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Marcus Tullius Cicero was a Roman statesman, lawyer, scholar, philosopher, and academic skeptic, who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. His extensive writings include treatises on rhetoric, philosophy and politics. He is considered one of Rome's greatest orators and prose stylists. He came from a wealthy municipal family of the Roman equestrian order, and served as consul in 63 BC.
His influence on the Latin language was immense. He wrote more than three-quarters of extant Latin literature that is known to have existed in his lifetime, and it has been said that subsequent prose was either a reaction against or a return to his style, not only in Latin but in European languages up to the 19th century. Cicero introduced into Latin the arguments of the chief schools of Hellenistic philosophy and created a Latin philosophical vocabulary with neologisms such as evidentia, humanitas, qualitas, quantitas, and essentia, distinguishing himself as a translator and philosopher.
Pierre-Auguste Renoir was a French artist, celebrated as a pivotal figure in the development of the Impressionist movement. Born in Limoges, France, in 1841, Renoir's early experiences in Paris and his apprenticeship as a porcelain painter laid the foundation for his illustrious career in art. His transition to painting was marked by an early fascination with the play of light and color, which became a hallmark of his work. Renoir's paintings are renowned for their vibrant light and saturated color, often focusing on people in intimate and candid compositions. This focus on beauty and a particular affinity for capturing the sensuality of the female form distinguished his work from his contemporaries.
Renoir's contributions to Impressionism were significant, characterized by his use of bright colors and a technique that captured the movement and luminosity of the scene. His evolution as an artist saw him experimenting with a more linear and classical style, especially after his travels to Italy, where he was deeply influenced by the Renaissance masters. Despite facing personal challenges, including severe rheumatoid arthritis in his later years, Renoir's passion for painting never waned. His determination saw him adapting his painting technique to his physical limitations, ensuring that his creative output remained prolific until his death in 1919.
Among Renoir's notable works are "Bal du moulin de la Galette" (1876), "Luncheon of the Boating Party" (1880), and "Girls at the Piano" (1892). These masterpieces exemplify the essence of Impressionist art with their depiction of light, movement, and everyday life. Renoir's works are housed in prestigious museums around the world, serving as a testament to his enduring legacy in the realm of art.
For art collectors and experts, Renoir's oeuvre represents an essential segment of the Impressionist movement, offering insights into the evolution of modern art. His mastery in portraying the beauty of the moment and the depth of human emotion continues to captivate and inspire audiences worldwide.
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Pablo Ruiz Picasso, a Spanish artist renowned for his revolutionary contributions to the 20th-century art scene, is a figure that resonates profoundly with collectors and art experts. His unique blend of talents in painting, sculpture, printmaking, and ceramic art, infused with his time in France, positioned him as a pivotal character in modern art history.
Picasso's artistic journey was marked by distinct periods, each showcasing his evolving style and genius. His early years were characterized by the Blue Period (1901-1904), followed by the Rose Period (1904-1906), and then the African-influenced Period (1907-1909). Picasso's name is synonymous with Cubism, a movement he co-founded, which significantly altered artistic perspectives and methods. Works like "Les Demoiselles d'Avignon" (1907) and "Guernica" (1937) are emblematic of his cubist legacy, the latter being a poignant anti-war statement that remains influential.
His later years saw a return to more traditional styles, with neoclassical and surrealist influences becoming evident. Works from these phases reflect a deep engagement with mythological themes, as seen in "Faun with Stars" (1955), symbolizing his late-life romance with Jacqueline Roque, his second wife.
Picasso's prolific output and innovative spirit made him a legend in his own time, a status that only grew after his death. His works, housed in major museums and private collections worldwide, continue to captivate and inspire.
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Marcus Tullius Cicero was a Roman statesman, lawyer, scholar, philosopher, and academic skeptic, who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. His extensive writings include treatises on rhetoric, philosophy and politics. He is considered one of Rome's greatest orators and prose stylists. He came from a wealthy municipal family of the Roman equestrian order, and served as consul in 63 BC.
His influence on the Latin language was immense. He wrote more than three-quarters of extant Latin literature that is known to have existed in his lifetime, and it has been said that subsequent prose was either a reaction against or a return to his style, not only in Latin but in European languages up to the 19th century. Cicero introduced into Latin the arguments of the chief schools of Hellenistic philosophy and created a Latin philosophical vocabulary with neologisms such as evidentia, humanitas, qualitas, quantitas, and essentia, distinguishing himself as a translator and philosopher.
Emil Nolde, a German-Danish artist, stands out as a pivotal figure in the Expressionist movement, celebrated for his vibrant use of color and dynamic brushwork. Born on August 7, 1867, Nolde was initially self-taught, developing a style that later became synonymous with expressive use of color and form. His early work included religious themes and landscapes, characterized by their emotional intensity and innovative color palette. Nolde's contributions to art were not limited to painting; he also excelled in printmaking, creating a significant body of work that includes etchings, woodcuts, and lithographs.
One of Nolde's most noteworthy periods was his time spent on the Baltic Sea island of Alsen from 1903 to 1916, where he produced seascapes that captured the natural world's dynamic essence. His painting "Meer Bei Alsen" (Sea Off Alsen) is a testament to this period, showcasing his ability to convey movement and emotion through color. Furthermore, Nolde's fascination with religious and mythological themes is evident in works like "Dance Around the Golden Calf," where he employs vivid colors and expressive figures to explore complex narratives.
Despite his artistic achievements, Nolde's life was not without controversy. During the Nazi regime, his work was labeled "degenerate," and he faced significant professional and personal challenges. Nonetheless, Nolde continued to create, producing a series of watercolors known as the "Unpainted Pictures" during this time. After World War II, Nolde's reputation was rehabilitated, and he was once again celebrated as a leading figure in modern art.
Nolde's legacy is preserved at the Nolde Foundation Seebüll, a museum dedicated to his life and work, established in the year of his death, 1956. His influence on the field of modern art, particularly within Expressionism, is undeniable, with his bold approach to color and form inspiring subsequent generations of artists.
For art collectors and experts, Nolde's work offers a compelling study in the evolution of modern art, reflecting the tumultuous times he lived through and his unyielding dedication to artistic expression. His ability to capture the essence of his subjects, from the natural beauty of the sea to the depths of human emotion, makes his work a valuable addition to any collection.
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Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Ulrich Beier was a North German sculptor who enjoyed a considerable reputation in his region of Schleswig-Holstein and Hamburg. From 1945 to 1948 he studied sculpture in his hometown with Christian Brodersen, before continuing his studies in Hamburg with Richard Steffen, a pupil of Aristide Maillol.
Ulrich Bayer has been a member of Gruppe 56 since 1962.