the famous book of witty short stories "Decameron" (1348-1353), created many poems, allegories and prose works.
In 1350 at Bocaccio's house in Florence, he met Petrarch, which developed into a friendship. In the last years of his life he concentrated on scholarly works in Latin, including writing De montibus, silvis, fontibus, lacubus..., - this alphabetical list of mountains, forests, rivers and lakes was based on the writings of ancient poets. His other Latin works include the philosophical and historical De claris mulieribus (a collection of biographies of famous women, 1360-74) and De casibus virorum illustrium (On the Fates of Famous Men, 1355-74).
Giovanni Boccaccio had a significant influence on the development of all European culture through his work. Together with Petrarch, he laid the foundations of Renaissance humanism and raised popular literature to the level and status of the ancient classics.
Juana Inés de la Cruz or Juana of Asbaje, real name Juana Inés de Asbaje Ramírez de Santillananota, was a Mexican poet, scholar, and writer of the Latin American colonial period and the Spanish Baroque, and a Jerónimo nun.
Juana Ramírez was born into a poor family (Spanish father and Creole mother) and from an early age showed a burning thirst for knowledge and giftedness, but as a woman she was almost entirely self-taught. By her teens, she had already learned Greek logic and taught Latin to young children. She also learned Nahuatl, an Aztec language spoken in Central Mexico, and wrote several short poems in the language. At the age of 16, the girl was introduced to the court, and her intelligence impressed even Viceroy Antonio Sebastian de Toledo, Marquis de Mancera, and in 1664 he invited her to serve as maid of honor.
In 1669, at the age of 21, she took her tonsure at the Convent of Santa Paula of the Hieronymite Order in Mexico City, where she remained a recluse for the rest of her life. In the convent, Sister Juana enjoyed exceptional freedom: she continued to socialize with scholars and senior members of the court, amassed one of the largest private libraries in the New World, as well as a collection of musical and scientific instruments. Her plays in verse, poetry, and compositions for state and religious festivals were frequently and successfully performed at the palace.
Sister Juana was an outstanding representative of Spain's Golden Age: she was the last significant writer of the Latin American Baroque and the first great exponent of colonial Mexican culture. Sister Juana wrote sonnets, romances, and ballads, drawing on a vast store of classical, biblical, philosophical, and mythological sources. She also composed moral, satirical, and religious texts, as well as many poems praising courtiers, but she also defended women's right to education.
At the end of her life, due to pressure from religious dogmatists, Sister Juana had to sell her extensive library of some 4,000 volumes and return to strict reclusiveness. In 1695, the plague struck the convent and, while caring for her sisters, Juana died of the disease at about the age of forty-four.
Today, Juana Inés de la Cruz is a national icon of Mexico and Mexican identity as a prominent writer of the Spanish-American colonial period. The former convent where she lived is a center of higher education, and her image adorns Mexican currency.
Ben Jonson or Benjamin Jonson was an English poet, playwright, actor and dramatic theorist.
Jonson came from a simple family, served in the army, seriously engaged in self-education, and in 1586 began a career in the theater. In the 1590s he had the good fortune to meet William Shakespeare. In 1598 Shakespeare was able to put in the theater "Globe" Jonson's play "Every man for his own good," where he played one of the roles. The two playwrights became friends and collaborated on productions of the plays. Jonson was one of the most erudite playwrights of his time and was sure to apply his deep knowledge of Greek and Roman classics in his work.
Jonson's daring character failed him more than once: he often got into fights and duels, and later began to prefer direct violence mockery of his opponents in his plays. But even in this case, he not once got into serious trouble and even sat in prison.
In 1605 Jonson with great success put in the "Globe" play "Volpone". A great admirer of Johnson's work was King James, and the next ten years were the most colorful in his career. His plays written between 1605 and 1615 - Epicoen, The Alchemist, Catalina, Bartholomew Fair and The Devil is an Ass - were a great success, rivaling Shakespeare himself.
Ben Jonson is a vivid representative of English literature of its Renaissance period. His best works ridicule human weaknesses with the help of comic realism, verbal brilliance and a remarkable gift for caricature and parody.
Niccolò di Bernardo Machiavelli was an Italian philosopher, politician and diplomat, historian and Renaissance writer.
