période victorienne
Paul Storr was an English goldsmith and silversmith working in the Neoclassical and other styles during the late 18th and early 19th centuries. His works range from simple tableware to magnificent sculptural pieces made for royalty.
James Guthrie was a Scottish painter, prominent as part of the Glasgow Boys, and is celebrated for his portraiture and contributions to Scottish Realism. Born on June 10, 1859, in Greenock, Guthrie’s work reflected the influence of French realists, particularly Jules Bastien-Lepage, noted for rural subjects depicted with broad, square brush strokes.
His early artistic journey saw him forsake law studies at Glasgow University for painting, a self-taught endeavor that led him to become one of the leading lights of his artist collective. Guthrie's works are characterized by a unique blend of realism and the vibrant influence of French painting techniques, making his work distinctive in the Scottish art scene of the time.
For art collectors and enthusiasts, Guthrie's works like "Statesmen of World War I," held at the National Portrait Gallery in London, offer a glimpse into the evolution of Scottish painting. His portraiture not only captures the visage of his subjects but also the cultural fabric of his era. Those interested in the intersection of French influence and Scottish artistry would find his works a valuable addition to their collections.
To stay abreast of exhibitions and sales featuring James Guthrie's esteemed works, signing up for specialized updates can enrich your collection with pieces emblematic of Scottish Realism. Explore the depths of Guthrie's art and seize the opportunity to own a part of Scottish art history.
Francis Grant was a Scottish portrait painter who painted Queen Victoria and many distinguished British aristocratic and political figures. He served as President of the Royal Academy.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Francis Bernard Dicksee was an eminent English painter and illustrator, celebrated for his dramatic portrayals of historical, literary, and legendary themes. Born into an artistic family in 1853, Dicksee received his early education in art from his father, Thomas Dicksee, a renowned painter himself. His proficiency in art was evident from a young age, leading to his enrollment at the Royal Academy Schools at the tender age of 17.
Dicksee's works are characterized by their romantic flair and vivid storytelling. He masterfully blended color, emotion, and detailed historical settings to create captivating scenes. His most notable works include "The Funeral of a Viking" (1893), housed at the Manchester Art Gallery, and "The Two Crowns" (1900), celebrated for its striking medieval pageantry. These paintings, along with others like "Romeo and Juliet" (1884) and "Chivalry" (1885), exemplify his skill in romantic and historical portrayals.
Throughout his career, Dicksee remained true to his Victorian roots, often expressing skepticism towards modernism in art. His dedication to traditional artistic values led to his election as the President of the Royal Academy in 1924, a position that reflected his standing and contributions to the art world. Despite his reservations about modern artistic trends, Dicksee's work continued to resonate with audiences, cementing his legacy as a quintessential Victorian artist.
Dicksee's influence extended beyond the canvas; his paintings like "The Funeral of a Viking" found a place in popular culture, being used as album covers by bands like Bathory. His comprehensive portfolio, documented by Simon Toll in a 2016 publication, reveals a rich tapestry of portraits, historical scenes, and romantic depictions, offering a window into the Victorian era's artistic sensibilities.
For art collectors and enthusiasts, Dicksee's work represents a significant chapter in the history of English painting. His paintings, often featuring dramatic and emotional scenes, are not just artistic masterpieces but also historical documents that capture the essence of an era.
To stay informed about new discoveries and sales related to Francis Bernard Dicksee's works, sign up for updates. This subscription is an excellent resource for collectors and art experts, providing timely information on auction events and product sales related to this influential artist.
John Everett Millais was an influential British artist and a key figure in the Pre-Raphaelite Brotherhood, celebrated for his detailed and naturalistic paintings. Born in Southampton in 1829, Millais was a child prodigy, gaining admission to the Royal Academy Schools at the remarkable age of eleven. His early work, characterized by meticulous attention to detail and vibrant naturalism, stirred controversy and admiration alike. One of his most renowned pieces, "Ophelia" (1851-52), exemplifies his style during this period, capturing intricate natural scenes with profound emotional depth.
Millais's personal life was as notable as his artistic career, particularly his marriage to Effie Gray, who was previously married to the art critic John Ruskin. This union, following Effie's annulment from Ruskin, produced eight children and intertwined with Millais's evolving artistic journey.
