GEORGES LALLEMAND (NANCY VERS 1575-1636 PARIS) - photo 1
GEORGES LALLEMAND (NANCY VERS 1575-1636 PARIS) - photo 2

GEORGES LALLEMAND (NANCY VERS 1575-1636 PARIS)

Lot 43
20.03.2024 15:00UTC +01:00
Classic
Sold
€ 18 900
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1172936
Lot 43 | GEORGES LALLEMAND (NANCY VERS 1575-1636 PARIS)
Estimate value
€ 15 000 – 25 000
GEORGES LALLEMAND (NANCY VERS 1575-1636 PARIS)

L’Attrapeur de rats

avec inscription ‘belange’ (en bas à gauche)

pierre noire, plume et encre brune

34,5 x 18,3 cm (13 ½ x 7 ¼ in.)





Provenance

Vente Hôtel Drouot, Paris, 28 novembre 1928, lot 11 (comme Jacques Bellange).

Pierre Lièvre (1882-1939), Paris.

Madame Schnerb, Paris.

Vente anonyme; Christie’s London, 10 juillet 2014, lot 144.



Literature

F.-G. Pariset, ‘Dessin de de Jacques de Bellange’, in La critica d’arte, VIII, n° 5, fascicule XXI, janvier 1950, p. 346, fig. 295 (comme Bellange).

F.-G. Pariset, ‘Georges Lallemant émule de Jacques de Bellange’, in Gazette des Beaux-Arts, XLIII, 1954, p. 303.

C. Comer, Studies in Lorraine Art, ca. 1580-ca. 1625, thèse de doctorat, Princeton, 1979, p. 280, n° X (comme attribué à Lallemant).



Further details

GEORGES LALLEMAND, THE RAT CATCHER, BLACK CHALK, PEN AND BROWN INK

First published in 1950 by François Georges Pariset as a work by Jacques Bellange, the art historian revisited this opinion four years later, citing the drawing in his seminal article on Lallemand (see Literature). In the latter publication, he discusses the stylistic differences between the two artists from Lorraine, and stresses the importance of the black chalk underdrawing in Lallemand’s work, on top of which some outlines are strengthened with pen and brown ink. Indeed, the same eye shape and gaze can be found on other sheets, including two in the Musée du Louvre (inv. 43256, 21768; see L'Art en Lorraine au temps de Jacques Callot, exhib. cat., Nancy, Musée des Beaux-Arts, 1993, p. 272, fig. 2, no. 54, ill.). The latter was engraved by Ludolph Büsinck with the inscription ‘G Lalleman:/ M. Büsinck. Scul:/ 1623’.
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