bürgerliches porträt
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
His work is concerned primarily with psychological and sociological anxiety, historical issues and political topics. His subject matter is the human condition. The metaphor for his art is dominated by the image of the child, particularly the wounded child, scarred physically and emotionally from within. His works often reference taboo and controversial issues from recent history, especially the Nazi rule and the horror of the Holocaust. As a result, his work is often considered provocative and controversial.
Johann Georg Ziesenis was a German portrait painter. He came from a family of artisans and artists of the 17th and 18th centuries whose works are attributed to the Hanoverian Rococo.
Bernhard Strigel was a German painter of the Swabian school, one of the most important masters of the transitional period between the Gothic and the Renaissance.
Bernhard came from a family of artists from Memmingen. He painted works on religious and historical subjects, but became more famous as a portrait painter. The artist painted many portraits of noble citizens of his time in the spirit of the early Northern Renaissance.
Strigel enjoyed the patronage of Emperor Maximilian I and in 1515 became his court painter in Vienna. Here in the same year he created one of the earliest group portraits in Germany, a depiction of Maximilian I and his family. In the last years of his life he gave up religious work and devoted himself almost exclusively to portraiture.
Johann Kaspar Schneider was a German landscape and portrait painter.
