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Carl Linnaeus was a Swedish naturalist, botanist and physician.
Carl Linnaeus created a unified system of classification of flora and fauna, in which he summarized and organized the knowledge of the entire previous period of development of biological science. He was the first to formulate the principles of definition of living beings of natural nature and created a unified system of their names, binary nomenclature. Linnaeus' book "The System of Nature", first published in 1735, is one of the most important books in the history of science and practically opened the classification of plants and animals.
Linnaeus was a professor at Uppsala University for many years, and he is also valued in Sweden as one of the creators of the literary Swedish language in its modern form. In addition to his work in botany and scientific classification, Linnaeus led many activities for the betterment of his native country. He was also involved in the establishment of the Royal Swedish Academy of Sciences.
Charles Robert Darwin was an English naturalist, geologist, and biologist, widely known for contributing to the understanding of evolutionary biology. His proposition that all species of life have descended from a common ancestor is now generally accepted and considered a fundamental concept in science. In a joint publication with Alfred Russel Wallace, he introduced his scientific theory that this branching pattern of evolution resulted from a process that he called natural selection, in which the struggle for existence has a similar effect to the artificial selection involved in selective breeding. Darwin has been described as one of the most influential figures in human history, and he was honoured by burial in Westminster Abbey.
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Ivan Ivanovich Shishkin (russian: Ива́н Ива́нович Ши́шкин), a Russian Artist, stood out in the 19th century for his mastery in landscape painting, immortalizing Russia's vast forests and nature through his precise and detailed work. His specialization in painting, coupled with a deep appreciation for his homeland's natural beauty, positioned him as a pivotal figure in Russian culture and art.
Shishkin's technique, characterized by its attention to detail and use of light, brought the Russian wilderness to life on canvas. His works, such as "Morning in a Pine Forest" and "The Rye Field," are celebrated for their realism and ability to evoke the spirit of Russia's landscapes. These paintings, held in prestigious museums like the Tretyakov Gallery in Moscow, serve not only as artistic achievements but also as cultural artifacts that offer insight into the Russian soul.
For art collectors and experts, Shishkin's oeuvre represents an intersection of artistic mastery and cultural heritage. His contributions to the world of painting continue to inspire and captivate audiences, making his works highly sought after in the realms of art collection and preservation.
We invite enthusiasts and connoisseurs to sign up for updates on new product sales and auction events related to Ivan Ivanovich Shishkin. This subscription is your gateway to owning a piece of Russian art history and staying informed about opportunities to acquire works by this illustrious painter.
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
Otto Brunfels (also Brunsfels, Braunfels) was a German theologian, botanist and physician.
After studying theology and philosophy at the University of Mainz, Brunfels went to a Cartesian monastery near Strasbourg and later became interested in botany there. 1524 he opened a school in Strasbourg. In 1530, Brunfels began studying medicine at the University of Basel and two years later became city physician in Bern, where he remained for the rest of his life.
In addition to theological works, Brunfels published works on education, Arabic, pharmacy, and botany. His Herbarium Vivae Icones (1530 and 1536) and Contrafayt Kreüterbuch (1532-1537) contain woodcuts of German plants with their German common names. The 135 original woodcuts are detailed, accurate, and realistic depictions of living plants by the German artist and engraver Hans Weiditz. Brunfels' work contributed to the shift away from medieval outdated herbalism to the establishment of botany as a modern science. Carl Linnaeus considered Brunfels one of the founders of modern botany.
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Thomas Jefferys was an 18th-century British cartographer and geographer, engraver and publisher.
As the best in the business of map-making, Jefferys held the honorary title of "King George III's geographer". He is known for his detailed and large-scale maps of the districts and counties of Great Britain as well as North America, particularly Virginia (1776). He was the leading map supplier of his day, engraving and printing maps for government and other official bodies.
Georges Braque, a French artist, is celebrated as a pivotal figure in the development of Cubism, alongside Pablo Picasso. Braque's artistic journey transitioned from Impressionism to Fauvism before he delved into the groundbreaking realm of Cubism, characterized by its innovative use of perspective and geometric forms. His partnership with Picasso during the early 20th century marked a significant phase in art history, as they collectively pioneered the Analytic and Synthetic phases of Cubism.
