Portrait sculpture
Wäinö Waldemar Aaltonen was a Finnish artist and sculptor, celebrated for his contributions to the cultural landscape of Finland, particularly during the early years of the nation's independence. Born in 1894, Aaltonen's works are distinguished by their nationalist themes and monumental scale, often reflecting the spirit and identity of Finland. His artistic journey was notably influenced by a trip to Italy in 1923, where he encountered cubist and futurist art, elements of which he integrated into his own work.
Aaltonen's sculptures are key features in Finland's public spaces, including the well-known statues in the House of Parliament and numerous works in Turku, such as the "Lily of Turku" and a statue of the runner Paavo Nurmi. His mastery is also showcased at the Wäinö Aaltonen Museum of Art in Turku, which houses a significant collection of his sculptures, paintings, and drawings. This museum not only celebrates his legacy but also serves as a central repository for his extensive works, donated by Aaltonen himself.
For those interested in exploring Aaltonen's work and the impact of Finnish sculpture, a visit to the Wäinö Aaltonen Museum of Art is invaluable. The museum provides a comprehensive view of his artistic evolution and contributions to Finnish art. For updates on exhibitions and events related to Wäinö Aaltonen, consider signing up for notifications through the museum's mailing list, ensuring you stay informed about new insights and offerings related to this pivotal artist.
Jussuf Abbo, originally Jussuff Abbu, was a Palestinian-Jewish artist active mainly in Germany.
In 1937 in Germany his work had been branded as "Degenerate Art" and removed from all public museums. Much of the work removed was later destroyed by the Nazi regime.
Rudolf Alexander Agricola was a German sculptor. In the 1930s he studied with Gerhard Marcks in Halle and in Stedel with Richard Scheibe. In 1937 he followed Richard Scheibe to Berlin as a graduate student. He worked there until the end of the Second World War and received several awards.
Rudolf Agricola is known for his bronze sculptures with full figures and nudes. His work was influenced by Georg Kolbe and Aristide Maillol.
Gapar Aitievich Aitiev (Russian: Гапар Айтиевич Айтиев), a pioneering figure in Soviet Kyrgyz art, was born in 1912 and became a cornerstone of Kyrgyz cultural heritage through his impactful contributions as an artist and educator. Aitiev's journey in art began at the Moscow Art School in Memory of 1905, where he studied under N. P. Krymov between 1935 and 1938, laying the groundwork for his illustrious career. His profound connection to his Kyrgyz roots was reflected in his artwork, characterized by epic, poetic landscapes of Kyrgyzstan, such as "Midday on Issyk Kul" (1954), and detailed portraits like the "Gallery of portraits of contemporaries" (1979). Aitiev's contributions to the art world earned him the prestigious titles of People’s Artist of the USSR and Hero of Socialist Labor, marking his influence on Soviet and Kyrgyz art history.
The Gapar Aitiev Kyrgyz National Museum of Fine Arts, named in his honor, stands as a testament to his legacy, showcasing not only his work but also a broad spectrum of Kyrgyz and Russian art, spanning from traditional Kyrgyz artifacts to contemporary works post-independence. This museum, alongside the Gapar Aitiev Memorial Studio Museum in Bishkek, provides insight into Aitiev's life, offering a personal glance at his workspaces and the art that filled his surroundings. These institutions preserve and celebrate Aitiev's dedication to portraying the tranquil beauty of Kyrgyz landscapes and the spirit of its people, making his work an integral part of Kyrgyz national identity.
For those interested in the rich tapestry of Central Asian art, visiting these museums in Bishkek is a journey through the heart of Kyrgyz culture and history, brought alive by Aitiev's artistic vision. His work not only captures the essence of Kyrgyzstan's landscapes and people but also serves as a bridge between the traditional and the modern, embodying the nation's cultural evolution.
To stay updated on exhibitions and events celebrating Gapar Aitievich Aitiev's legacy and to explore more about his contributions to art and culture, consider signing up for updates. This subscription will keep you informed about new product sales and auction events dedicated to Aitiev's work, ensuring that enthusiasts and collectors alike remain connected to the vibrant world of Kyrgyz art.
Fanizani Akuda is a self-taught sculptor from Zimbabwe, born in Zambia.
He was working as a stonemason in a quarry when he got his hands on a tool and created his first stone sculpture. With his own unique style, Fanizani was able to convey human emotion in stone with talent. His work can be recognized by the slitted eyes, rounded shapes, cheerful and smiling faces, and his themes are also happy families, human and animal interactions, often in pairs or groups. Fanizani also liked to carve whistle sculptures.
Thanks to Fanizani and his unique stone sculptures, Zimbabwe is internationally recognized today.
André-Joseph Allar was a French sculptor. He studied at the Schools of Fine Arts in Marseille and Paris with Eugène Guillaume, Antoine Laurent Dantan and Pierre-Jules Cavelier.
André-Joseph Allar is best known for his small works and architectural projects.
Harold Ambellan is an American painter and sculptor.
He studied sculpture and fine art in Buffalo before moving to New York City. The human figure is central to Harold Ambellan's work. He created monumental figures and drew extensively, leaving thousands of drawings. Ambellan was one of the participants in Roosevelt's Federal Art Project, which hired hundreds of artists during the Great Depression who collectively created more than 100,000 paintings and over 18,000 sculptures.
