SCHEDEL, Hartmann (1440-1514)

Lot 133
10.07.2024 10:30UTC +00:00
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£ 63 000
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Event locationUnited Kingdom, London
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ID 1249845
Lot 133 | SCHEDEL, Hartmann (1440-1514)
Estimate value
£ 60 000 – 80 000
SCHEDEL, Hartmann (1440-1514)
Liber chronicarum. Nuremberg: Anton Koberger, for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493.
A fine coloured copy of the first edition of the Nuremberg Chronicle, the most extensively illustrated book of the 15th century. Albrecht Dürer, the printer Koberger's godson, is thought to have contributed to the celebrated series of c.1800 woodcuts while working for the workshop of Michael Wolgemut. The publication history of the Nuremberg Chronicle is perhaps the best documented of any book printed in this period: the contracts between Schedel and his partners Schreyer and Kammermaister, and between Schedel and the artists, all survive in the Nuremberg Stadtsbibliothek, as do detailed manuscript exemplars of both the Latin and the German editions (see A. Wilson, The Making of the Nuremberg Chronicle, Amsterdam: 1976). The Nuremberg Chronicle also includes two double-page maps: a world map (Shirley 19) based on Mela's Cosmographia (1482), and a map of northern and central Europe by Hieronymus Munzer (1437-1508) after Nicolas Khyrpffs. The world map is one of only three 15th-century maps showing Portuguese knowledge of the Gulf of Guinea of about 1470. The map of Europe is closely associated with Nicolas of Cusa's Eichstatt map, with which it is thought to share a common manuscript source of c. 1439-54. It is therefore claimed to be the first modern map of this region to appear in print. Although published later than the map of Germany in the 1482 Ulm Ptolemy, it was constructed earlier (Campbell, The Earliest Printed Maps, 1472-1500, 1987). HC *14508; BMC II, 437; CIBN S-161; BSB-Ink. S-195; Bod-inc. S-108; Schreiber 5203; Goff S-307; ISTC is00307000.

Imperial folio (420 x 300mm). 325 leaves (of 328, without blank 55/6 and 61/5-6; fos. 9/3.4, 25/1, 53/6, 54/5 and possibly others supplied from another copy), quire 55 bound at end, fos. CCLVIIII-CCLXI blank except for printed headlines. 1809 woodcut illustrations printed from 645 blocks (S.C. Cockerell's count, Some German woodcuts of the fifteenth century, 1897, pp.35-6), by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, lombards, woodcuts coloured by a near-contemporary hand, 14-line initial opening text in interlocking red and blue with purple penwork decoration, other initial spaces left blank, red capital strokes. (Quires 4 and 5 rehinged, some leaves remargined at hinge and upper or lower margin with some loss [primarily of headline, replaced in pen-and-ink], section of Europe map expertly repaired in facsimile, some light browning, occasional spotting, light staining, or minor repairs, a few small wormholes in first quires.) A remboitage of 17th-century pigskin over bevelled wooden boards, tooled in blind with rolls, newer large brass cornerpieces, 5 central bosses, 2 fore-edge clasps (front cover rubbed free of tooling). Provenance: annotated throughout in Arabic – [sold Christie’s, 1 June 1999, lot 1].
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