Georges Braque's oeuvre is renowned for its technical precision, introspective quality, and harmonious color palettes. His contributions extended beyond painting to include sculpture and collage, demonstrating his versatile mastery over various mediums. Notable works like "Violin and Candlestick" and "Man with a Guitar" underscore his talent in transforming everyday objects into abstracted, multifaceted compositions.
Throughout his career, Georges Braque remained deeply committed to exploring the boundaries of visual perception and form. After World War I, his style evolved, incorporating brighter colors and new themes, yet he maintained a steadfast adherence to Cubist principles. His later years saw a focus on personal motifs, such as birds, which symbolized freedom and dynamism in his art.
Georges Braque's legacy is preserved in prestigious collections worldwide, including the Museum of Modern Art (MoMA), which houses a significant number of his works. His artistic innovations continue to inspire and influence the realms of art and culture.
For collectors and art enthusiasts, Georges Braque's work offers a profound insight into the evolution of modern art and the enduring allure of Cubism. His pieces are a testament to the enduring power of creativity and innovation in the face of changing artistic landscapes.
If you're keen on exploring Braque's contributions to art and wish to stay updated on exhibitions and sales featuring his work, consider subscribing for updates on Georges Braque's pieces and their presence in the art market today.
Römer + Römer, consisting of Nina and Torsten Römer, is an acclaimed German-Russian artist duo known for their vibrant and immersive paintings. Born in different countries, with Nina hailing from Moscow, Russia, in 1978, and Torsten from Aachen, Germany, in 1968, they both met during their studies at the Kunstakademie Düsseldorf, where they became Master Students under A.R. Penck. Since 1998, they have collaborated as both a couple and a creative duo, making Berlin their home and workspace since 2000.
Their unique approach to art often involves engaging with contemporary culture and events, as seen in their diverse exhibitions. From capturing the essence of the Burning Man festival in "Burning Man – Electric Sky" to exploring social themes in "Generalstreik," their work spans a broad spectrum of subjects. Notably, their participation in the 56th Venice Biennale and exhibitions across various cities showcases their international recognition and appeal.
Römer + Römer's method of creation is deeply collaborative, emphasizing communication and joint creativity over individual genius. This dynamic has allowed them to navigate the complexities of working closely together, transforming potential conflicts into constructive discussions. Their work is characterized by a rich, pointillist technique that marries traditional painting with digital pixelation, creating a bridge between classical art forms and contemporary digital aesthetics.
For art collectors and experts, Römer + Römer's work offers a fresh perspective on landscape and portrait painting, infused with modern themes and innovative techniques. Their pieces are not only visually striking but also thought-provoking, inviting viewers to contemplate the intersections of art, technology, and society.
Stay informed about Römer + Römer's latest projects and exhibitions by subscribing to updates from art news platforms and galleries showcasing their work. This ensures access to the latest on sales, exhibitions, and new pieces by this dynamic duo, further enriching your collection and understanding of contemporary art.
Gaius Pliny Secundus (Latin: Gaius Plinius Secundus), known as Pliny the Elder, was an ancient Roman polymath, writer and statesman.
Pliny came from a wealthy family and was educated in Rome. In military service in Germany, he rose to the rank of cavalry commander, and then returned to Rome and was appointed governor of the province. In addition to public affairs, Pliny was engaged in the study of nature, wrote various scientific works.
His book Natural History has reached our time. This is an encyclopedic work, which became an authority in Europe in scientific matters until the Middle Ages. Natural History has historical significance as one of the greatest literary monuments of classical antiquity. It is still of value to those who wish to gain an insight into first-century Rome from a primary source.
In the year 79 Pliny was appointed by Vispasian to command a fleet in the Bay of Naples, and found himself near Vesuvius at the time of its eruption. He went ashore, where he died as a result of the natural disaster.
Georg Wolfgang Knorr was a German engraver, naturalist, and one of the first paleontologists of the 18th century.
Knorr was first apprenticed to his father as a lathe operator, and at the age of eighteen became a copper engraver for Leongard Blank, working with Martin Tiroff on the illustrations for Jacob Scheuchzer's Physica Sacra (1731). This work and his acquaintance with J.A. Beurer, a mineralogist and correspondent of the Royal Society, awakened Knorr's interest in natural history.
In the 1750s Knorr began publishing his own sumptuous folios. One of the most beautiful books of the eighteenth century is devoted to sea shells.
