Canvas Baroque — Auction price
Gabriel Metsu was a Netherlandish painter of the Golden Age of Dutch painting, who painted mainly scenes of everyday life.
Metsu became one of the first members of the St. Luke's Artists' Guild in Leiden in 1648. He painted markets and outdoor interiors or genre scenes. He also produced many paintings of young women engaged in domestic tasks, often using his wife as a model, as in his painting St. Cecilia (1663).
In addition to genre, Gabriel Metsu was also engaged in portrait and historical painting, painted still lifes.
Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Pietro da Cortona, born as Pietro Berrettini, was an eminent figure in the Italian Baroque movement. His multi-faceted genius encompassed painting, architecture, and design, earning him a reputation second only to Bernini in the Roman Baroque style. Cortona's journey in art commenced in Rome around 1612, where his talents flourished under the patronage of influential families like the Barberini.
Pietro da Cortona's masterful frescoes in the church of S. Bibiana, commissioned by Urban VIII, set the tone for his illustrious career. His most iconic work, the colossal fresco "Allegory of Divine Providence and Barberini Power" in the Gran Salone of the Palazzo Barberini, epitomizes his skill in creating grandiose, illusionistic art. This piece, commenced in 1633 and completed in 1639, is a testament to his belief in the epic scale of history painting, a view he defended in a notable debate with Andrea Sacchi.
In 1637, Pietro da Cortona's artistic journey took him to Florence at the behest of Ferdinand II de' Medici, Grand Duke of Tuscany. Here, in the Palazzo Pitti, he created frescoes for the Planetary Rooms, combining allegorical themes with lush stucco work, significantly influencing the Italian and French decorative arts.
Pietro da Cortona's contributions to architecture were equally significant. His architectural masterpiece, the church of SS. Martina e Luca in Rome, exemplifies his ability to create grand structures with a unified Baroque vision. His architectural prowess, though less correlated with his painting style, made a lasting impact through its emphasis on form rather than ornament.
For art collectors and enthusiasts, Pietro da Cortona's works offer a rich tapestry of Baroque artistry, blending grandeur, realism, and allegory. His frescoes, paintings, and architectural designs continue to captivate audiences, symbolizing the opulence and dynamism of the Baroque era.
To stay updated on the latest insights and collections related to Pietro da Cortona, consider subscribing to our updates. Stay informed about new sales, exhibitions, and auction events related to this master of the Baroque style.
Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Jan Josef Horemans the Elder was a Flemish painter of the 18th-century. He was mainly known for his genre scenes but he also painted portraits and historical allegories.
Johann Georg Hainz was a German painter of the last third of the 17th century, a representative of the Baroque. He is known as a painter and a master of still life.
Hainz is a key figure of still life painting in Hamburg and one of the few known masters of the genre in Germany in the seventeenth century. He probably trained in Amsterdam and Haarlem, as his works show a good knowledge of Dutch still life painting. He was a member of the art guild of Hamburg from 1681. His works are held in various museums in Germany, including the Hamburg Museum of Arts and Crafts and the Museum of Decorative Arts in Berlin.
Adrien Manglard was a French marine painter and printmaker who worked most of his life in Italy.
He was a member of the Royal Academy of Painting and Sculpture of France. The artist mainly painted coastal landscapes with ships and sailing ships. As a very skilled marine landscape painter, Manglard was very successful and in demand, and had many commissions for paintings.
