portrait laïc

Chaïm Soutine (Russian: Хаим Соломонович Сутин), a Russian-born French painter, left an indelible mark on the world of art with his expressionist works that radiate emotional intensity and bold coloration. Born in 1893 in a small village in what is now Belarus, Soutine grew up in a Jewish family, the tenth of eleven children. His journey to Paris marked the beginning of a significant chapter in his life, where he would eventually become a central figure in the School of Paris, a movement that defined the city's artistic landscape in the early 20th century.
Soutine's artistry is characterized by its raw emotional power, often conveyed through distorted forms and vigorous brushwork. This unique style reflects not only his personal struggles and the hardships he faced as an immigrant artist but also his deep admiration for the Old Masters, particularly Rembrandt, whose influence is evident in Soutine's thematic choices and technique. His work spans a range of subjects, from landscapes and portraits to still lifes, each imbued with a sense of vitality and movement that is distinctly Soutine's.
One of the most compelling aspects of Soutine's oeuvre is his series of carcass paintings, notably inspired by Rembrandt's "Slaughtered Ox." These works, particularly "Carcass of Beef," showcase his fascination with the theme of decay and the beauty he found within it, despite the controversy such subjects provoked among his contemporaries. This series exemplifies Soutine's ability to transform a potentially repulsive subject into a profound exploration of color and form.
Soutine's legacy is also marked by his tumultuous life, including his struggles with poverty and persecution during World War II due to his Jewish heritage. Despite these challenges, his work gained recognition and support from influential art dealers and collectors, such as Albert C. Barnes, who purchased a significant number of his paintings in a single encounter, providing Soutine with financial stability and public exposure.
Today, Soutine's works are celebrated in major museums and galleries around the world, testament to his enduring influence on subsequent generations of artists. His paintings, characterized by their emotional depth and innovative use of color and form, continue to captivate art lovers and collectors alike.
For those passionate about the evolution of modern art and the expressionist movement, Soutine's work offers a window into the soul of an artist who transformed personal adversity into profound artistic expression. To stay informed about upcoming sales and auction events featuring Soutine's work, I encourage you to sign up for updates. This subscription is an opportunity to deepen your appreciation for Soutine's contributions to art and culture and to possibly acquire a piece of his legacy for your collection.


John White Alexander was an American portrait, figure, and decorative painter and illustrator.


John White Alexander was an American portrait, figure, and decorative painter and illustrator.


Jules Pascin, born Julius Mordecai Pincas, was a Bulgarian-born American painter and draftsman. He studied art in Vienna, Munich, and Paris, where he settled in 1905.
Pascin became known for his portraits and nudes, which often featured elongated figures and fluid lines. He was also noted for his use of watercolors and his depictions of Parisian nightlife, cafes, and brothels. His work was influenced by the Fauvists and the German Expressionists.
Pascin was a member of the Montparnasse artistic community in Paris, and he was friends with many of the leading artists and writers of the day, including Pablo Picasso, Henri Matisse, and Ernest Hemingway. He was married twice, but his personal life was marked by numerous affairs and a struggle with alcoholism.
His work is held in many major collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.


Frederick Carl Frieseke was an American Impressionist painter who spent most of his life as an expatriate in France. An influential member of the Giverny art colony, his paintings often concentrated on various effects of dappled sunlight. He is especially known for painting female subjects, both indoors and out.


Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
For updates on exhibitions and sales related to Mary Stevenson Cassatt's works, consider signing up for our newsletter. This subscription will keep you informed about the latest auction events and product sales directly linked to Cassatt's enduring legacy.


Elisabeth Büchsel, full name Elisabeth Charlotte Helene Emilie Büchsel, was a German artist. She studied painting in Berlin, Dresden, Paris and Munich.
Elisabeth Büchsel painted mainly portraits and landscapes of Rügen and Stralsund. From 1904 she lived and worked on the island of Hiddensee from spring to autumn.
Büchsel was a member of the Association of Visual Artists of Germany.































































