georg hambüchen
Georg Hambüchen was a German landscape painter, representative of the Dusseldorf school of painting and son of the famous impressionist Wilhelm Hambüchen.
Georg Hambüchen was a German landscape painter, representative of the Dusseldorf school of painting and son of the famous impressionist Wilhelm Hambüchen.
Georg Hambüchen was a German landscape painter, representative of the Dusseldorf school of painting and son of the famous impressionist Wilhelm Hambüchen.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Tappert was a German expressionist painter.
Tappert studied at the Academy of Fine Arts in Berlin and later joined the Berlin Secession, a group of artists who sought to break away from traditional academic art. His early work was influenced by the Art Nouveau movement, but he later became associated with German Expressionism.
Tappert's paintings are characterized by their vivid colors and expressive brushstrokes, which conveyed a sense of emotional intensity. He often depicted scenes of modern urban life, such as cafés, streets, and theaters, as well as portraits and still-life compositions. He also produced a significant body of graphic work, including woodcuts and lithographs.
Tappert's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Städtische Galerie in Munich. He was also awarded numerous honors and awards for his work, including the Villa Massimo Prize in Rome in 1911 and the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1955.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.