картина маслом морской пейзаж
Stanislas Victor Edouard Lépine was a French painter who specialized in landscapes, especially views of the Seine.
Stanislas Victor Edouard Lépine was a French painter who specialized in landscapes, especially views of the Seine.
Guy Carleton Wiggins was an American artist known for his impressionistic winter landscapes, particularly those of New York City.
Wiggins began his artistic training at a young age and went on to study at the National Academy of Design and the Art Students League in New York City. He also studied in Europe, particularly in France, where he was heavily influenced by the Impressionist movement.
Wiggins is best known for his snowscapes, which often depict New York City streets, parks, and landmarks covered in snow. He used a technique of laying thick, impasto paint on the canvas, creating a sense of depth and texture in his paintings.
Wiggins was a prolific artist, producing over 3,000 works during his lifetime. He was a member of several art organizations, including the Salmagundi Club, the National Academy of Design, and the American Watercolor Society.
Today, his paintings can be found in numerous private and public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the White House.
Guy Carleton Wiggins was an American artist known for his impressionistic winter landscapes, particularly those of New York City.
Wiggins began his artistic training at a young age and went on to study at the National Academy of Design and the Art Students League in New York City. He also studied in Europe, particularly in France, where he was heavily influenced by the Impressionist movement.
Wiggins is best known for his snowscapes, which often depict New York City streets, parks, and landmarks covered in snow. He used a technique of laying thick, impasto paint on the canvas, creating a sense of depth and texture in his paintings.
Wiggins was a prolific artist, producing over 3,000 works during his lifetime. He was a member of several art organizations, including the Salmagundi Club, the National Academy of Design, and the American Watercolor Society.
Today, his paintings can be found in numerous private and public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the White House.
Guy Carleton Wiggins was an American artist known for his impressionistic winter landscapes, particularly those of New York City.
Wiggins began his artistic training at a young age and went on to study at the National Academy of Design and the Art Students League in New York City. He also studied in Europe, particularly in France, where he was heavily influenced by the Impressionist movement.
Wiggins is best known for his snowscapes, which often depict New York City streets, parks, and landmarks covered in snow. He used a technique of laying thick, impasto paint on the canvas, creating a sense of depth and texture in his paintings.
Wiggins was a prolific artist, producing over 3,000 works during his lifetime. He was a member of several art organizations, including the Salmagundi Club, the National Academy of Design, and the American Watercolor Society.
Today, his paintings can be found in numerous private and public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the White House.
Guy Carleton Wiggins was an American artist known for his impressionistic winter landscapes, particularly those of New York City.
Wiggins began his artistic training at a young age and went on to study at the National Academy of Design and the Art Students League in New York City. He also studied in Europe, particularly in France, where he was heavily influenced by the Impressionist movement.
Wiggins is best known for his snowscapes, which often depict New York City streets, parks, and landmarks covered in snow. He used a technique of laying thick, impasto paint on the canvas, creating a sense of depth and texture in his paintings.
Wiggins was a prolific artist, producing over 3,000 works during his lifetime. He was a member of several art organizations, including the Salmagundi Club, the National Academy of Design, and the American Watercolor Society.
Today, his paintings can be found in numerous private and public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the White House.
Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Simon de Vlieger was a maritime painter of the Golden Age of Dutch painting. He is best known for his paintings depicting the naval fleet of the Republic of the United Provinces of Holland. He painted ships in port, on the high seas, during storms, or shipwreck scenes. Flieger also made tapestries, engravings, and stained-glass windows for the Nieuwe Kerk in Amsterdam.
Edward Stuart Davis was an American artist, a representative of Cubism and Pop Art in painting. He was also active in politics; one of Davis's goals was to "reconcile abstract art with Marxism and modern industrial society. Along with his paintings, Davis was also an engraver and member of the Society of American Graphic Artists.
Rockwell Kent is an American artist, illustrator, and writer. He was born and raised in New York City and began his art career in the early 1920s.
Kent worked in a variety of genres and styles, including realism, expressionism, and cubism. Kent became known for his book illustrations as well as his paintings and prints. His work was frequently published in Harper's Weekly, The New York Times, and Vanity Fair magazines and newspapers.
He also illustrated many books, including famous works by Ernest Hemingway and Herman Melville. Kent was also an activist and political activist. He was an advocate of socialist ideals and participated in political movements. In addition, he was a traveler and explorer, having made several trips to Alaska and other far northern territories.
Kent was also a writer and author of several books, including the autobiographical novel It's Me, O Lord! and a book about his travels. Kent's style was recognizable and original, and he was known for his powerful compositions, bright colors, and pronounced contours. His work remained popular even after his death in 1971, and many can be seen in museums and art galleries around the world.
