1910s
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Mathieu Matégot was a Hungarian / French designer and material artist. He was one of the most renowned French designers of the 1950s.
Following the war, Matégot established a workshop for making handcrafted furniture using a variety of materials such as metal, rattan, glass, formica, and perforated sheet metal. The workshop made chairs, tables, sideboards, desks and other objects that he had designed. At first based in Paris, the workshop later moved to Casablanca. All the furniture and other objects had clever, practical and amusing designs. Distributed to decoration shops in editions of 200, his work was extremely successful.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Mathieu Matégot was a Hungarian / French designer and material artist. He was one of the most renowned French designers of the 1950s.
Following the war, Matégot established a workshop for making handcrafted furniture using a variety of materials such as metal, rattan, glass, formica, and perforated sheet metal. The workshop made chairs, tables, sideboards, desks and other objects that he had designed. At first based in Paris, the workshop later moved to Casablanca. All the furniture and other objects had clever, practical and amusing designs. Distributed to decoration shops in editions of 200, his work was extremely successful.
Winslow Homer was an American landscape painter and printmaker, renowned for his mastery of marine subjects and considered a preeminent figure in 19th-century American art. Born in Boston, Massachusetts in 1836, Homer was largely self-taught, starting his career as a commercial illustrator before venturing into oil painting and watercolors.
Homer's art evolved significantly over his lifetime. During the American Civil War, he worked as a correspondent, creating sketches that conveyed both the immediacy and the human cost of the war. This experience deeply influenced his later work, particularly his powerful oil paintings depicting war and its aftermath. After the war, Homer's focus shifted towards scenes of nature and rural America, reflecting a national nostalgia for simpler times. His works from this period, such as "The Cotton Pickers" and "Snap the Whip," showcase his ability to capture everyday life with poignant realism and emotional depth.
Later in his career, Homer became renowned for his watercolors and seascapes, such as "Breezing Up (A Fair Wind)" and "The Gulf Stream," which are celebrated for their dynamic composition and vivid portrayal of human interaction with nature. His late seascapes, which often depicted the rugged coastlines of Maine, are particularly noted for their dramatic intensity and hint at modernist abstraction, capturing the formidable power and timeless beauty of the sea.
Homer's works are held in high regard and continue to be featured in major museums and galleries, providing inspiration and insight into the American experience of the 19th century.
For those interested in the works of Winslow Homer and the impact of his art, you can sign up for updates related to new product sales and auction events featuring his work. This will keep you informed on opportunities to engage more deeply with Homer's enduring legacy.
Hans Werdehausen is a German expressionist painter.
Werdehausen is a vivid representative of the new wave of postwar art. In 1948 he co-founded the group "Young West", later joined the Association of German Artists, and in 1955 - the Association of West German Artists.
Hans Werdehausen's individual style of painting combines expression, abstraction, constructivism and cubism.
Henri Rousseau was a remarkable French painter, whose work continues to captivate art collectors and experts. Born in Laval, France, in 1844, Rousseau's artistic journey was unconventional. He began painting later in life, around the age of forty, and was primarily self-taught. Despite a lack of formal training, Rousseau developed a unique style that set him apart in the art world.
Rousseau's paintings, characterized by their rich colors and detailed depiction of jungle scenes, wild animals, and exotic figures, marked him as the archetype of the modern naïve artist. He regularly exhibited at the Salon des Indépendants from 1886, gaining attention and admiration over time, especially for works like "Tiger in a Tropical Storm (Surprised!)" and "The Sleeping Gypsy". His art was distinctive for its dreamlike quality and its blend of fantasy and reality.
In 1905, Rousseau exhibited "The Hungry Lion Throws Itself on the Antelope" at the Salon des Indépendants, alongside works by avant-garde artists such as Henri Matisse, marking the first showing of The Fauves. This exhibition was a significant moment, as it highlighted Rousseau's influence on and connection with contemporary art movements. His work, particularly his jungle scenes, was a precursor to surrealism, seen in later artists like René Magritte.