As a young man, Niccolò Machiavelli faced financial difficulties due to his father's debts, but had access to a rich library. Machiavelli's early life and career began during a period of political upheaval in Italy. After the expulsion of the Medici family in 1494, for 14 years Niccolo Machiavelli served as a diplomat to the Florentine Republic. During this service, he gained a reputation as a cunning and unconventional thinker. However, when the Medici returned to power in 1512, Machiavelli was dismissed, imprisoned, and temporarily removed from political life.
During this period Machiavelli wrote his famous work The Sovereign, which has become one of the key works in the history of political philosophy. This book epitomizes the Machiavellian approach to politics, where the means justify the end, and where a leader should use any method to consolidate his power. The treatise drew criticism from the Pope, who condemned it for supporting rule through deceit and fear. Nevertheless, The Sovereign is still an important work of political literature, and Machiavelli has come to be called "the father of modern political theory."
Machiavelli lived the rest of his life in a small village near Florence, where he continued his creative endeavors, writing On the Art of War, as well as poems and plays. His literary legacy has become an integral part of the history of political philosophy.
John Milton was a British poet and writer-publicist, intellectual and politician of the English Revolutionary period.
Milton first planned to become a priest, studied at Cambridge University, and then abandoned this activity. Several years he spent reading and self-education, learning many languages. In 1638 Milton traveled around the continent for about a year and a half, spending much time in Italy, primarily in Rome and Florence. He befriended young Italian literati, and his encounter with Galileo further influenced his writing.
Milton became best known for his poem Paradise Lost in Ten Books, which declares its purpose to justify the ways of God to man, but also touches on both universal and personal themes. Milton was the first author to use the word "cosmos" in our modern sense of "outer space," and his space epic takes place in a confidently Copernican universe.
In his prose works, Milton advocated the abolition of the Church of England and the execution of Charles I. From the outbreak of the English Civil Wars in 1642 and long after the restoration of Charles II as king in 1660, he spoke out against tyranny and state-sanctioned religion in all his works. As a Protestant, Milton was often in conflict with the Roman Catholic Church. As a civil servant, Milton became the voice of the English Commonwealth after 1649 and then under Oliver Cromwell, conducting international correspondence and defending the government against polemical attacks from abroad.
John Milton is considered the most important English writer after William Shakespeare. Author of political pamphlets and religious treatises, he is one of the most famous writers of the 1650s, the vibrant era of the English Revolution (Civil War).
Bernard Palissy was a French natural scientist, painter, ceramicist and sculptor, geologist and writer of the French Renaissance.
Born into a family of artisans, Palissy apprenticed with his father as a glass artist and traveled throughout southwestern France comprehending pottery and studying geology. Today he is best known for his amazing lead-glazed pottery with images of various animals and people. After seeing a white glazed cup, probably of Chinese porcelain, in the 1540s, he set out to learn the secrets of its manufacture. His early research is described in De l'art de la terre. Although Palissy never succeeded in reproducing what he saw, his experiments gave him a thorough knowledge of the chemical compositions of minerals.
From 1575 in Paris, Palissy gave public lectures on natural history, which were published as Discours admirables (1580). In this treatise, Bernard Palissy touches on an incredibly wide range of subjects, from the techniques of ceramics, metallurgy and chemistry to hydrology, geology and fossils. He correctly identified fossils as the remains of ancient life. This work reveals him as a writer and scientist, a creator of modern agronomy and a pioneer of the experimental method, with scientific views generally more advanced than those of his contemporaries.
Francesco Petrarca was an Italian poet, the founder of European humanism, and one of the greatest figures of the Italian Proto-Renaissance.
Petrarca studied at the University of Montpellier, then at the University of Bologna, in 1330 entered the service of Cardinal Giovanni Colonna as a chaplain. Then he made various pilgrimages, in 1353 settled in Milan at the court of Archbishop Giovanni Visconti, and carried out important diplomatic missions. Petrarca spent the last years of his life in the village of Arquà near Padua.
Since 1337 Petrarca began to write literary works: these were historical poems in Latin and lyric poems in Italian. In 1327 Francesco saw Laura for the first time, undivided love for which was the main source of his poetry. Laura was for him an object of adoration and pure platonic love. Despite the fact that they saw each other only a few times and were not really acquainted, Petrarca carried this feeling through his life.
Passionate about ancient culture, Petrarch deciphered and commented on the manuscripts of Cicero, Quintilian and others. He opposed medieval scholasticism interest in the earthly purpose of man, argued that the nobility of man depends not on the nobility of origin, but on his virtue. Petrarca highly valued the mind and creative abilities of man, and these humanistic ideas found vivid expression in his lyrics, revealing the inner world of man. Petrarca's work laid the foundation for the formation of Italian humanism. He also dreamed of the unification of Italy, the revival of the former greatness of Rome.
