gustav reißmann
Wilhelm Hasemann was a German genre painter and illustrator.
Gustav Prucha (German: Gustav Prucha) was an Austrian painter who painted genre scenes of sleigh rides among winter landscapes.
Gustav Prucha made numerous study trips to Hungary and Croatia. He also worked in America under the pseudonym John Garvey.
Louis Gustave Cambier is a Belgian painter-painter and sculptor, member of the Royal Academy of Fine Arts in Brussels.
Cambier studied at the Royal Academy of Fine Arts in Brussels and was a co-founder of the Brussels artists' group Le Labeur. During the First World War, he worked as a professor of sculpture at the Académie de Nice and one of his students was Henri Matisse.
Cambier painted landscapes, still lifes and genre scenes, as well as portraits of famous contemporaries, including, for example, a portrait of Winston Churchill.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Gustav Klimt, an Austrian Symbolist painter, was a central figure in Vienna's Secession movement, known for his paintings, murals, sketches, and objets d'art. Born on July 14, 1862, in Baumgarten near Vienna, Klimt's early life was marked by financial hardship, but he showed artistic talent at a young age. He studied at Vienna's Kunstgewerbeschule, where he received a conservative education in architectural painting that influenced his early traditional works.
Klimt's path as an artist was evolutionary and controversial. Initially a successful painter of architectural decorations, his style evolved into a more personal and controversial form, especially after public criticism of his works for the Great Hall of the University of Vienna in 1900, which were deemed pornographic. This turning point led him to abandon public commissions and begin the so-called "golden period," characterized by the use of gold leaf in his work. Some of his most famous paintings, such as The Kiss and Portrait of Adele Bloch-Bauer I, which demonstrate a combination of Byzantine influence and modern symbolism, belong to this phase.
An important aspect of Klimt's career was his participation in the Vienna Secession, an art movement he co-founded in 1897. This movement, which had no manifesto, aimed to showcase unconventional artists and to bring foreign artistic influences to Vienna. Klimt was its first president and participated in the creation of the periodical Ver Sacrum.
Despite his artistic fame, Klimt led a relatively withdrawn lifestyle, often working alone and maintaining discreet personal relationships. Nevertheless, his legacy remains strong: his works fetch high prices at auction and continue to be celebrated for their innovative style and symbolic depth.
For collectors and art experts, Klimt's work represents a fascinating exploration of the evolution of Symbolism and Art Nouveau. His unique approach to form, color, and subject matter makes his work highly valued and constantly relevant in the art world.
If you are interested in keeping up to date with sales and auction events related to the works of Gustav Klimt, we recommend signing up for updates. This will ensure that you don't miss the opportunity to own a piece of this remarkable artist's history.
Gustav Kluge was a German painter and graphic artist and professor of painting.
Kluge studied painting at the Hamburg University of Fine Arts and later taught painting at the State Academy of Fine Arts in Karlsruhe. The artist works and lives in Hamburg and Karlsruhe.
In his works, Kluge deals with fundamental themes: life and death, power and violence. In addition to original inventions, he takes into account various suggestions of historical, cultural and religious traditions. His paintings and drawings, especially his woodcuts, are prime examples of Neo-Expressionism. Using rich material, layered colorful applications, Kluge paints his paintings, as he himself puts it, "on top of each other."
Gustav Kluge was a German painter and graphic artist and professor of painting.
Kluge studied painting at the Hamburg University of Fine Arts and later taught painting at the State Academy of Fine Arts in Karlsruhe. The artist works and lives in Hamburg and Karlsruhe.
In his works, Kluge deals with fundamental themes: life and death, power and violence. In addition to original inventions, he takes into account various suggestions of historical, cultural and religious traditions. His paintings and drawings, especially his woodcuts, are prime examples of Neo-Expressionism. Using rich material, layered colorful applications, Kluge paints his paintings, as he himself puts it, "on top of each other."
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Hermann Dischler was a German painter.
He studied at the Grand Ducal Art School in Karlsruhe and opened his own studio in Freiburg in 1896. In 1907 he built his "artist's house" in Hinterzarten, where he organized permanent art exhibitions.
