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André Thomkins was a Swiss painter, illustrator, and poet. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973.
Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes.
Franz von Defregger was an Austrian artist known for producing genre art and history paintings set in his native county of Tyrol.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Friedrich Wilhelm Kuhnert was a German painter, author and illustrator, who specialized in animal images. After illustrating the books of Alfred Brehm, he travelled to German East Africa to observe animals in their habitat and produced numerous paintings that defined Africa for many Germans of the period.
Guido Reni was an Italian Baroque painter, celebrated for his refined and classical approach to art. Born in Bologna, Italy, Reni's career spanned the late Renaissance and early Baroque periods, where he became known for his religious and mythological scenes. His style, characterized by elegance and grace, set him apart from his contemporaries, making his works highly sought after by both religious and secular patrons.
Reni's training under Denys Calvaert, followed by his time in the Carracci workshop, laid the foundation for his distinctive blend of classical idealism and Baroque dynamism. This education, coupled with his interactions and reported rivalry with Caravaggio in Rome, influenced his development as an artist who could balance the dramatic intensity of the Baroque with a serene classicism.
One of Reni's most famous works, the fresco "Aurora" in the Casino dell'Aurora of Palazzo Pallavicini-Rospigliosi, showcases his mastery of classical forms and his ability to convey narrative through expressive composition and vibrant color. This masterpiece, depicting Apollo's chariot led by Dawn, is celebrated for its simplicity and restraint, contrasting the more elaborate compositions typical of his era.
Reni's contributions to religious art are also significant, with works such as "The Archangel Michael Defeating Satan" and "Saint Joseph and the Christ Child" reflecting his capacity to imbue traditional Christian subjects with a profound sense of divinity and humanity. His paintings are distinguished by their delicate treatment of light and shadow, a hallmark of his refined aesthetic.
Collectors and art experts continue to admire Reni's works for their technical brilliance and emotional depth. His paintings, such as "The Massacre of the Innocents" and "Saint Sebastian," are preserved in major museums worldwide, testament to his enduring influence on Western art. Reni's legacy as a bridge between the Renaissance's ideal beauty and the Baroque's emotive power remains unparalleled, securing his place among the pantheon of great artists.
For collectors and experts in the field of art and antiques, Guido Reni's oeuvre represents not just the pinnacle of Baroque painting but also a connection to the cultural and aesthetic shifts of his time. To stay updated on sales, auctions, and exhibitions related to Guido Reni's works, signing up for updates can provide exclusive insights and opportunities to engage with the legacy of this exceptional artist.
Balthasar Paul Ommeganck was a distinguished Flemish painter, born in Antwerp, Belgium, in 1755. He garnered acclaim for his unique approach to landscape painting, blending realism with an idealized portrayal of nature. Ommeganck's work is characterized by detailed observation of nature, a sure line, and subtle use of color. His favorite subjects were undulating landscapes, often featuring grazing animals like cows, sheep, and goats.
Balthasar Paul Ommeganck's talent was not confined to painting alone; he was also a skilled draughtsman and dabbled in sculpture, producing some clay models of sheep and cows. His main contribution to art was combining the light found in Dutch Italianate painters' work from the 17th century with meticulous observation of nature, finding a synthesis between realism and an idealized representation of nature.
In 1799, Balthasar Paul Ommeganck's landscape painting won the first prize in Paris, a competition he had not intended to enter but was submitted to by a friend. His success extended beyond the borders of Belgium, as he became a member of several academies, including those in Amsterdam, Brussels, Ghent, Munich, and Vienna. In 1809, he was recognized as a corresponding member of the Institut de France.
Despite his death in 1826, Balthasar Paul Ommeganck's style continued to influence landscape painting in the 18th and early 19th centuries. However, later art critics have sometimes viewed his adherence to classic tradition and preference for the picturesque and conventional as a form of 'hopeless traditionalism'.
For collectors and enthusiasts of art and antiques, Balthasar Paul Ommeganck's works represent a significant period in the history of landscape painting. His paintings, with their fusion of realistic detail and atmospheric beauty, are a testament to his skill and vision.
To keep abreast of the latest news, sales, and auction events related to Balthasar Paul Ommeganck's art, consider subscribing to our updates. This service ensures you stay informed about opportunities to delve deeper into the works of this notable landscape artist.
Joseph Vivien was a French painter from Lyon.
He left Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation with his portraits in pastels, to which he gave a sparkle and immediacy previously unreached in that medium.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Marino Marini was an Italian sculptor and educator.