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Aristide Maillol was a French artist. He was a painter, sculptor, and printmaker, and is best known for his sculptural works.
Maillol initially worked as a painter, but after seeing Auguste Rodin's sculptures in the early 1890s, he turned to sculpture himself. His early sculptures were influenced by the classical tradition, and often depicted female figures in a simplified, stylized form.
Maillol's sculptures are characterized by their smooth surfaces and simplified forms, which reflect his interest in the pure and timeless beauty of the human body. He often worked in bronze, and his sculptures were typically larger than life size.
In addition to his sculptures, Maillol also created prints, including lithographs and woodcuts. His prints were often based on his sculptural works, and reflected his interest in simplifying form and line.
Maillol continued to work and exhibit his art throughout his life, and his work was shown in galleries and museums around the world. Today, his sculptures are held in the collections of many prestigious institutions, including the Musée d'Orsay in Paris, the Museum of Modern Art in New York, and the Tate Gallery in London.
Pierre Cécile Puvis de Chavannes, a prominent French painter, was known as "the painter for France." His influential mural paintings showcased a classicizing style, often referencing visions of Hellenistic Greece.
Puvis received numerous commissions for public and private institutions across France, with significant works in Amiens, Marseille, Lyon, Poitiers, and Paris. His success as a 'painter for France' stemmed from his ability to appeal to various ideologies of the time. In addition to murals, Puvis created easel paintings, some of which can be found in galleries worldwide. Despite his significance, he was not fully appreciated during his lifetime, and his work remains a subject of ongoing art criticism.
Aristide Maillol was a French artist. He was a painter, sculptor, and printmaker, and is best known for his sculptural works.
Maillol initially worked as a painter, but after seeing Auguste Rodin's sculptures in the early 1890s, he turned to sculpture himself. His early sculptures were influenced by the classical tradition, and often depicted female figures in a simplified, stylized form.
Maillol's sculptures are characterized by their smooth surfaces and simplified forms, which reflect his interest in the pure and timeless beauty of the human body. He often worked in bronze, and his sculptures were typically larger than life size.
In addition to his sculptures, Maillol also created prints, including lithographs and woodcuts. His prints were often based on his sculptural works, and reflected his interest in simplifying form and line.
Maillol continued to work and exhibit his art throughout his life, and his work was shown in galleries and museums around the world. Today, his sculptures are held in the collections of many prestigious institutions, including the Musée d'Orsay in Paris, the Museum of Modern Art in New York, and the Tate Gallery in London.
Charles-André Van Loo, a celebrated French painter, remains an iconic figure in the world of art and culture. Born in 1705 in Nice, then part of the Duchy of Savoy, Van Loo's journey in art began under the tutelage of Benedetto Luti and Pierre Le Gros in Rome. His skills were honed further at the Académie Royale in Paris, where he achieved first prize for drawing in 1723 and for historical painting in 1727. This early success, crowned with the prestigious Prix de Rome, marked the onset of a flourishing career.
Charles-André Van Loo's work, characterized by simplicity of style and correctness of design, was greatly influenced by the great Italian masters. This influence played a significant role in refining the modern French school of painting. His oeuvre encompassed various genres, including religion, history, mythology, and portraiture, showcasing his versatility. He gained the patronage of the French court, notably Madame de Pompadour, and was honored with the Order of Saint Michael. In 1762, his exceptional talent led to his appointment as the First Painter to King Louis XV of France.
Among his notable works, "The Marriage of the Virgin" finds a prestigious place in the Louvre, Paris. His paintings are also displayed in other renowned institutions, such as the Legion of Honor in San Francisco, which houses his works from 1752-1753, including "Painting," "Architecture," "Sculpture," and "Music." Additionally, his portraits of European royalty and prominent figures, like Empress Elizabeth Petrovna and Madame de Pompadour, further cemented his legacy.
Despite his success, Charles-André Van Loo's critical reception has varied over the centuries. While his ability and the quality of his work are still admired, the excessive praise once bestowed upon his creations is now deemed disproportionate. Nonetheless, his contributions to the art world are undeniable.
For collectors and experts in art and antiques, Van Loo's work offers a window into the elegance and sophistication of 18th-century Rococo art. His paintings not only depict the artistic preferences of his era but also provide insights into the cultural and social milieu of the French court.
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Pier Leone Ghezzi was an Italian Rococo painter and caricaturist active in Rome.
Jean Fautrier was a French painter and sculptor associated with the Art Informel and Tachisme movements. He initially studied architecture before turning to painting in the early 1920s.
Fautrier's early work was influenced by Cubism and Surrealism, but he eventually developed a more abstract style characterized by thick impasto and expressive brushwork. He often used unconventional materials, such as asphalt, sand, and tar, to create textured surfaces that conveyed a sense of materiality.
