baudelaire
Edouard Chimot was a French Art Deco painter, illustrator and editor.
Edouard studied at the Ecole des Arts Décoratifs in Nice and then at the Ecole des Beaux-Arts in Lille. After the war, he was able to prove himself as an illustrator and master publisher. At the height of the Art Deco heyday, Chimot received a number of commissions to illustrate books with his original engravings, the first of which was the rare book Les Après-Midi de Montmartre with fourteen engravings by Chimot.
In 1920, Édouard Chimot founded his own publishing house, Éditions d'Art Édouard Chimot. Through this venture, he not only continued to create his own art, but also collaborated with other artists and writers to create high quality limited edition books, often with his distinctive illustrations. Édouard Chimot was associated with late Symbolist and decadent culture, and his own work is sometimes referred to as post-Symbolist. His collaborations with famous writers and poets, including Paul Verlaine and Charles Baudelaire, brought his illustrations to the forefront of the Art Nouveau movement.
With the collapse of the financial system in the early 1930s in Europe, the demand for luxury products also fell, but the artist continued to work, produce books and paint. Chimot's artistic style is characterized by sensuality and romanticism. He was an artist of the female figure, style, eroticism and embodied the essence of Art Deco imagery.
François Auguste René Rodin was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community.
![[BAUDELAIRE, Charles (1821-1867), traduction de] POE, Edgar ...](/assets/image/picture_1080082/3bf89/xnxrfhssbcpjrml8-g0jitnqcetkdbnjzv8-quwu4srcdepoanfyue9w348jwq1602252026jpg__fix_374_244.jpeg)
![[BAUDELAIRE, Charles (1821-1867), traduction de] POE, Edgar ...](https://veryimportantlot.com/assets/image/picture_1080082/3bf89/xnxrfhssbcpjrml8-g0jitnqcetkdbnjzv8-quwu4srcdepoanfyue9w348jwq1602252026jpg__fix_374_244.jpeg)
Jiří Kolář was a Czech poet, writer, painter and translator. His work included both literary and visual art.
Edgar Allan Poe was an American writer and poet, editor and critic who created a form of classical detective fiction in an atmosphere of mystery and horror.
In prose, Allan Poe wrote mostly short stories. His novella The Murders in the Rue Morgue (1841) initiated the modern detective story, and his poem The Raven (1845) is among the most famous in American literature. Romanticism of the first third of the 19th century was shrouded in a fog of Satanism and the occult, which obviously influenced the work of Poe, whose personality was subtle, dualistic, and multifaceted.
Most of Poe's best works are permeated with horror and sorrow, but in life the poet was a pleasant conversationalist with a great sense of humor and a talented orator. All this, coupled with the genius of the writer-narrator provided him with a prominent place among the world-famous writers. Edgar Allan Poe revolutionized the horror genre. He was one of the first to bring deep, visceral, psychological horror into literature. In his stories, the true monster often turned out to be the capacity for evil that lurks within every human being.
Henri Fantin-Latour was a French painter and lithographer renowned for his exquisite flower paintings and insightful group portraits of Parisian artists and writers. His artistic journey began in Grenoble, where he was born in 1836, but it flourished in Paris, where he moved at a young age to study art. Despite his associations with Impressionists like Édouard Manet and Claude Monet, Fantin-Latour carved his unique path, focusing on still life and portraiture rather than adopting the Impressionist style.
Henri Fantin-Latour's knack for capturing the essence of his subjects is evident in his group portraits, which were not just mere representations but insightful depictions of the artistic and literary circles of his time. His notable works like "A Studio at Les Batignolles" illustrate the camaraderie among artists like Manet, Renoir, and Monet, offering a window into the vibrant Parisian art scene of the 19th century. His still lifes, particularly his flower paintings, are celebrated for their realism and delicate precision, making them a favorite among collectors and art enthusiasts.
In addition to his painting, Henri Fantin-Latour's lithographs, inspired by classical music and imbued with a poetic and symbolic quality, reveal another dimension of his talent, showcasing his ability to transcend the boundaries of realism and delve into the realm of imagination.
For art collectors and experts, Henri Fantin-Latour's works offer a blend of technical mastery and a deep understanding of the interplay between art, music, and literature. His contributions to the art world are remembered and celebrated in museums around the globe, where his works continue to inspire and captivate audiences.
For those interested in exploring more about Henri Fantin-Latour's life and works, visiting exhibitions or keeping abreast of auctions featuring his art can provide valuable insights into his creative genius. To stay updated on related events and opportunities, consider subscribing to updates from art institutions or galleries specializing in 19th-century French art.
