European Art
Johan Barthold Jongkind was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism.
Jongkind's most frequent subject was the marine landscape, which he painted both in the Netherlands and in France. Many of his works depict the Seine, particularly the area near Notre-Dame Cathedral. He painted watercolors out-of-doors, and used them as sketches for oil paintings made in his studio. His paintings are characterized by vigorous brushwork and strong contrasts. Like the 17th-century Dutch landscape painters of the Golden Age of Dutch painting, he typically composed his landscapes with a low horizon, allowing the sky to dominate.
Charles Garabed Atamian is a French artist of Armenian origin born in Turkey.
He studied for a time at the Academy of Fine Arts in Venice, then worked as chief designer at a porcelain factory in Istanbul. In 1894, Atamian worked with a team of artists to decorate the new palace of Sultan Abdul-Hamid Il in Yildiz, on the European side of the Bosphorus. He designed, among other things, the patterns for the ceramic tiles of the palace walls.
In 1897, Atamian emigrated to France and began illustrating books and magazines, as well as working on sets for several Parisian theaters. Since 1903 Atamian participated in various exhibitions with unquestionable success. He painted landscapes, sea and beach scenes with children (including some 200 paintings at Saint-Gilles in the Vendée, where he resided each year during the summer months from 1923 to 1939). Throughout his career he was a fine portrait painter. He became a member of the National Society of Artists in 1927.
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Jacques Joseph Tissot, anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of fashionable, modern scenes and society life in Paris before moving to London in 1871. A friend and mentor of the Impressionist painter Edgar Degas, Tissot also painted scenes and figures from the Bible.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Johan Frederik Thaulov was a Norwegian painter known for his landscapes, cityscapes, and genre scenes. He studied at the Royal Danish Academy of Fine Arts in Copenhagen, where he was influenced by the Danish Realist painters. He also studied in Karlsruhe, Germany and Paris, France, where he was exposed to French Impressionism.
Thaulov's style was characterized by loose brushwork, a sensitive use of color, and an ability to capture the effects of light and atmosphere. He was particularly skilled at depicting water, whether it was the calm surface of a river or the choppy waves of the sea.
Thaulov was a prolific artist, and he traveled extensively throughout Europe, painting scenes from Norway, France, Italy, and England, among other places. He was a member of many important art societies, including the Royal Norwegian Society of Fine Arts and the Société Nationale des Beaux-Arts in Paris.
Thaulov's work was widely exhibited during his lifetime, and his paintings are now included in many important collections, including the National Museum of Art, Architecture and Design in Oslo and the Musée d'Orsay in Paris.
Carolus-Duran, real name Charles Emile Auguste Durant was a French painter, a representative of the academic school. He was a prominent figure in the art world of the late 19th century and is known for his contribution to the development of the realist movement.
Carolus-Duran's paintings often depicted scenes from everyday life, historical moments and portraits. His attention to detail and skilful use of light and colour brought the subjects on the canvas to life. Carolyus-Duran's works reflected a sense of realism and conveyed the essence of the human experience.
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
Fredrik Marinus Kruseman was a Dutch painter who specialized in Romantic style landscapes. He received his first drawing lessons from Jan Reekers and attended the Vocational School in Haarlem from 1832 to 1833. That year, he began to study painting with Nicolaas Johannes Roosenboom and, in 1835, moved to the Gooi, where he took advanced studies with Jan van Ravenswaay. He also studied briefly with the landscape painter, Barend Cornelis Koekkoek. In his output of approximately 300 to 350 paintings, only three still-lifes are known and the rest are landscapes. He also made a large number of drawings.
Mathurin Moreau was a distinguished French sculptor, celebrated for his contributions to the academic style of the 19th century. Born into an artistically eminent family in Dijon, France, on 18 November 1822, Moreau honed his craft under the guidance of his father before enrolling at the prestigious École des Beaux-Arts. He emerged on the artistic scene with his first exhibition at the Salon of 1848, and his mastery of sculpture earned him a medal of honor from the Salon in 1897.
Moreau's legacy is enshrined in the beauty of his statuary art. His works, especially the cast iron fountains with patina bronze, are admired in public squares across major cities globally. These pieces exemplify the blend of technical skill and aesthetic vision that defines Moreau's style. His artistry continues to captivate collectors and art aficionados, with his pieces fetching considerable attention at auctions and exhibitions.
