ID 949514
Lot 34 | HENRI 'LE DOUANIER' ROUSSEAU (1844-1910)
Estimate value
$ 20 000 000 – 30 000 000
Les Flamants
signed 'Henri Rousseau' (lower left)
oil on canvas
44 7/8 x 63 1/4 in. (113.8 x 162 cm.)
Painted in 1910
Provenance
Wilhelm Uhde, Paris (probably acquired from the artist, 1910, until at least 1912).
Paul and Charlotte (Lotte) von Mendelssohn-Bartholdy, Berlin (by 1926).
Paul von Mendelssohn-Bartholdy, Berlin (1927).
Elsa von Kesselstatt, Vaduz (by descent from the above, 1935).
M. Knoedler & Co., Inc. and Rudolf Heinemann, New York (acquired from the above through Walter Feilchenfeldt, Zurich, 2 September 1949).
Charles S. and Joan Whitney Payson, New York (acquired from the above, October 1949).
By descent from the above to the late owner.
Literature
A. Warnod, Comoedia, 30 October 1912.
R. Grey, “Henri Rousseau” in Action: Cahiers de philosophie et d'art, vol. 2, no. 7, May 1921 (illustrated; titled La berge aux flamants).
A. Basler, Henri Rousseau: Sa vie—son oeuvre, Paris, 1927, p. 11 (illustrated, pl. 41; dated 1906).
A. Salmon, Henri Rousseau, dit Le Douanier, Paris, 1927, p. 140, no. 32 (illustrated).
P. Soupault, Henri Rousseau, Le Douanier, Paris, 1927 (illustrated, pl. 30; dated circa 1907).
C. Zervos, Henri Rousseau, Paris, 1927, p. 111 (illustrated, p. 64).
Der Querschnitt, vol. IX, no. 6, June 1929 (illustrated).
C. Burrows, “Letter from New York” in Apollo: A Journal of the Arts, vol. 13, January 1931, p. 181.
C. Einstein, Die Kunst des 20. Jahrhunderts, Berlin, 1931, p. 636 (illustrated in color, pl. IV).
R. Flint, “Henri Rousseau has his First One Man Show” in The Art News, vol. 29, no. 14, 3 January 1931, pp. 3-4.
C.J. Bulliet, The Significant Moderns and their Pictures, New York, 1936, no. 135 (illustrated).
R. Grey, Henri Rousseau, Paris, 1943, no. 127 (illustrated).
D. Cooper, Rousseau, Paris, 1951, p. 58.
Lo Duca, Henri Rousseau, dit Le Douanier, Paris, 1951, p. 12 (illustrated).
Collection of Mr. and Mrs. Charles S. Payson, New York, 1960 (illustrated in color).
J. Bouret, Henri Rousseau, Neuchâtel, 1961, pp. 227 and 260, no. 185 (illustrated, p. 227; dated 1907).
D. Vallier, Henri Rousseau, Paris, 1961, p. 309, no. 151 (illustrated; dated 1907).
J. Bouret, Henri Rousseau, London, 1962, no. 25 (illustrated).
O. Bihalji-Merin, Leben und Werk des Malers Henri Rousseau, Dresden, 1971, pp. 44 and 149 (illustrated, pl. 50).
C. Keay, Henri Rousseau: Le Douanier, New York, 1976, p. 35.
R. Alley, Portrait of a Primitive: The Art of Henri Rousseau, New York, 1978, p. 71 (illustrated, pl. 60; dated circa 1907).
F. Elgar, Henri Rousseau, Paris, 1980, no. 46 (illustrated; dated 1907).
C. Stabenow, Die Urwaldbilder des Henri Rousseau: Stilbildung und Verhältnis zum Gesamtwerk, PhD. Diss., Munich, 1980, pp. 27, 101, 105, 194, 200 and 236.
Y. Le Pichon, Le monde du Douanier Rousseau, Paris, 1981 (illustrated in color).
D. Vallier, Tout l’oeuvre peint de Henri Rousseau, Paris, 1982, p. 107, no. 196 (illustrated; illustrated again in color, pl. XXXVI; dated 1907).
H. Certigny, Le Douanier Rousseau en son temps, Tokyo, 1984, vol. II, p. 690, no. 318 (illustrated, p. 691) and 1991, vol. III, p. 4.
W. Schmalenbach, Henri Rousseau: Dreams of the Jungle, Munich, 1998, p. 40 (illustrated in color; dated circa 1907).
Exhibited
Paris, Galerie Bernheim-Jeune et Cie., Henri Rousseau, October-November 1912, no. 10 (titled La forêt vierge).
Berlin, Galerie Flechtheim, Henri Rousseau, March 1926, p. 28, no. 29 (illustrated, p. 31).
New York, Marie Harriman Gallery, Henri Rousseau, January 1931, no. 13 (illustrated).
New Haven, Yale University Art Gallery, Pictures Collected by Yale Alumni, May-June 1956, no. 151 (illustrated).
Paris, Galerie Charpentier, Henri Rousseau, dit “Le Douanier", February-April 1961, no. 54 (illustrated; dated 1907).
Paris, Galeries nationales du Grand Palais and New York, The Museum of Modern Art, Le Douanier Rousseau, September 1984-June 1985, p. 192, no. 37 (illustrated in color, p. 193; dated circa 1907).
Kunsthalle Tübingen, Henri Rousseau: Der Zöllner, Grenzgänger zur Moderne, February-June 2001, pp. 206-208, no. 42 (illustrated in color, p. 207; detail illustrated in color, p. 205; dated 1907).
London, Tate Modern and Washington, D.C., National Gallery of Art, Henri Rousseau: Jungles in Paris, November 2005-October 2006, pp. 111, 117 and 223, no. 24 (illustrated in color, p. 117; detail illustrated in color, p. 110, fig. 80; dated 1907).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.
Artist: | Henri Rousseau (1844 - 1910) |
---|---|
Applied technique: | Oil on canvas |
Art style: | Modern art |
Place of origin: | Western Europe, France, Europe |
Auction house category: | Paintings |
Artist: | Henri Rousseau (1844 - 1910) |
---|---|
Applied technique: | Oil on canvas |
Art style: | Modern art |
Place of origin: | Western Europe, France, Europe |
Auction house category: | Paintings |
Address of auction |
CHRISTIE'S 20 Rockefeller Plaza 10020 New York USA | ||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Preview |
| ||||||||||||||
Phone | +1 212 636 2000 | ||||||||||||||
Fax | +1 212 636 4930 | ||||||||||||||
Conditions of purchase | Conditions of purchase | ||||||||||||||
Shipping |
Postal service Courier service pickup by yourself | ||||||||||||||
Payment methods |
Wire Transfer | ||||||||||||||
Business hours | Business hours
|
More from Creator
Related terms
Frequently asked questions
First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.