During World War II, Fautrier was active in the French Resistance and went into hiding to avoid arrest by the Nazis. His experiences during the war had a profound impact on his work, which became darker and more introspective. He began to create what he called "Hostage" paintings, which depicted anonymous faces and figures that were both haunting and vulnerable.
After the war, Fautrier continued to explore themes of violence, trauma, and decay in his art. He created a series of "Otages" (Hostages) sculptures that were made from casts of human limbs and torsos. These works were highly controversial and provoked strong reactions from critics and the public alike.
Fautrier's influence on the development of Art Informel and Tachisme was significant, and he is regarded as one of the key figures of the movement. His work is represented in many major museums and collections around the world, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Charles-Joseph Natoire was a prominent Rococo painter, known for his significant contributions to French art during his lifetime. Trained under François Lemoyne, Natoire excelled in various artistic endeavors, earning royal commissions and contributing to significant artistic projects in Versailles and Fontainebleau. His works included tapestry cartoons for the Manufacture de Beauvais and Gobelins, and he was known for his series on the History of Psyche and Don Quixote.
In 1751, Charles-Joseph Natoire became the director of the French Academy in Rome, a role he held until 1775. During this period, he mentored notable students like Hubert Robert and Jean-Honoré Fragonard. Although his active painting career dwindled during his directorship, his influence on the students and the artistic community was significant.
Charles-Joseph Natoire's works can be found in various prestigious institutions, including The Metropolitan Museum of Art and The Louvre. His painting "The Rebuke of Adam and Eve" is one such piece that showcases his mastery and attention to detail.
For collectors and experts in art and antiques, Charles-Joseph Natoire's works offer a glimpse into the Rococo style's elegance and the rich artistic heritage of 18th-century France. His contributions to tapestry and painting continue to be celebrated and studied for their historical and artistic value.
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François Boucher, a French artist, is celebrated for his significant contributions to the Rococo style of painting. His works are renowned for their idyllic and voluptuous themes, which include classical subjects, decorative allegories, and pastoral scenes. Boucher's talent in creating intricate and charming paintings made him a favorite in the French court, especially with Madame de Pompadour.
François Boucher's skills were not confined to painting alone; he was also an adept draftsman and tapestry designer. His designs for the Beauvais tapestry workshops were highly successful, influencing decorative arts across Europe. Moreover, Boucher's influence extended to porcelain, with his designs being replicated on tableware and decorative pieces at the Vincennes and Sèvres factories.
Despite the later criticism of his style as overly frivolous and disconnected from the emerging Neoclassical trends, François Boucher's works continue to be admired for their aesthetic beauty and historical significance. His ability to blend various elements into a cohesive and appealing visual narrative demonstrates his mastery and enduring legacy in the art world.
For art collectors and enthusiasts, François Boucher's oeuvre offers a fascinating glimpse into 18th-century French art and culture, reflecting the opulence and delicate tastes of the Rococo period. His paintings and designs continue to be celebrated and studied for their artistic merit and historical context.
To stay updated on the latest exhibitions, sales, and events related to François Boucher's works, consider subscribing to updates from reliable art and antique sources. This way, you'll remain informed about opportunities to engage with the art of one of Rococo's most distinguished masters.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Antonio Molinari, an Italian painter, was a prominent figure in the Venetian Baroque movement. Molinari was celebrated for his dynamic and dramatic renditions of religious and mythological scenes, often characterized by their emotional intensity and vibrant color palette. His training under Antonio Zanchi in Venice and the influence of Neapolitan artists like Luca Giordano significantly shaped his artistic style, which blended Neapolitan naturalism with classic Venetian colorism.
Antonio Molinari's work is known for its tumultuous narratives, as seen in pieces like "The Adoration of the Golden Calf" housed in the Hermitage Museum and "The Boy Moses Stepping on Pharaoh's Crown" at the Museum Kunstpalast. His ability to convey complex stories through his art has left a lasting impact on the Baroque genre, influencing subsequent artists, including his pupil Giovanni Battista Piazzetta.
For art collectors and aficionados, Antonio Molinari's oeuvre offers a deep dive into the Baroque's rich narrative and aesthetic qualities, making his works coveted pieces in the realm of art and antiquities. His contributions to the Venetian Baroque movement remain significant, illustrating the vibrant cultural and artistic history of the period.
To stay updated on Antonio Molinari's artworks and related auction events, subscribing for updates is recommended for enthusiasts keen on acquiring or learning more about his influential pieces. This subscription ensures that collectors and art lovers are promptly informed about new sales and auction events related to Molinari's works, enriching their appreciation and understanding of this pivotal artist's legacy.
Jean-Baptiste Greuze was a French painter of portraits, genre scenes, and history painting.
Adam Frans van der Meulen was a Flemish painter and draughtsman who was particularly known for his scenes of military campaigns and conquests. Van der Meulen also painted portraits, hunting scenes, paintings of chateaux and landscapes. He created designs for prints and cartoons for tapestries.