oil painting family
Giambattista Pittoni, an illustrious Venetian painter from the 18th century, was renowned for his religious, historical, and mythological artworks. His style, once established, remained consistent throughout his career, characterized by fluency and expressive theatricality, making his paintings timeless within the Venetian art scene. Despite being less traveled compared to his contemporaries, Pittoni received numerous international commissions, particularly from Germany, reflecting his widespread acclaim.
Giambattista Pittoni's works include altarpieces for various churches across Italy and notable commissions from European royalty and aristocracy. His patrons included Augustus II of Poland, Clemens August of Bavaria, and Philip V of Spain, showcasing his significant influence beyond Italian borders. His artistic journey was influenced by early interactions with Venetian painters like Sebastiano Ricci and later by the Rococo style, evident in his sophisticated and elegant use of color.
Giambattista Pittoni's legacy is evident in various collections, including the National Gallery, London, and the Gallerie dell'Accademia in Venice, which houses a collection of his preparatory studies. As a founding member and later president of the Venice Academy, his contributions to the art world were substantial, leaving an enduring impact on the Venetian art scene and beyond.
For those interested in delving deeper into the world of Venetian art and exploring Giambattista Pittoni's exquisite works, consider signing up for updates on exhibitions, sales, and auctions featuring his art. This will provide enthusiasts and collectors with the latest information and opportunities to engage with Pittoni's enduring artistic legacy.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Giacomo Raibolini, also called Giacomo Francia or Jacopo Francia, was an Italian painter and engraver of the Renaissance period. His father Francesco Francia and brother Giulio Raibolini were also artists.
Joos van Cleve, also known by his real name Joos van der Beke, was a prominent Netherlandish painter, active mainly in Antwerp from about 1511 until his death in 1540 or 1541. His work predominantly centered around religious subjects and portraits, including notable commissions for the French King Francis I during his time at the French court. His artistic oeuvre reflects a blend of traditional Netherlandish painting techniques with contemporary Renaissance styles, showcasing his direct knowledge of local art combined with an awareness of Italian developments.
Van Cleve's work was characterized by its elaborate detail, particularly in his altarpieces which often incorporated portraits and landscapes, demonstrating his refined painting style. His success in Antwerp was significant, and he was also recognized at the French court, indicating his high regard as a portrait artist. Notably, Van Cleve had the opportunity to paint members of the royal court, including King Francis I and Queen Eleanor of Austria, underscoring his skills in portraiture.
His paintings are recognized for their sensitivity to color and a unique solidity of figures, with some works showcasing the popular style of Antwerp Mannerism. Van Cleve was an innovator in introducing broad world landscapes in the backgrounds of his paintings, a technique that became popular in sixteenth-century northern Renaissance paintings. Despite his contributions to the Renaissance art movement, Van Cleve also produced works that were highly eclectic, drawing on the styles of earlier Netherlandish masters as well as Italian influences, particularly in his use of sfumato, evident in his Virgin and Child compositions.
For art collectors and experts, Joos van Cleve's legacy offers a rich exploration into the transition from medieval to Renaissance art in Northern Europe. His body of work, found in prestigious collections such as the National Gallery in Prague, the Louvre, and the Royal Museums of Fine Arts of Belgium, remains a testament to his versatility and skill as a painter of both religious narratives and royal portraits.
To delve deeper into the fascinating world of Joos van Cleve and to stay informed about exhibitions or sales featuring his work, consider signing up for updates from art institutions and auction houses. This subscription will ensure you remain at the forefront of developments and opportunities related to this influential artist's oeuvre, enhancing your collection and understanding of Renaissance art.
Pál (Paul) Böhm was a Hungarian genre painter.
Antonio Zanchi, a distinguished Italian Baroque painter, was renowned for his dynamic and emotionally charged artworks, primarily active in Venice from 1631 to 1722. Born in Este, Antonio Zanchi's artistic journey began under the guidance of Giacomo Predali and later Francesco Ruschi, which led him to Venice where he was deeply influenced by Tintoretto and the Roman painter Francesco Ruschi. His artworks are celebrated for their dramatic realism and effective use of chiaroscuro, embodying the Baroque's intensity and passion.
Antonio Zanchi's portfolio spans a variety of subjects, including religious and mythological scenes, that showcase his robust style and attention to emotional depth. Noteworthy works include his depiction of the Plague of Venice and the ceiling painting of the Crowning of the Virgin Mary with St. Girolamo Miani in Venice's Patriarchal Seminary. His influence extended beyond his lifetime, with pupils like Francesco Trevisani and Antonio Molinari carrying on his artistic legacy.
For collectors and art enthusiasts, Antonio Zanchi's works offer a glimpse into the Venetian Baroque's rich tapestry, reflecting the era's artistic vigor and complexity. His paintings, found in various Italian cities and even in Bavaria, continue to be revered for their compelling narratives and artistic mastery.
For those interested in staying updated on Antonio Zanchi's works and related events, subscribing for updates can provide valuable insights into upcoming sales and exhibitions, ensuring enthusiasts remain connected to Zanchi's enduring artistic influence.
Konrad Klapheck is a German painter and graphic artist whose style of painting combines features of Surrealism and Pop art.
Carl Hilgers was a 19th century German landscape painter.
Carl Hilgers liked to paint winter landscapes shrouded in mist, often of locations around Düsseldorf. The paintings have a romantic character which is enhanced by occasional figures.
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Zhang Xiaogang (Chinese: 张晓刚, pinyin Zhāng Xiǎogāng) is a famous contemporary Chinese surrealist painter and sculptor. He gained his literary youth during the Cultural Revolution in China, which has had a profound influence on his work. Among his best-known works are his series of paintings entitled Ancestry, Amnesia and Memory, and Tiananmen Square. Since 1997 his works have been exhibited in New York, Paris, Tokyo, Prague and other cities.
Jules Pascin, born Julius Mordecai Pincas, was a Bulgarian-born American painter and draftsman. He studied art in Vienna, Munich, and Paris, where he settled in 1905.
Pascin became known for his portraits and nudes, which often featured elongated figures and fluid lines. He was also noted for his use of watercolors and his depictions of Parisian nightlife, cafes, and brothels. His work was influenced by the Fauvists and the German Expressionists.
Pascin was a member of the Montparnasse artistic community in Paris, and he was friends with many of the leading artists and writers of the day, including Pablo Picasso, Henri Matisse, and Ernest Hemingway. He was married twice, but his personal life was marked by numerous affairs and a struggle with alcoholism.
His work is held in many major collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Giovanni Mannozzi, known as Giovanni da San Giovanni, was an early Baroque Italian painter characterised by his elegant and graceful style, particularly in his depiction of religious and mythological scenes.
Giovanni Mannozzi was in charge of decorating the facade of the Palazzo del Antella in Piazza Santa Croce in Florence between 1619 and 1620. His masterpiece is the frescoes in the chapel of St Catherine inside the Palazzo Rospigliozza Pallavicini in Pistoia.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Jacob Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.
Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640 — the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
