children's room
Alan Alexander Milne was a British journalist, playwright and children's author.
While studying at Trinity College, Cambridge, Milne began writing for Granta magazine, and in 1906 he joined the humor magazine Punch, where he wrote humorous poems and quirky essays until 1914. During World War I he served as a communications officer, and afterward, in 1920, Milne had a son, Christopher Robin, whose name soon became known to the world.
From 1921 Milne wrote several comedy plays and also began writing children's poetry and prose for his young son, having finally found his calling. Milne's major successes were his books Winnie the Pooh (1926) and The House on Pooh Corner (1928). These two volumes tell the adventures of a boy named Christopher Robin and his playmates - animals that were "born" from the toys of the real Christopher Robin. The central character is Winnie the Pooh Bear, accompanied by the fussy Rabbit, the sullen Donkey Ia, the bouncy tiger Tigger, the kind kangaroo Kanga and her baby Roo, the wise Owl and the timid Piglet. The adventures of Pooh and his friends in the forest of One Hundred Acres with illustrations by Ernest Shepard became bestsellers.
They were translated into different languages of the world and reprinted many times, filmed cartoons. In 1929 Milne adapted another children's classic, Kenneth Graham's The Wind in the Willows, for stage production as Toad of Toad Hall. Ten years later he wrote an autobiography, Now It's Too Late.
Alan Alexander Milne was a British journalist, playwright and children's author.
While studying at Trinity College, Cambridge, Milne began writing for Granta magazine, and in 1906 he joined the humor magazine Punch, where he wrote humorous poems and quirky essays until 1914. During World War I he served as a communications officer, and afterward, in 1920, Milne had a son, Christopher Robin, whose name soon became known to the world.
From 1921 Milne wrote several comedy plays and also began writing children's poetry and prose for his young son, having finally found his calling. Milne's major successes were his books Winnie the Pooh (1926) and The House on Pooh Corner (1928). These two volumes tell the adventures of a boy named Christopher Robin and his playmates - animals that were "born" from the toys of the real Christopher Robin. The central character is Winnie the Pooh Bear, accompanied by the fussy Rabbit, the sullen Donkey Ia, the bouncy tiger Tigger, the kind kangaroo Kanga and her baby Roo, the wise Owl and the timid Piglet. The adventures of Pooh and his friends in the forest of One Hundred Acres with illustrations by Ernest Shepard became bestsellers.
They were translated into different languages of the world and reprinted many times, filmed cartoons. In 1929 Milne adapted another children's classic, Kenneth Graham's The Wind in the Willows, for stage production as Toad of Toad Hall. Ten years later he wrote an autobiography, Now It's Too Late.
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.
Albert Einstein was a German-born theoretical physicist, widely acknowledged to be one of the greatest and most influential physicists of all time. Einstein is best known for developing the theory of relativity, but he also made important contributions to the development of the theory of quantum mechanics. Relativity and quantum mechanics are together the two pillars of modern physics. His mass–energy equivalence formula E = mc2, which arises from relativity theory, has been dubbed "the world's most famous equation". His work is also known for its influence on the philosophy of science. He received the 1921 Nobel Prize in Physics "for his services to theoretical physics, and especially for his discovery of the law of the photoelectric effect", a pivotal step in the development of quantum theory. His intellectual achievements and originality resulted in "Einstein" becoming synonymous with "genius".
Arthur John Elsley was an English painter of the late Victorian and Edwardian periods, famous for his idyllic genre scenes of playful children and their pets. He achieved great popularity during his life and much of his work appeared in calendars, magazines and books.
Norbert Schwontkowski is a German painter. He studied freehand painting at the University of Design in Bremen and at the University of Fine Arts in Hamburg.
Norbert Schwontkowski's work lies between abstraction, realistic representation and caricature. He mixes the unconscious and surreal with the real, the figures and subjects in the artist's paintings resemble complex dreams.
Schwontkowski created his paints from hand-crushed pigments mixed with various materials to produce a multitude of textures.
Caelius Aurelianus was a Greco-Roman physician and theorist of medicine, representative of the Methodist school, and author of treatises on medicine.
He is best known for his translation from Greek into Latin of Soranus of Ephesus' lost treatise On Acute and Chronic Diseases. The bilingual and intercultural nature of the text makes it an invaluable contribution to the study of Greco-Roman medicine.
Louis Jérôme Raussin was a French physician and bibliophile who lived in Reims.
Nathaniel Hawthorne is an American writer and author.
Hawthorne is a recognized short story writer and a master of allegorical and symbolic narrative. One of the first fiction writers in American literature, he is best known for his works The Scarlet Letter (1850) and The House of Seven Gables (1851). Hawthorne's artistic works are considered part of the American Romantic movement and, in particular, of so-called dark Romanticism, a popular mid-19th-century fascination with the irrational, the demonic, and the grotesque.