As a basis for his works, Dischler used his own photographs, which he projected directly onto canvas and then painted landscapes. He was most successful with his snowy winter paintings. Due to their documentary nature, these works have historical value today.
Hermann Dischler was a board member of the Baden Free Artists Association. In 1917 he was awarded the title of professor and in 1926 he became an honorary member of the regional association Badische Heimat.
Gustav Köhler was a German portrait painter of the Dusseldorf school.
Gustav Traub is a German painter, graphic artist and illustrator.
After studying at the Karlsruhe Art Academy, Gustav Traub lived for a long time in Munich, where he created most of his landscapes of Upper Bavaria.
During World War II he participated in large exhibitions in Germany, where Hitler purchased some of Traub's paintings. He was also awarded the title of professor. In addition to his landscapes, Gustav Traub made many chalk drawings and book illustrations.
Gustav Klimt, an Austrian Symbolist painter, was a central figure in Vienna's Secession movement, known for his paintings, murals, sketches, and objets d'art. Born on July 14, 1862, in Baumgarten near Vienna, Klimt's early life was marked by financial hardship, but he showed artistic talent at a young age. He studied at Vienna's Kunstgewerbeschule, where he received a conservative education in architectural painting that influenced his early traditional works.
Klimt's path as an artist was evolutionary and controversial. Initially a successful painter of architectural decorations, his style evolved into a more personal and controversial form, especially after public criticism of his works for the Great Hall of the University of Vienna in 1900, which were deemed pornographic. This turning point led him to abandon public commissions and begin the so-called "golden period," characterized by the use of gold leaf in his work. Some of his most famous paintings, such as The Kiss and Portrait of Adele Bloch-Bauer I, which demonstrate a combination of Byzantine influence and modern symbolism, belong to this phase.
An important aspect of Klimt's career was his participation in the Vienna Secession, an art movement he co-founded in 1897. This movement, which had no manifesto, aimed to showcase unconventional artists and to bring foreign artistic influences to Vienna. Klimt was its first president and participated in the creation of the periodical Ver Sacrum.
Despite his artistic fame, Klimt led a relatively withdrawn lifestyle, often working alone and maintaining discreet personal relationships. Nevertheless, his legacy remains strong: his works fetch high prices at auction and continue to be celebrated for their innovative style and symbolic depth.
For collectors and art experts, Klimt's work represents a fascinating exploration of the evolution of Symbolism and Art Nouveau. His unique approach to form, color, and subject matter makes his work highly valued and constantly relevant in the art world.
If you are interested in keeping up to date with sales and auction events related to the works of Gustav Klimt, we recommend signing up for updates. This will ensure that you don't miss the opportunity to own a piece of this remarkable artist's history.
Gustave Moreau was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence". He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters.
Gustave Caillebotte was a French Impressionist painter, collector, patron of art and impresario.
Caillebotte was born into a noble and wealthy family, educated as an engineer and lawyer, but became interested in painting and studied at the Paris School of Fine Arts. In 1874 he met Pierre-Auguste Renoir and Claude Monet and presented his work at Impressionist exhibitions. Over the next six years, Caillebotte became the chief organizer, promoter and financial sponsor of Impressionist exhibitions, and used his fortune to purchase works by other Impressionists, notably Monet, Renoir, Camille Pissarro, Paul Cézanne, Edgar Degas, Alfred Sisley and Berthe Morisot.
Caillebotte bequeathed his collection of paintings to the state, some of which later formed the basis of the Impressionist collection at the Musée d'Orsay.
In his paintings, Caillebotte combined in a unique synthesis of academic, realistic and impressionist styles. He painted many family scenes, interiors and landscapes, as well as domestic scenes and streets of Paris.
Hermann Dischler was a German painter.
He studied at the Grand Ducal Art School in Karlsruhe and opened his own studio in Freiburg in 1896. In 1907 he built his "artist's house" in Hinterzarten, where he organized permanent art exhibitions.
As a basis for his works, Dischler used his own photographs, which he projected directly onto canvas and then painted landscapes. He was most successful with his snowy winter paintings. Due to their documentary nature, these works have historical value today.
Hermann Dischler was a board member of the Baden Free Artists Association. In 1917 he was awarded the title of professor and in 1926 he became an honorary member of the regional association Badische Heimat.
