john bridge
Philip Rundell was a highly prosperous English jeweller, fine jewellery retailer and master jewellery makers' business proprietor, known for his association with royalty. With John Bridge, he ran and co-owned Rundell and Bridge, a firm with widespread interests in the jewellery and precious metal trades.
John Martin was a British painter, printmaker and illustrator.
Martin is known for his large-scale paintings of historical and religious subjects, as well as dioramas, which were very successful. John Martin was also a mezzotint engraver and among other things illustrated John Milton's Paradise Lost.
John Martin was hugely popular in Europe and influenced many artists. His fantastic architecture and magical, powerful landscapes boggled the mind and stirred the imagination. The French Romantic movement in both art and literature was inspired by it. Even when building railroad bridges in England, architects were inspired by Martin's works.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
John Martin was a British painter, printmaker and illustrator.
Martin is known for his large-scale paintings of historical and religious subjects, as well as dioramas, which were very successful. John Martin was also a mezzotint engraver and among other things illustrated John Milton's Paradise Lost.
John Martin was hugely popular in Europe and influenced many artists. His fantastic architecture and magical, powerful landscapes boggled the mind and stirred the imagination. The French Romantic movement in both art and literature was inspired by it. Even when building railroad bridges in England, architects were inspired by Martin's works.
John Atkinson Grimshaw was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. He was called a «remarkable and imaginative painter» by the critic and historian Christopher Wood in Victorian Painting (1999).
Grimshaw's love for realism stemmed from a passion for photography, which would eventually lend itself to the creative process. Though entirely self-taught, he is known to have used a camera obscura or lenses to project scenes onto canvas, which made up for his shortcomings as a draughtsman and his imperfect knowledge of perspective. This technique, which Caravaggio and Vermeer may also have used, was condemned by a number of his contemporaries who believed it demonstrated less skill than painting by eye, with some claiming that his paintings appeared to «show no marks of handling or brushwork», while others "were doubtful whether they could be accepted as paintings at all". However, many recognised his mastery of colour, lighting and shadow, as well as his unique ability to provoke strong emotional responses in the viewer. James McNeill Whistler, who Grimshaw worked with in his Chelsea studios, stated, «I considered myself the inventor of nocturnes until I saw Grimmy's moonlit pictures».
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home — now known as "Constable Country" — which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
John Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate — and, in many cases, combine — the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced that of Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
John Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate — and, in many cases, combine — the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced that of Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
John Marin was an American artist, a prominent member of the first generation of American modernists. He is known for his abstract landscapes and watercolors.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home — now known as "Constable Country" — which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
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John Frederick Herring the Elder was a British painter of Victorian England.
John had a passion for horses and painting from a young age. In his spare time from his day job as a sign painter and coachman, Herring painted horses for innkeepers and customers. Developing his talent, John specialized in drawing animals and loved to depict sporting events with horses. His impressive and vivid depictions of racehorses, cows and ducks as well as picturesque hunting scenes caught the eye of Queen Victoria. In 1845 Herring was appointed animal painter to Her Royal Highness the Duchess of Kent, followed by a commission from the reigning Queen Victoria, who remained a patron for the rest of his life.
A highly successful and prolific artist, Herring is considered one of the most important animal painters of mid-19th century Europe. He exhibited at the Royal Academy, the British Institution, and the Society of British Artists, where Herring became vice-president in 1842. Three of his sons also became artists.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
John Frederick Herring the Elder was a British painter of Victorian England.
John had a passion for horses and painting from a young age. In his spare time from his day job as a sign painter and coachman, Herring painted horses for innkeepers and customers. Developing his talent, John specialized in drawing animals and loved to depict sporting events with horses. His impressive and vivid depictions of racehorses, cows and ducks as well as picturesque hunting scenes caught the eye of Queen Victoria. In 1845 Herring was appointed animal painter to Her Royal Highness the Duchess of Kent, followed by a commission from the reigning Queen Victoria, who remained a patron for the rest of his life.
A highly successful and prolific artist, Herring is considered one of the most important animal painters of mid-19th century Europe. He exhibited at the Royal Academy, the British Institution, and the Society of British Artists, where Herring became vice-president in 1842. Three of his sons also became artists.
John Frederick Herring the Elder was a British painter of Victorian England.
John had a passion for horses and painting from a young age. In his spare time from his day job as a sign painter and coachman, Herring painted horses for innkeepers and customers. Developing his talent, John specialized in drawing animals and loved to depict sporting events with horses. His impressive and vivid depictions of racehorses, cows and ducks as well as picturesque hunting scenes caught the eye of Queen Victoria. In 1845 Herring was appointed animal painter to Her Royal Highness the Duchess of Kent, followed by a commission from the reigning Queen Victoria, who remained a patron for the rest of his life.
A highly successful and prolific artist, Herring is considered one of the most important animal painters of mid-19th century Europe. He exhibited at the Royal Academy, the British Institution, and the Society of British Artists, where Herring became vice-president in 1842. Three of his sons also became artists.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
