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James Digman Wingfield was a British painter, known mainly for historical subjects, as well as for landscapes, portraits, and interiors.
John Wilson Carmichael was a British marine painter.
His name first appears as an exhibitor in 1838, when he contributed an oil painting, Shipping in the Bay of Naples, to the Society of British Artists. He showed both oil paintings and watercolours at the Royal Academy.
His painting of the bombardment of Sveaborg, which he witnessed during this assignment, was exhibited at the Royal Academy and is now in the collection of the National Maritime Museum.
Pierre Garnier was a French furniture maker and one of the greatest cabinetmakers of his time.
Johan Laurentz Jensen was a Danish artist who specialized in flower painting.
Antoine Baptiste Petit was a French landscape painter.
Sarah Miriam Peale was an American portrait painter, considered the first American woman to succeed as a professional artist. One of a family of artists of whom her uncle Charles Willson Peale was the most illustrious, Sarah Peale painted portraits mainly of Maryland, Pennsylvania and Washington, D.C. notables, politicians, and military figures. Lafayette sat for her four times.
Honoré Daumier, a French artist, is renowned for his profound impact on 19th-century art through his work as a caricaturist, painter, and sculptor. His art, which satirized French politics and society, is celebrated for its insightful commentary on the human condition and the social landscape of his time. While Daumier is perhaps best known for his incisive and humorous lithographs that critiqued the French bourgeoisie and political figures, his contributions to painting and sculpture are equally significant, demonstrating a keen observation of everyday life and a masterful use of expression.
Honoré Daumier's early involvement with lithography, a relatively new printmaking technique at the time, allowed him to produce works that were both accessible and impactful, resonating with a wide audience. His imprisonment in 1832 for his caricature of King Louis Philippe as Gargantua highlights the daring nature of his work and the personal risks he took to express his political views. Despite the challenges he faced, including eventual blindness, Daumier continued to create art that spoke to the societal issues of his day, transitioning to painting and sculpture while maintaining the critical edge that defined his earlier works.
His later years were spent in Valmondois, where he focused more on painting, capturing scenes of daily life with a technique that distanced itself from the caricatural style he was famous for but retained his keen observational skills. Despite his struggles with poverty and illness, Honoré Daumier's legacy endures, with his works housed in prestigious institutions like the British Museum and being recognized for their contribution to the development of modern art, particularly in their influence on Impressionist techniques.
For collectors and enthusiasts of art and antiques, Honoré Daumier's work offers a unique window into 19th-century French society, marked by a blend of humor, social critique, and poignant observation. His diverse body of work, from lithographs to paintings, continues to inspire and provoke thought, making him a pivotal figure in the history of art.
To stay informed about the latest exhibitions, sales, and events related to Honoré Daumier's work, signing up for updates is a valuable way to ensure you don't miss out on the opportunity to engage with the rich legacy of this influential artist.
