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Jules Barbey d'Aurevilly, born Jules Amédée Barbey d'Aurevilly, was a French writer, critic and essayist.
After studying law at the University of Caen, d'Aurevilly gained popularity in 1852 as a literary critic for the Bonapartist newspaper Le Pays, which was influential among the decadents of the late 19th century.
In literature, d'Aurevillys specialized in tales of macabre mysteries that explored ulterior motives and hints of evil, but without the supernatural. He was a decisive influence on writers such as Auguste Villiers de l'Isle-Adam, Henry James, and Marcel Proust.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Jean-Frédéric Schall was a French painter who specialized in genre scenes and portraits.
![CHOPIN, Frédéric (1810-1849) [et George SAND (1804-1876)]](/assets/image/picture_4259662/2e92e/pryubdxec22rash3hutkisg-t9nzulzo6llj3oynfeqys0fes5dqhrzflj8omqn1729410665jpg__fix_374_244.jpeg)
![CHOPIN, Frédéric (1810-1849) [et George SAND (1804-1876)]](https://veryimportantlot.com/assets/image/picture_4259662/2e92e/pryubdxec22rash3hutkisg-t9nzulzo6llj3oynfeqys0fes5dqhrzflj8omqn1729410665jpg__fix_374_244.jpeg)
George Sand, born Amantine Aurore Lucile Dupin, was a French novelist, memoirist, and journalist, acclaimed as one of the most distinguished writers of the European Romantic era. Renowned more than Victor Hugo or Honoré de Balzac in her time, George Sand authored over 70 novels along with a wealth of other works, including plays and political texts. Her contributions were not limited to literature; she was a fervent advocate for women's rights, critiquing the institution of marriage and societal prejudices with a passion mirrored by her great-grandmother, Louise Dupin.
George Sand's upbringing in the village of Nohant under the care of her grandmother shaped her profound connection to the countryside, a theme recurrent in her rustic novels such as "La Mare au diable" and "La Petite Fadette." These works, celebrated for drawing inspiration from her love for the rural landscapes and empathy for the underprivileged, underscore her literary prowess and innovative exploration of pastoral themes.
Her life was marked by controversies, including her choice to wear male attire for practicality and statement, challenging societal norms. This defiance extended into her personal life, where she maintained numerous high-profile relationships, including a notable liaison with the composer Frédéric Chopin. Despite facing criticism for her unconventional lifestyle and progressive views, George Sand's work and personality captivated many of her contemporaries, earning her friendships with luminaries such as Franz Liszt and Gustave Flaubert.
In her later years, George Sand's home in Nohant became a haven for writers and artists, reflecting a mellowed phase of her life filled with writing, hosting friends, and engaging in botany. This period highlighted her enduring dedication to literature and her ability to foster intellectual and creative exchanges among the leading figures of her day.
For collectors and experts in art and antiques interested in the legacy of George Sand, staying informed about upcoming sales and auction events related to her works is essential. Signing up for updates ensures you won't miss the opportunity to own a piece of literary history that celebrates George Sand's remarkable contribution to literature and society.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
