paysage fluvial
Paolo Anesi was an Italian painter of the 18th century, active mainly in painting capriccios and landscapes (vedute) in the style of Giovanni Paolo Pannini.
Jules Achille Noël, born Louis Assez Noël, was a French landscape and maritime painter who worked primarily in Brittany and Normandy.
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Otto Altenkirch was a German impressionist painter and stage designer. He studied at the Berlin University of the Arts and the Dresden Academy of Fine Arts.
Otto Altenkirch was one of the founders of the Künstlervereinigung Dresden, one of the artists who worked at the Dresden Museum and the Opera House.
For two decades one of his favourite subjects was the linden alley in Rheinsberg. In 1941 and 1943 his works were exhibited in the Große Deutsche Kunstausstellung (exhibition of Nazi-approved art in Munich).
