20 jahrhundert kunst
Piero Dorazio was an Italian painter. His work was related to color field painting, lyrical abstraction and other forms of abstract art.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Franz Roubaud (Russian: Франц Алексеевич Рубо) was a Russian painter, known for his panoramic paintings and battle scenes. Born in Odessa in 1856, Roubaud studied at the Imperial Academy of Arts in St. Petersburg and furthered his education in Munich. His works are celebrated for their meticulous detail and dynamic composition.
One of his most famous works is the "Siege of Sevastopol," a monumental panorama depicting a key event from the Crimean War. This masterpiece is housed in the Panorama Museum in Sevastopol and stands as a testament to Roubaud's ability to convey historical grandeur and emotional intensity.
Roubaud's contributions to Russian art extend beyond his canvases, as he was also a respected professor at the Academy of Arts in St. Petersburg. His legacy continues to influence modern Russian painters, and his works are sought after by collectors and art enthusiasts worldwide.
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Friedrich Wilhelm Kuhnert was a German painter, author and illustrator, who specialized in animal images. After illustrating the books of Alfred Brehm, he travelled to German East Africa to observe animals in their habitat and produced numerous paintings that defined Africa for many Germans of the period.
August Wilhelm Leu was a German landscape painter of the Romantic era. Most of his paintings are large format and depict scenes in Norway and the Alps. He studied painting under Johann Wilhelm Schirmer at the Düsseldorf Academy of Art.
August Wilhelm Loy's landscapes are characterized by a magnificent romantic conception of Alpine nature, masterful rendering, bright colours and well calculated light effects. Loy attached great importance to the particularly detailed design of the foreground.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Franz von Defregger was an Austrian artist known for producing genre art and history paintings set in his native county of Tyrol.
Franz von Defregger was an Austrian artist known for producing genre art and history paintings set in his native county of Tyrol.
Paul Mathias Padua was a German painter. He felt committed to the tradition of Wilhelm Leibl, a realist who was highly esteemed by Adolf Hitler, and was extremely successful as an artist during the National Socialist era.
Pierre-Auguste Renoir was a French artist, celebrated as a pivotal figure in the development of the Impressionist movement. Born in Limoges, France, in 1841, Renoir's early experiences in Paris and his apprenticeship as a porcelain painter laid the foundation for his illustrious career in art. His transition to painting was marked by an early fascination with the play of light and color, which became a hallmark of his work. Renoir's paintings are renowned for their vibrant light and saturated color, often focusing on people in intimate and candid compositions. This focus on beauty and a particular affinity for capturing the sensuality of the female form distinguished his work from his contemporaries.
Renoir's contributions to Impressionism were significant, characterized by his use of bright colors and a technique that captured the movement and luminosity of the scene. His evolution as an artist saw him experimenting with a more linear and classical style, especially after his travels to Italy, where he was deeply influenced by the Renaissance masters. Despite facing personal challenges, including severe rheumatoid arthritis in his later years, Renoir's passion for painting never waned. His determination saw him adapting his painting technique to his physical limitations, ensuring that his creative output remained prolific until his death in 1919.
Among Renoir's notable works are "Bal du moulin de la Galette" (1876), "Luncheon of the Boating Party" (1880), and "Girls at the Piano" (1892). These masterpieces exemplify the essence of Impressionist art with their depiction of light, movement, and everyday life. Renoir's works are housed in prestigious museums around the world, serving as a testament to his enduring legacy in the realm of art.
For art collectors and experts, Renoir's oeuvre represents an essential segment of the Impressionist movement, offering insights into the evolution of modern art. His mastery in portraying the beauty of the moment and the depth of human emotion continues to captivate and inspire audiences worldwide.
If you are passionate about collecting or studying the works of Pierre-Auguste Renoir, we invite you to sign up for updates on new product sales and auction events related to this iconic artist. Stay informed about the opportunity to own a piece of art history and deepen your appreciation for the rich tapestry of culture and art that Renoir helped weave.
Ernst Meyer was a Danish genre painter of Jewish origin. He studied painting at the Royal Danish Academy of Arts.
Ernst Meyer travelled extensively, living for a time in Germany, France, Switzerland and Italy. It was the colourful street life of Rome that first inspired him to create genre scenes.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Eduard von Grützner was a German painter of the late 19th and early 20th centuries. He went down in the history of European art as a portrait painter and a brilliant master of genre.
Eduard von Grützner in most of his paintings depicted the life of monks, who usually appear to the audience in the images of merry rioters, leading a not ideal lifestyle. The public liked the original humorous style of the painter, and Grützner's work had many admirers.
Grützner was awarded the Royal Order of St. Michael and also received the title of honorary professor at the Munich Academy of Fine Arts. He also became a Knight of the Order of Civil Merit of the Bavarian Crown and received the title of nobleman, with the prefix "von" added to his last name.
Von Grützner is also known as a collector of art and antiques. For many years he collected masterpieces of the Gothic and Renaissance masters, and towards the end of his life he became interested in Far Eastern art.
Julius Adam d. J. was a German animal painter who became known primarily for his paintings of kittens, for which he earned the nickname Kittenadam. His father Julius Adam the Elder was a photographer and lithographer.
Arthur Kampf was a German painter. He was associated with the Düsseldorf school of painting.
Kampf's work is most strongly associated with the genre of traditional history painting, though throughout his lifetime he explored styles influenced by Impressionism and Art Nouveau. He was also celebrated for large scale portrait work and in particular children's portraiture. Kampf also worked extensively as an illustrator, contributing drawings to volumes by Shakespeare (1925), R. Herzog, History of Prussia (1913) and J.W. Goethe, Faust (1925). Kampf's artwork post World War II largely focused on religious themes.
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Jean-Baptiste van Loo was a French portrait painter of the Rococo period. He came from a large Van Loo family of painters, originally from Flanders. Elder brother of the painter Charles André van Loo. He studied painting with Benedetto Luti at the Académie Française in the Villa Médici.
Jean-Baptiste van Loo's style was marked by refined elegance and a desire to convey the likeness and character of his subjects. He excelled in portraiture and his work was sought after by royalty, aristocrats and prominent figures of his time.
In addition to portraits, he also painted historical and mythological scenes. His works had a sense of grandeur, using a vivid colour palette, intricate details and dynamic compositions.
