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Alma del Banco was a German artist of the first half of the twentieth century of Jewish origin. She is known as a painter and graphic artist and is considered a representative of Art Nouveau.
Alma del Banco, who began her career as an artist rather late, was already a recognized figure of the Hamburg art scene in the early 1920s and one of the founders of the Hamburg Secession art group. At the beginning of her career she was strongly influenced by Cubism, then her artistic style changed, it became less schematic and her work became more meticulous. The artist achieved considerable success in the portrait genre. However, after the Nazis came to power in Germany, she was banned from exhibiting and her work was declared "degenerate art".
Arnaldo Pomodoro is an Italian sculptor. He was born in Morciano, Romagna, and lives and works in Milan. His brother, Giò Pomodoro (1930-2002) was also a sculptor.
Pomodoro designed a controversial fiberglass crucifix for the Cathedral of St. John the Evangelist in Milwaukee, Wisconsin. The piece is topped with a fourteen-foot diameter crown of thorns which hovers over the figure of Christ.
Giovanni (Gio) Ponti was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
Alma del Banco was a German artist of the first half of the twentieth century of Jewish origin. She is known as a painter and graphic artist and is considered a representative of Art Nouveau.
Alma del Banco, who began her career as an artist rather late, was already a recognized figure of the Hamburg art scene in the early 1920s and one of the founders of the Hamburg Secession art group. At the beginning of her career she was strongly influenced by Cubism, then her artistic style changed, it became less schematic and her work became more meticulous. The artist achieved considerable success in the portrait genre. However, after the Nazis came to power in Germany, she was banned from exhibiting and her work was declared "degenerate art".
Alma del Banco was a German artist of the first half of the twentieth century of Jewish origin. She is known as a painter and graphic artist and is considered a representative of Art Nouveau.
Alma del Banco, who began her career as an artist rather late, was already a recognized figure of the Hamburg art scene in the early 1920s and one of the founders of the Hamburg Secession art group. At the beginning of her career she was strongly influenced by Cubism, then her artistic style changed, it became less schematic and her work became more meticulous. The artist achieved considerable success in the portrait genre. However, after the Nazis came to power in Germany, she was banned from exhibiting and her work was declared "degenerate art".
Alma del Banco was a German artist of the first half of the twentieth century of Jewish origin. She is known as a painter and graphic artist and is considered a representative of Art Nouveau.
Alma del Banco, who began her career as an artist rather late, was already a recognized figure of the Hamburg art scene in the early 1920s and one of the founders of the Hamburg Secession art group. At the beginning of her career she was strongly influenced by Cubism, then her artistic style changed, it became less schematic and her work became more meticulous. The artist achieved considerable success in the portrait genre. However, after the Nazis came to power in Germany, she was banned from exhibiting and her work was declared "degenerate art".
Diego Giacometti was a Swiss sculptor and designer, and the younger brother of the sculptor Alberto Giacometti.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
André Brasilier is a contemporary French expressionist painter.
Combining abstraction and expressionism, the author's lyrical, dreamy paintings explore an intimate communion with nature.
Jean Prouvé was a French metal worker, self-taught architect and designer. Le Corbusier designated Prouvé a constructeur, blending architecture and engineering. Prouvé's main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
Edgar Degas, a French artist, was a master of painting, sculpture, and drawing, celebrated for his profound influence on the Impressionist movement despite his preference for being called a realist. Degas was born into a well-off family in Paris, France, and demonstrated a keen interest in art from an early age, eventually shaping his path to become one of the most sophisticated draftsmen of his time. His rigorous academic training and close study of classical art initially aimed him towards a career in history painting, but Degas soon pivoted towards contemporary subject matter, thus cementing his role as a classical painter of modern life.
Degas is renowned for his dynamic portrayals of movement, particularly in his depictions of dancers, racehorses, and everyday Parisian life. His works are characterized by their psychological depth and the isolation of his figures, showcasing his unique ability to capture the essence of his subjects with both empathy and critical distance. More than half of his oeuvre focuses on dancers, reflecting not only his fascination with the ballet but also his innovative approach to composition and form. This focus on the human figure, explored in various media including oil, pastel, and sculpture, underscores Degas's commitment to studying the nuances of human movement and expression.
Degas's artistic career is marked by his experimentation with various techniques and materials, as seen in his bronze sculptures and pastel nudes. One of his most famous sculptures, the study of the young ballet student Marie van Goethem, showcases his pioneering use of real objects in sculpture, a practice that prefigured later artistic innovations. Despite the controversies that sometimes surrounded his work, particularly in his depictions of the female nude, Degas's legacy as an artist who bridged the gap between traditional academic art and the modern movements of the early 20th century remains undisputed.
For collectors and experts in art and antiques, Degas's work offers a fascinating study in the evolution of modern art, highlighting the artist's deep engagement with the cultural and social dynamics of his time. His pieces, whether in the form of paintings, sculptures, or prints, continue to captivate audiences with their complexity, beauty, and innovative spirit.
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