Antonio Zanchi (1631 - 1722)
Antonio Zanchi
Antonio Zanchi, a distinguished Italian Baroque painter, was renowned for his dynamic and emotionally charged artworks, primarily active in Venice from 1631 to 1722. Born in Este, Antonio Zanchi's artistic journey began under the guidance of Giacomo Predali and later Francesco Ruschi, which led him to Venice where he was deeply influenced by Tintoretto and the Roman painter Francesco Ruschi. His artworks are celebrated for their dramatic realism and effective use of chiaroscuro, embodying the Baroque's intensity and passion.
Antonio Zanchi's portfolio spans a variety of subjects, including religious and mythological scenes, that showcase his robust style and attention to emotional depth. Noteworthy works include his depiction of the Plague of Venice and the ceiling painting of the Crowning of the Virgin Mary with St. Girolamo Miani in Venice's Patriarchal Seminary. His influence extended beyond his lifetime, with pupils like Francesco Trevisani and Antonio Molinari carrying on his artistic legacy.
For collectors and art enthusiasts, Antonio Zanchi's works offer a glimpse into the Venetian Baroque's rich tapestry, reflecting the era's artistic vigor and complexity. His paintings, found in various Italian cities and even in Bavaria, continue to be revered for their compelling narratives and artistic mastery.
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Date and place of birt: | 6 december 1631, Este, Italy |
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Date and place of death: | 12 april 1722, Venice, Italy |
Nationality: | Italy |
Period of activity: | XVII, XVIII century |
Specialization: | Artist, Genre painter, Painter |
Genre: | Mythological painting, Religious genre |
Art style: | Baroque, Old Masters, Tenebrism |