sculptures, bronzes, marbres
Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
François Auguste René Rodin was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community.
Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
Louis-Ernest Barrias was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.
Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées. His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux.
