people on a picture
![[RUSSIA] - ATKINSON, John Augustus (1775-1831), illustratore - James WALKER (1748-1808) - A Picturesque Representation of the Manners, Customs, and Amusements of the Russians, in One Hundred Coloured Plates. London: W. Bulmer e Cleveland-Row, 1803.](/assets/image/picture_1242422/29616/yaezrfeorwrcaeig4sd2-w2fmj-1oms5wsdzexirhkypjufdw-1xlxofbehvgqt1608651686jpg__fix_374_244.jpeg)
![[RUSSIA] - ATKINSON, John Augustus (1775-1831), illustratore - James WALKER (1748-1808) - A Picturesque Representation of the Manners, Customs, and Amusements of the Russians, in One Hundred Coloured Plates. London: W. Bulmer e Cleveland-Row, 1803.](https://veryimportantlot.com/assets/image/picture_1242422/29616/yaezrfeorwrcaeig4sd2-w2fmj-1oms5wsdzexirhkypjufdw-1xlxofbehvgqt1608651686jpg__fix_374_244.jpeg)
Gustave Moreau was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence". He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters.
David Wilkie was a Scottish painter, especially known for his genre scenes. He painted successfully in a wide variety of genres, including historical scenes, portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter".
He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners reading the Waterloo Dispatch of 1822 in Apsley House.
Jean-Édouard Vuillard was a French artist, celebrated for his role in the avant-garde group Les Nabis. Known for his decorative art and printmaking, Vuillard's work was heavily influenced by Japanese prints, which is evident in his unique style of flattened color planes and simplified forms. His paintings, often of interior scenes, are distinguished by their intimate and domestic subjects, displaying a keen sensitivity to the subtle dynamics of everyday life.
In the late 1880s, Vuillard joined Les Nabis, a group of artists who sought to break away from traditional artistic concepts. This association played a pivotal role in shaping his artistic philosophy. Vuillard’s early works, like "The Seamstresses" (1890) and "Child in an Orange Shawl" (1894–95), demonstrate his evolving style, marked by the use of vibrant colors and a distinct lack of perspective, aimed at exploring spatial relationships.
Vuillard's artistic journey included ventures into theater decoration and interior design. He designed stage sets and theater programs, notably for Lugné-Poe's Theatre de l’Oeuvre, and also worked on large-scale panel paintings for French patrons. His close collaboration with the Natanson brothers, founders of the cultural review La Revue Blanche, was significant in his career. This association brought him various commissions, including decorative works for private homes and public buildings.
Vuillard's art evolved over time, transitioning from his Nabis-style works to more naturalistic portraits in the 1920s and 1930s. Despite this shift, his focus remained on portraying the intricacies of domestic life, often featuring the people closest to him. Notable among his subjects were Misia Natanson, a prominent figure in the Parisian cultural scene, and Lucy Hessel, with whom Vuillard had a long-term relationship.
For art collectors and experts, Vuillard's works are a window into the intimate spaces of Parisian life at the turn of the century. His ability to transform everyday scenes into art makes his work particularly appealing. Pieces like "The Green Interior" (1891) and "Breakfast at Villerville" (1910) are exemplary of his style and are celebrated for their quiet yet profound depiction of ordinary life.
Vuillard's legacy lives on in galleries and museums worldwide. His work remains a testament to the power of domestic scenes in art, capturing the essence of the period with a unique blend of realism and abstraction.
For those interested in the subtle beauty of Vuillard's work, subscribing to our updates will ensure you stay informed about new sales and auction events featuring his art. Our updates are tailored for connoisseurs like you, providing insights into the world of art and antiques, with a focus on Vuillard's enduring legacy.
Edward John Burra was an English painter, draughtsman, and printmaker, best known for his depictions of the urban underworld, black culture and the Harlem scene of the 1930s.