As an artist who significantly shaped the visual landscape of his time, Mathurin Moreau's creations are a testament to the enduring allure of classical sculpture. For those with a passion for 19th-century art, Moreau's works offer a timeless elegance that complements any collection. If you wish to delve into the world of M. Moreau's sculptural masterpieces, sign up for our exclusive updates and unearth the magnificence of this sculptural maestro's works.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Joaquín Sorolla y Bastida, a Spanish painter, was celebrated for his adept portrayal of light and water, alongside capturing the vividness of Spanish life. Born in Valencia in 1863, Sorolla showcased a profound talent in the arts from a young age, which was nurtured despite his orphan status. He studied art extensively within Spain and abroad, notably in Rome and Paris, bringing a broad perspective to his work that blended traditional and modernist elements.
Sorolla's career took a significant turn with the exhibition of "Sad Inheritance," a piece highlighting the plight of children affected by disease in Valencia. This painting not only won him the Grand Prix at the Universal Exhibition in Paris in 1900 but also solidified his reputation internationally, marking him as a pioneer of Spanish Impressionism. His mastery over portraying light, particularly the luminous beaches of Valencia, drew parallels with Impressionism, earning him acclaim and comparison with contemporaries like Monet and Sargent.
Despite his initial success with darker themes, as seen in "Another Marguerite," Sorolla's later works were known for their vibrant colors and light, showcasing his evolution as an artist. He was particularly drawn to beach scenes, which became some of his most beloved subjects. His contributions to art were recognized through numerous awards and his works are cherished in collections worldwide.
For those interested in the rich tapestry of Spanish culture and art, Sorolla's works offer a captivating glimpse into the country's landscape and society at the turn of the 20th century. His ability to capture the ephemeral qualities of light and movement set him apart as a unique figure in art history.
If Joaquín Sorolla y Bastida's art captivates you, sign up for updates to stay informed about new product sales and auction events related to this magnificent artist. This subscription ensures you're always in the loop regarding Sorolla's legacy and the ongoing celebration of his work in the art world.
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Joaquín Sorolla y Bastida, a Spanish painter, was celebrated for his adept portrayal of light and water, alongside capturing the vividness of Spanish life. Born in Valencia in 1863, Sorolla showcased a profound talent in the arts from a young age, which was nurtured despite his orphan status. He studied art extensively within Spain and abroad, notably in Rome and Paris, bringing a broad perspective to his work that blended traditional and modernist elements.
Sorolla's career took a significant turn with the exhibition of "Sad Inheritance," a piece highlighting the plight of children affected by disease in Valencia. This painting not only won him the Grand Prix at the Universal Exhibition in Paris in 1900 but also solidified his reputation internationally, marking him as a pioneer of Spanish Impressionism. His mastery over portraying light, particularly the luminous beaches of Valencia, drew parallels with Impressionism, earning him acclaim and comparison with contemporaries like Monet and Sargent.
Despite his initial success with darker themes, as seen in "Another Marguerite," Sorolla's later works were known for their vibrant colors and light, showcasing his evolution as an artist. He was particularly drawn to beach scenes, which became some of his most beloved subjects. His contributions to art were recognized through numerous awards and his works are cherished in collections worldwide.
For those interested in the rich tapestry of Spanish culture and art, Sorolla's works offer a captivating glimpse into the country's landscape and society at the turn of the 20th century. His ability to capture the ephemeral qualities of light and movement set him apart as a unique figure in art history.
If Joaquín Sorolla y Bastida's art captivates you, sign up for updates to stay informed about new product sales and auction events related to this magnificent artist. This subscription ensures you're always in the loop regarding Sorolla's legacy and the ongoing celebration of his work in the art world.
Ignacio Zuloaga Zabaleta was a Spanish painter.
At the age of 18, Ignacio came to Paris, first attending the Free Academy and then the Academy of La Palette, becoming acquainted with the leading Impressionist painters. Over time, Zuloaga developed a style based on the realist Spanish tradition and in the characteristic gloomy style inherited from Ribera and Goya, wrote bullfighters and flamenco dancers. He was generally a great admirer of bullfighting and often depicted it, as well as Spanish landscapes, domestic scenes and portraits.
In 1893, Zuloaga, along with other young Basque society members, founded the Curding Club, also known as The Desk, in Bilbao. In April 1895, the Paris gallery Le Barc de Bouteville exhibited six of his works painted in Andalusia, where the artist enjoyed living and working very much. His painting changed, and Ignacio Zuloaga's paintings reflecting a cheerful, folkloric Spain attracted critical acclaim.
During his career, Zuloaga received various awards and honors both nationally and internationally. Critics in Paris called him "the last great master of the Spanish school of painting".
