order of the garter
Johann Heinrich Tischbein the Elder, known as the Kasseler Tischbein, was one of the most respected European painters in the 18th century and an important member of the Tischbein family of German painters, which spanned three generations.
His work consisted primarily of portraits of the nobility, mythological scenes, and historical paintings. For his mythology paintings his models were mostly members of the upper nobility.
Marcus Gerards the Younger was a Flemish portrait painter of the Renaissance.
Marcus Gerards the Younger was considered one of the most talented portraitists of Britain at the end of the XVI century, was under the patronage of Princess Anne of Denmark (1574-1619), wife of King James I Stuart of England and Scotland. In 1610 he became a court painter, whose work was highly paid. He painted portraits of King James I, Queen Anne and their children.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Philip Rundell was a highly prosperous English jeweller, fine jewellery retailer and master jewellery makers' business proprietor, known for his association with royalty. With John Bridge, he ran and co-owned Rundell and Bridge, a firm with widespread interests in the jewellery and precious metal trades.
Paul Storr was an English goldsmith and silversmith working in the Neoclassical and other styles during the late 18th and early 19th centuries. His works range from simple tableware to magnificent sculptural pieces made for royalty.
Robert Hennell was an English silversmith and engraver, best known for his work during the Georgian era. He was apprenticed to the silversmith John Scofield before setting up his own workshop in 1763.
Hennell's silver pieces were highly sought after for their quality and craftsmanship. He produced a wide range of objects, from tea services to candlesticks, and his designs were characterized by their elegant simplicity and attention to detail. He also created a number of commemorative objects, including the silver casket presented to Lord Nelson by the City of London in 1800.
In addition to his work as a silversmith, Hennell was also an accomplished engraver, and his work can be found on a number of coins and medals from the Georgian era. He was a member of the Royal Academy and exhibited his work at the Royal Academy exhibitions throughout his career.
Today, Hennell's silver pieces and engravings can be found in the collections of museums around the world, including the Victoria and Albert Museum in London and the Metropolitan Museum of Art in New York. His work continues to be admired for its beauty, quality, and historical significance.
