erro (1932)
Erro, real name Guðmundur Guðmundsson, is a contemporary Icelandic painter.
Erro studied painting at the Reykjavik and Oslo Art Academies between 1952 and 1954. He then moved to Italy, where he studied mosaic art in Florence and Ravenna until 1958.
Erro participated in the Venice Biennale in 1986. In 1989 he donated a large part of his works to the Reykjavik Art Museum.
The style of the paintings created by Erro lies on the border between surrealism and pop art. The main theme of his paintings is the depiction of modern civilisation, its technical perfection and its inhumanity. He also uses comic book techniques and science fiction themes in his work.
Erro, real name Guðmundur Guðmundsson, is a contemporary Icelandic painter.
Erro studied painting at the Reykjavik and Oslo Art Academies between 1952 and 1954. He then moved to Italy, where he studied mosaic art in Florence and Ravenna until 1958.
Erro participated in the Venice Biennale in 1986. In 1989 he donated a large part of his works to the Reykjavik Art Museum.
The style of the paintings created by Erro lies on the border between surrealism and pop art. The main theme of his paintings is the depiction of modern civilisation, its technical perfection and its inhumanity. He also uses comic book techniques and science fiction themes in his work.
Erro, real name Guðmundur Guðmundsson, is a contemporary Icelandic painter.
Erro studied painting at the Reykjavik and Oslo Art Academies between 1952 and 1954. He then moved to Italy, where he studied mosaic art in Florence and Ravenna until 1958.
Erro participated in the Venice Biennale in 1986. In 1989 he donated a large part of his works to the Reykjavik Art Museum.
The style of the paintings created by Erro lies on the border between surrealism and pop art. The main theme of his paintings is the depiction of modern civilisation, its technical perfection and its inhumanity. He also uses comic book techniques and science fiction themes in his work.
Enzo Mari was an Italian modernist artist and furniture designer who is known to have influenced many generations of industrial designers.
Giovanni di Paolo di Grazia was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic Miracle of St. Nicholas of Tolentino painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly Last Judgment, Heaven, and Hell from about 1465 and Assumption painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in the 20th century.
François Clouet was a major French Renaissance portrait painter.
François was the son of the painter Jean Clouet (1485-1540), from whom he learned painting. He became the favorite court portraitist of Kings Francis I, Henry II, Francis II and Charles IX.
François Clouet became famous for his mastery, accurately conveying the characters of people and meticulously painting their costumes.
Brassaï, whose real name was Gyula Halász, was a Hungarian-French artist and photographer best known for his work documenting the streets of Paris during the 1920s and 1930s. He was one of the key figures of the Surrealist movement and his work continues to influence photographers and artists to this day.
Brassaï moved to Paris in the 1920s to pursue a career in art. He initially worked as a journalist and began taking photographs to accompany his articles. However, it was his nocturnal photographs of the city that would bring him international fame.
Brassaï's photographs of the streets of Paris at night captured the city's seedier side, including its prostitutes, bars, and cabarets. His work is known for its use of dramatic lighting and strong contrast, which helped to create a moody, evocative atmosphere.
In addition to his photography, Brassaï was also a talented painter and sculptor. He was a close friend of many of the leading artists and writers of the time, including Pablo Picasso, Salvador Dalí, and Henry Miller.
Brassaï's work has been exhibited in major museums and galleries around the world, and his photographs have been published in numerous books and magazines. He was one of the most influential photographers of the 20th century, and his legacy continues to inspire artists and photographers today.
Man Ray, born Emmanuel Radnitzky, was an American visual artist who played a significant role in the Dada and Surrealist movements. His pioneering efforts in photography, alongside his work in painting and sculpture, have cemented his place as a major figure in modern art. Known for his innovative techniques and the ability to convey complex ideas through simple, striking visuals, Man Ray's contribution to the art world is profound.
Throughout his career, Man Ray was celebrated for his avant-garde approach and his ability to transcend traditional boundaries between different artistic mediums. His photography, characterized by experimental techniques such as solarization and rayographs (cameraless photographs), challenged conventional perceptions of photography as merely a means of representation. These artistic innovations made him a central figure in both Parisian and American art circles.
Man Ray's works are housed in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. His pieces, such as "Le Violon d'Ingres" and "Noire et Blanche," are iconic images that continue to influence artists today. His ability to blend the abstract with the realistic, and the humorous with the serious, has left a lasting legacy in the world of art.
For collectors and experts in art and antiques, the work of Man Ray offers a glimpse into the revolutionary changes that shaped the visual arts in the 20th century. His unique perspective and pioneering techniques continue to inspire and challenge those interested in the boundaries of creativity and expression.
If you're passionate about the avant-garde, or simply wish to explore the fascinating world of Man Ray further, sign up for our updates. You'll receive alerts on new product sales and auction events related to Man Ray, ensuring you never miss an opportunity to engage with the legacy of this extraordinary artist.
Brassaï, whose real name was Gyula Halász, was a Hungarian-French artist and photographer best known for his work documenting the streets of Paris during the 1920s and 1930s. He was one of the key figures of the Surrealist movement and his work continues to influence photographers and artists to this day.
Brassaï moved to Paris in the 1920s to pursue a career in art. He initially worked as a journalist and began taking photographs to accompany his articles. However, it was his nocturnal photographs of the city that would bring him international fame.
Brassaï's photographs of the streets of Paris at night captured the city's seedier side, including its prostitutes, bars, and cabarets. His work is known for its use of dramatic lighting and strong contrast, which helped to create a moody, evocative atmosphere.
In addition to his photography, Brassaï was also a talented painter and sculptor. He was a close friend of many of the leading artists and writers of the time, including Pablo Picasso, Salvador Dalí, and Henry Miller.
Brassaï's work has been exhibited in major museums and galleries around the world, and his photographs have been published in numerous books and magazines. He was one of the most influential photographers of the 20th century, and his legacy continues to inspire artists and photographers today.