Francesco Petrarca had one of the richest libraries of his time, where ancient Roman writers, poets, historians, philosophers were represented. He was one of the brightest representatives of the culture of the Renaissance. Petrarca's works are characterized by perfection of form and musicality of verse, which played a significant role in the development of European poetry. Among his works are the poem "Africa" about the Second Punic War in Latin, allegorical pastoral eclogues "Bucolics" (1346/1357), a book of songs "My Italy", "Noble Spirit", sonnets, etc.
Luigi Pulci was an Italian poet and humanist writer and diplomat.
For many years Pulci lived under the patronage of the Medici family and was a member of their circle of poets and artists, and later, after Lorenzo the Magnificent came to power, entrusted him with various embassies and diplomatic missions. At the age of about 40, Pulci entered the service of the northern condottiere Roberto Sanseverino and remained with him until his death.
Pulci wrote many different works, but is known primarily as the author of one of the outstanding epics of the Renaissance, the Morgante (Morgante or Morgante Maggiore). This chivalric-romantic parody and comic epic was first published in Italian in 1481. Its plot is based on the adventures of the knight Orlando and his squire, the giant Morgante. Pulci's unpretentious narrative and sharp satire immediately made "Morgante" very popular, but also aroused the anger of influential enemies like the Dominican friar Girolamo Savonarola, who called to burn copies of the book on the "bonfires of vanity".
Pulci's work influenced the French satirical writer François Rabelais (1494-1553).
Celio Rodigino (Latin: Caelius Rhodiginus), real name Ludovico Ricchieri, was an Italian writer, educator and Renaissance humanist.
Rodigino studied in Ferrara and Padua, and then was professor of Greek and Latin at Rovigo. In 1515 he became chair of Greek at the University of Milan.
His principal work was Antiquarum Lectionum in sixteen books, published in Venice in 1516. In this work Rodigino collected a considerable number of short essays and notes on Latin and Greek antiquity, from literature, philology, and science to philosophy, history, anthropology, and morality, as well as reflections on ancient music. He also wrote commentaries on Virgil, Ovid, and Horace.
Giorgio Vasari, polymath of the Italian Renaissance, left an indelible mark on painting, architecture, and art history. Born on July 30, 1511, in Arezzo, Italy, Vasari was deeply influenced by the patronage of the Medici family during his artistic education in Florence. Exposure to the works of Andrea del Sarto and the profound influence of Michelangelo's work shaped his development as an artist and architect. Vasari's artistic career was characterized by his contributions throughout Italy, including significant works in Florence and Rome, and his role in founding the Florentine Academy and the Society of the Fine Arts in 1563 underscores his commitment to art and education.
Vasari's architectural skill is evident in the design of the Uffizi Loggia in Florence, testifying to his ability to combine functionality with aesthetic grandeur, creating a space that harmonizes with the urban landscape while blending into the riverside environment. His contribution extends to the Vasari Corridor, an architectural marvel that connects the Uffizi to Palazzo Pitti across the Arno River, demonstrating his innovative approach to public and private space.
Perhaps Vasari's most enduring legacy stems from his seminal work, Lives of the Most Excellent Painters, Sculptors, and Architects, in which he outlined biographies of Renaissance artists, laying the foundation for the discipline of art history. This work not only elevated the status of artists in society, but also created a history of the development of art that emphasizes the Renaissance as a period of rebirth and innovation. Vasari's narratives, although their accuracy is sometimes criticized, remain a cornerstone in the study of Renaissance art, offering invaluable insights into the lives and works of the era's most prominent figures.
Vasari's work is represented in prominent museums and galleries, including the Minneapolis Institute of Arts and the National Gallery of Art, which houses important works such as the Six Tuscan Poets and works commissioned by the Pope. His architectural and artistic contributions, combined with his innovative historiographical approach, have cemented his reputation as a key figure of the Renaissance and the annals of art history.
Giorgio Vasari's multifaceted contributions to painting, architecture, and art history not only underscore his genius, but also play a key role in shaping our understanding of the Renaissance. His works and writings continue to inspire collectors, experts, and enthusiasts. For those seeking to delve deeper into the world of Renaissance art and Vasari's profound influence, subscribing to updates on new sales and auction events related to Vasari can offer a wealth of information and the opportunity to explore his enduring legacy.