Simon de Vlieger was a maritime painter of the Golden Age of Dutch painting. He is best known for his paintings depicting the naval fleet of the Republic of the United Provinces of Holland. He painted ships in port, on the high seas, during storms, or shipwreck scenes. Flieger also made tapestries, engravings, and stained-glass windows for the Nieuwe Kerk in Amsterdam.
Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
André Derain was a French artist, renowned as a painter, sculptor, and a pivotal figure in the development of Fauvism alongside Henri Matisse. Born on June 10, 1880, in Chatou, Yvelines, just outside Paris, Derain's artistic journey began in his youth. Despite initially studying to become an engineer, his passion for art led him to the Académie Julian and to acquaintances with notable artists like Matisse and Maurice de Vlaminck.
Derain's work, especially his paintings, is celebrated for its vibrant, expressive use of color and innovative compositions. His contributions to Fauvism, a movement characterized by the use of bold, non-naturalistic colors, marked a significant shift in the art world. The Fauvist period, particularly his collaboration with Matisse in the summer of 1905 in Collioure, culminated in works that were distinguished by their startling hues and wild brushwork, earning them the nickname "the wild beasts" or "les Fauves."
A notable period in Derain's career was his time in London in 1906, commissioned by art dealer Ambroise Vollard. His London series, including views of the Thames and Tower Bridge, are celebrated for their unique perspective and use of color, differing significantly from the traditional depictions of the city by artists like Whistler or Monet. These works stand out for their Pointillist influence and the effective conveyance of light and movement.
Derain's artistic evolution continued as he experimented with Cubism and was influenced by African art, as seen in his primitivist woodcuts for Guillaume Apollinaire's book "L'enchanteur pourrissant" (1909). His career, however, was not without controversy, particularly during World War II, when he was perceived as a collaborator due to his interactions with the Germans.
Despite the challenges and transformations in his career, André Derain left an indelible mark on the art world. His works are held in prestigious collections worldwide, including the Musée Cantini in Marseille and the Musée d'art moderne de Troyes. Derain's contribution to modern art, particularly through Fauvism, remains a subject of admiration and study among art collectors and experts.
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Albert Marquet was a French painter, renowned for his affiliation with the Fauvist movement, a group characterized by their use of wild, vivid colors to depict emotional expression. Unlike his contemporaries who embraced bright and violent colors, Marquet distinguished himself with a more subdued palette, employing less intense tones by mixing complementary colors to achieve a naturalistic style, primarily in landscapes. His work is celebrated for its simplicity in form and color, often focusing on serene water scenes, bustling city views, and the animated life of waterfront cities, particularly in North Africa and across various European locales like Naples and Venice.
Marquet's technique involved painting water as a broad area of simple tone, which cleverly held the plane of the water's surface without resorting to illusionistic perspective, allowing ships to emerge into a different plane with ease. This method, alongside his unique approach to color and composition, drew parallels with Japanese Shijo style work, emphasizing simplicity, movement, and the effective use of color to capture scenes' essence.
Throughout his career, Marquet frequently returned to favored subjects, capturing subtle variations in light and atmosphere. His landscapes, cityscapes, and maritime scenes are noted for their tranquility and the artist's keen observation of light and color. His works are housed in prestigious museums worldwide, including the Musée National d'Art Moderne, the Metropolitan Museum of Art, and the Pushkin Museum, showcasing his versatile talent in capturing the natural and urban environment.
Marquet's legacy is significant, admired for his astute sense of color and the ability to convey atmospheric mood with minimal elements. His influence extends beyond the canvas, impacting subsequent generations of artists and collectors who appreciate the subtlety and depth of his work. For collectors and experts in art and antiques, Albert Marquet represents a pivotal figure in modern art, whose works continue to inspire and captivate audiences with their serene beauty and emotional depth.
To stay informed about new sales and auction events related to Albert Marquet's works, signing up for updates can offer exclusive insights and opportunities to acquire pieces by this influential artist. This subscription is an invaluable resource for those keen to enhance their collection with works by one of the masters of Fauvism and modern landscape painting.
Eugène Louis Boudin was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the «King of the skies».
Yvonne Canu was a French painter and neo-impressionist who used pointillism and divisionism in her work. She studied at the Ecole des Arts Décoratifs in Paris and the Académie de la Grand Chaumiere.
Yvonne Canu's paintings were mainly landscapes and still lifes. Her works displayed a meticulous attention to detail and an emphasis on capturing the effects of light and colour. Using pointillism, she achieved a luminous quality in her paintings, with colours optically blending into one another when viewed from a distance.
Yvonne Canu was a French painter and neo-impressionist who used pointillism and divisionism in her work. She studied at the Ecole des Arts Décoratifs in Paris and the Académie de la Grand Chaumiere.
Yvonne Canu's paintings were mainly landscapes and still lifes. Her works displayed a meticulous attention to detail and an emphasis on capturing the effects of light and colour. Using pointillism, she achieved a luminous quality in her paintings, with colours optically blending into one another when viewed from a distance.