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Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
Donato Creti was an Italian painter of the Rococo period, active mostly in Bologna.
One memorable conceit in Creti's output is a series of small canvases depicting celestial bodies, disproportionately sized and illuminated, above nocturnal landscapes.
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.
Donald Clarence Judd was an American artist associated with minimalism (a term he nonetheless stridently disavowed). In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Donatien Nonnotte was a French painter who specialized in portraiture.
Roger de la Fresnaye was a French painter, a representative of Cubism in painting.
He studied at the Académie Julian in Paris and was fascinated by the art of Paul Cézanne. In his works Fresnaye synthesized lyrical color with geometric simplifications of Cubism.