Rousseau's art also included suburban landscapes of Paris, offering a tranquil and cultivated view of the city in contrast to the emotionally charged jungles. These works often included modern elements like smokestacks and telephone poles, yet maintained an eerie stillness, making the familiar appear strange.
A notable event in Rousseau's life was the banquet held in his honor by Pablo Picasso in 1908, an event that signified Rousseau's growing recognition and influence in the art world. This gathering was attended by many influential artists and writers of the time.
Rousseau continued to paint until his death in 1910. His final painting, "The Dream", was exhibited in the same year. Today, Rousseau's works are celebrated for their originality and imaginative quality, and can be found in major museums and galleries worldwide.
For art collectors and experts, Rousseau's work represents a unique blend of naïve art and modern artistic movements. His influence on subsequent artists and his distinct style make his paintings a valuable addition to any collection.
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Hubert Salentin was a German genre painter.
He studied painting at the Düsseldorf Academy of Art. Salentin became famous for his interesting paintings depicting scenes from rural life in West Germany, often with children and in nature.
Hugo Crola was a German painter, son of the landscape artists Elise and Georg Heinrich Crola.
Hugo Crola studied at the Düsseldorf Academy of Art and later became a professor. He created images of many aristocratic and wealthy public figures, but is best known for his portraits of fellow artists.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Robert Alott was an Austrian realist painter and master of the landscape genre.
Robert Alott was an Austrian realist painter and master of the landscape genre.
Hubert Salentin was a German genre painter.
He studied painting at the Düsseldorf Academy of Art. Salentin became famous for his interesting paintings depicting scenes from rural life in West Germany, often with children and in nature.
Ludwig Willroider was an Austrian landscape painter, printmaker, and printmaker, the younger brother of the painter Josef Willroider, and an honorary member of the Munich Academy.
Hans Werdehausen is a German expressionist painter.
Werdehausen is a vivid representative of the new wave of postwar art. In 1948 he co-founded the group "Young West", later joined the Association of German Artists, and in 1955 - the Association of West German Artists.
Hans Werdehausen's individual style of painting combines expression, abstraction, constructivism and cubism.
Hans Werdehausen is a German expressionist painter.
Werdehausen is a vivid representative of the new wave of postwar art. In 1948 he co-founded the group "Young West", later joined the Association of German Artists, and in 1955 - the Association of West German Artists.
Hans Werdehausen's individual style of painting combines expression, abstraction, constructivism and cubism.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Edward Brian Seago was an English artist who painted in both oils and watercolours.
Winslow Homer was an American landscape painter and printmaker, renowned for his mastery of marine subjects and considered a preeminent figure in 19th-century American art. Born in Boston, Massachusetts in 1836, Homer was largely self-taught, starting his career as a commercial illustrator before venturing into oil painting and watercolors.
Homer's art evolved significantly over his lifetime. During the American Civil War, he worked as a correspondent, creating sketches that conveyed both the immediacy and the human cost of the war. This experience deeply influenced his later work, particularly his powerful oil paintings depicting war and its aftermath. After the war, Homer's focus shifted towards scenes of nature and rural America, reflecting a national nostalgia for simpler times. His works from this period, such as "The Cotton Pickers" and "Snap the Whip," showcase his ability to capture everyday life with poignant realism and emotional depth.
Later in his career, Homer became renowned for his watercolors and seascapes, such as "Breezing Up (A Fair Wind)" and "The Gulf Stream," which are celebrated for their dynamic composition and vivid portrayal of human interaction with nature. His late seascapes, which often depicted the rugged coastlines of Maine, are particularly noted for their dramatic intensity and hint at modernist abstraction, capturing the formidable power and timeless beauty of the sea.
Homer's works are held in high regard and continue to be featured in major museums and galleries, providing inspiration and insight into the American experience of the 19th century.
For those interested in the works of Winslow Homer and the impact of his art, you can sign up for updates related to new product sales and auction events featuring his work. This will keep you informed on opportunities to engage more deeply with Homer's enduring legacy.