Later in his career, Millais's style transitioned towards a broader approach, a change criticized by some contemporaries but which also garnered him significant acclaim and financial success. His influence extended to various artists, including John Singer Sargent, and his works remain pivotal in the study of Victorian art. His dedication to his craft earned him numerous honors, including a baronetcy, making him the first artist to be bestowed such an honor.
Millais's legacy is preserved in numerous galleries worldwide, with Tate Britain and the Ashmolean Museum housing key works like "The Order of Release" and "The Return of the Dove to the Ark." His contribution to art and culture remains significant, offering a window into the Victorian era's aesthetic and social dynamics.
For enthusiasts and collectors interested in Millais's work, staying updated on exhibitions and sales can provide invaluable insights into his artistry and its enduring appeal. Subscribing to updates on Millais can ensure you remain informed about upcoming events and opportunities related to this seminal artist.
Francis Grant was a Scottish portrait painter who painted Queen Victoria and many distinguished British aristocratic and political figures. He served as President of the Royal Academy.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Solomon Joseph Solomon was a British painter, a founding member of the New English Art Club and member of the Royal Academy.
He made an important contribution to the development of camouflage in the First World War, working in particular on tree observation posts and arguing tirelessly for camouflage netting.
Frederic Leighton was a distinguished British artist renowned for his contributions to painting and sculpture during the Victorian era. His works, characterized by their classical themes and meticulous detail, have garnered appreciation from art collectors and historians alike. Notable for being the first painter to receive a peerage, Leighton's legacy in the art world is significant.
Frederic Leighton's art, particularly his paintings like "Flaming June" and "The Return of Persephone," showcases his mastery in depicting classical and mythological subjects with a unique blend of realism and idealism. His sculptures, such as "An Athlete Wrestling with a Python" and "The Sluggard," played a pivotal role in initiating the New Sculpture movement, emphasizing naturalism and dynamic forms.
Despite his illustrious career, Frederic Leighton's personal life remained private, with ongoing debates about his relationships and sexuality. His London home, now the Leighton House Museum, offers a glimpse into his artistic world, housing many of his works and collections that influenced his creations.
For art collectors and experts, Frederic Leighton's oeuvre represents a blend of academic tradition and innovative expression, making his works highly sought after in the realms of art and antiques. To stay informed about exhibitions and auction events featuring Frederic Leighton's art, subscribing to updates can be a valuable resource for enthusiasts eager to explore and acquire pieces from this influential Victorian artist.
Herbert Arnould Olivier is a British artist.
He studied at the Royal Academy Schools and exhibited extensively, taught at the Bombay School of Art and traveled to Kashmir with His Royal Highness the Duke and Duchess of Connaught, painting 66 paintings on this trip. Herbert Olivier was a widely recognized and very versatile artist.
He painted portraits of famous Victorian and Edwardian figures including King George V and King Edward VIII, Prince of Wales. With the outbreak of the First World War, he painted two large-scale group portraits featuring army commanders. In 1917 he was appointed official war artist and painted many portraits of military commanders and officials from various countries, these his paintings can be seen in the Imperial War Museum and the Government Art Collection.
Herbert Olivier also painted many paintings of allegorical and mythological subjects and romantic landscapes. He was a member of the Royal Society of British Artists and the Royal Institute of Watercolorists.
Frederic Leighton was a distinguished British artist renowned for his contributions to painting and sculpture during the Victorian era. His works, characterized by their classical themes and meticulous detail, have garnered appreciation from art collectors and historians alike. Notable for being the first painter to receive a peerage, Leighton's legacy in the art world is significant.
Frederic Leighton's art, particularly his paintings like "Flaming June" and "The Return of Persephone," showcases his mastery in depicting classical and mythological subjects with a unique blend of realism and idealism. His sculptures, such as "An Athlete Wrestling with a Python" and "The Sluggard," played a pivotal role in initiating the New Sculpture movement, emphasizing naturalism and dynamic forms.
Despite his illustrious career, Frederic Leighton's personal life remained private, with ongoing debates about his relationships and sexuality. His London home, now the Leighton House Museum, offers a glimpse into his artistic world, housing many of his works and collections that influenced his creations.
For art collectors and experts, Frederic Leighton's oeuvre represents a blend of academic tradition and innovative expression, making his works highly sought after in the realms of art and antiques. To stay informed about exhibitions and auction events featuring Frederic Leighton's art, subscribing to updates can be a valuable resource for enthusiasts eager to explore and acquire pieces from this influential Victorian artist.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
