14./15. jahrhundert
Gaspare Diziani was an Italian late Baroque and early Rococo painter, decorator, draftsman, and engraver.
He painted a series of canvases and murals for churches, and worked as a set designer for theaters and opera houses in Venice, Munich, and Dresden. His engravings illustrate the 1757 edition of The Divine Comedy.
Gaspare Diziani was one of the founders of the Venice Academy of Fine Arts.
Adriaen Isenbrandt was a painter in Bruges, in the final years of Early Netherlandish painting, and the first of the Dutch and Flemish Renaissance painting of the Northern Renaissance. Documentary evidence suggests he was a significant and successful artist of his period, even though no specific works by his hand are clearly documented. Art historians have conjectured that he operated a large workshop specializing in religious subjects and devotional paintings, which were executed in a conservative style in the tradition of the Early Netherlandish painting of the previous century. By his time, the new booming economy of Antwerp had made this the centre of painting in the Low Countries, but the previous centre of Bruges retained considerable prestige.
Domenico Passignano, born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-Maniera (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century.
