city landscape
Marten Rijckaert was a Flemish Baroque painter, famous for his landscapes in the Italian manner.
Marten Rijckaert was a pupil of Tobias Verhacht. He was registered as a master at the Antwerp Guild of St Luke's in 1607. Reikart was a close friend of Antonis van Dyck.
His work is characterised by rocky forest landscapes, often with waterfalls, ruins and architecture. These Italian landscapes are close to the works of Flemish painter Paul Brill, and the panoramic concept of his compositions owes a debt to the works of Jan Brueghel the Elder.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Raymundo Martinez is a Mexican landscape painter and printmaker. His subject matter is the reinterpretation of the Mexican landscape: he painted the vast expanse of land, creating an ideal environment for the rapid growth of the metropolis.
The president of the country, Adolfo López Mateos, was a patron of the artist from 1958 to 1964 and willingly presented his works to heads of state. The works of Raimundo Martínez can be found in various Mexican embassies around the world, as well as in the collections of national political figures.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Ivan Vasilievich Kliun (Russian: Иван Васильевич Клюн) was a seminal figure in the Russian Avant-Garde movement, a painter, sculptor, and art theorist associated with Suprematism, a movement that sought to break down art into its basic geometric components. Born in Bolshiye Gorki, Kliun was deeply involved with the avant-garde circles that revolutionized Russian art in the early 20th century. His journey into the art world took him through studies in Kiev, Warsaw, and Moscow, culminating in a long-standing collaboration and friendship with Kazimir Malevich.
Kliun's artistic contributions were vast, ranging from his exploration of color theories to his pioneering Suprematist works that featured geometric shapes against stark backgrounds. Despite the changing tides of political and artistic favor in Soviet Russia, Kliun remained committed to his abstract and purist visions, even when abstraction fell out of favor with the Soviet authorities in the late 1920s.
His works, characterized by a unique integration of light and color to enhance the depth and intensity of the abstract forms, are significant for their experimental approach to Suprematism. Unlike many of his contemporaries who shifted towards Socialist Realism under state pressure, Kliun continued his abstract explorations discreetly. Today, his works are recognized for their innovation and contribution to the avant-garde movement, with pieces displayed in prestigious collections like the Costakis collection and international exhibitions.
For enthusiasts and collectors interested in the avant-garde movement and Kliun's groundbreaking work, staying updated on exhibitions and sales of his art is essential. Sign up for updates to stay informed about new product sales and auction events related to Ivan Vasilievich Kliun and explore the depths of Russian Avant-Garde art.
Roberto Crippa was an Italian painter and sculptor. He studied at the Brera Academy of Fine Arts in Milan, where he developed his artistic skills by exploring different styles and techniques.
Crippa's early work was influenced by Surrealism, with its dreamy and symbolic images. However, he soon moved away from figurative representation and began to use abstraction. His artistic style evolved into a unique combination of abstraction and geometric forms.
One of Crippa's notable contributions to art was his involvement in the Movimento Arte Concreta (Concrete Art) movement in Italy. This movement advocated non-representational art, emphasizing geometric forms, mathematical precision and a focus on the formal aspects of art. Krippa's work from this period demonstrates a fascination with grids, lines and geometric patterns.
Russian painter Iosif Evstafevich Krachkovsky was celebrated for his masterful landscapes, which encapsulated the serene beauty of the Crimean region.
Krachkovsky's dedication to his art was rewarded with both large and small gold medals, affirming his status as a first-degree artist. His landscapes, particularly "Morning" and "Evening," are noted for their evocative portrayal of natural scenes, which earned him acclaim and decorated titles. Some of his works, such as 'Landscape in Crimea', find their home in institutions like the Tomsk Regional Art Museum in Russia, making them accessible to the public and preserving his contribution to Russian art.
Krachkovsky's works have gained significant attention at auctions, with pieces fetching anywhere from a few hundred to over three hundred thousand dollars, highlighting the valued legacy he left in the art world.