Ambellan remained committed to figuration in both his sculpture and painting. He was elected president of the Sculptors Guild of America in 1941, and that same year his work was exhibited in group shows at the Metropolitan Museum of Art in New York and the Academy of Fine Arts in Philadelphia.
In 1944, Ambellan participated in the liberation of Normandy as part of the U.S. Navy, then taught three-dimensional art at the Workshop School in New York City. In 1954, for political reasons, Ambellan moved to France and remained there for the rest of his life, working and exhibiting throughout Europe.
Nikolay Andreyevich Andreyev (Russian: Николай Андреевич Андреев) was a distinguished Russian sculptor, graphic artist, and stage designer, whose works have significantly contributed to the artistic landscape of early 20th-century Russia. Born into the rich cultural milieu of Moscow in 1873, Andreyev emerged as a pivotal figure associated with the Peredvizhniki group, a movement that sought realism and social critique through art. His early education under Sergey Volnukhin paved the way for a career that spanned various forms of artistic expression, including sculpture and graphic design.
Andreyev's works are known for their dynamic representation of figures and profound social commentary. Perhaps his most famous creation is the bronze statue of the celebrated writer Nikolai Gogol, unveiled in 1909. This statue, surrounded by bronze friezes depicting Gogol's characters, initially stood on Gogol Boulevard in Moscow. Its impressionistic style, however, attracted criticism, leading to its relocation in 1952. Another notable work, the "Woman reaper with a child," showcases Andreyev's adeptness at capturing the essence of Russian cultural symbols through sculpture. Cast in bronze, this work reflects Andreyev's ability to convey complex themes such as motherhood and labor with sensitivity and depth.
In his later years, Andreyev's artistic direction veered towards Socialist Realism, producing a prolific array of Leniniana - sculptures and graphic works of Vladimir Lenin. His commitment to this genre was profound, with around 100 sculptures and 200 graphic works dedicated to Lenin, marking a significant contribution to Soviet artistic propaganda. Additionally, his portrait of Lev Tolstoy stands as a testament to his versatility and depth as an artist, capturing the essence of the literary giant with striking realism.
Andreyev's legacy extends beyond his artistic achievements, with his works residing in prestigious collections such as the Tretyakov Gallery. His death in 1932 marked the end of a vibrant chapter in Russian art history, but his contributions continue to be celebrated for their artistic merit and historical significance.
For collectors and experts in art and antiques, the works of Nikolay Andreyevich Andreyev offer a unique glimpse into the cultural and political nuances of Russia during a transformative era. His sculptures not only stand as remarkable feats of artistic expression but also as enduring symbols of Russia's rich cultural heritage.
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Mikhail Konstantinovich Anikushin (Russian: Михаил Константинович Аникушин) was a Soviet and Russian sculptor, celebrated for his monumental works that have left a lasting legacy in the art world. Born on September 19, 1917, in Moscow, Anikushin's sculptures are a testament to his profound skill and dedication to depicting historical and cultural figures with a dynamic expressiveness that brought them to life. His most notable works include monuments dedicated to Alexander Pushkin, found at the Pushkinskaya Station of the Saint Petersburg Metro and Arts Square in Saint Petersburg, as well as a monument to Vladimir Lenin at Moskovskaya Square in Saint Petersburg.
Anikushin's career was distinguished not only by his artistic achievements but also by the honors he received, reflecting the impact of his work on Russian culture. He was awarded the title of "Honored Artist of the RSFSR" in 1957, "People's Artist of the USSR" in 1963, and became a full member (academician) of the Russian Academy of Arts in 1962. His dedication to capturing the spirit and essence of his subjects, particularly Alexander Pushkin and Vladimir Lenin, showcases his innovative approach to sculpture, moving beyond traditional standards to depict his subjects in active, dynamic poses.
The Presidential Library collection dedicated to Anikushin commemorates the 100th anniversary of his birth, highlighting his significant contributions to Russian sculpture in the 20th century. Anikushin's works are integral to the aesthetic and cultural landscape of Leningrad (now Saint Petersburg), contributing to the city's historical and artistic identity. The collection also emphasizes his role in the community, including his public service and the enduring influence of his artistic vision on generations to come.
Collectors and experts in art and antiques recognize Mikhail Konstantinovich Anikushin not only for his technical prowess but also for his ability to imbue his sculptures with a sense of movement and emotional depth that resonates with viewers. His works remain landmarks, celebrated both in Russia and internationally, for their contribution to the cultural heritage.
For those interested in exploring the works and legacy of Mikhail Konstantinovich Anikushin further, signing up for updates can provide invaluable insights into new discoveries, exhibitions, and auction events related to this influential sculptor. This subscription is an opportunity to stay informed about the sales and exhibitions that continue to celebrate Anikushin's remarkable contribution to the world of sculpture.
Adam Antes was a German painter, sculptor and graphic artist. He worked mainly as a sought-after portrait painter and also designed a single-wing aircraft.
Adam Antes was inspired by the styles of Auguste Rodin, Bernhard Hoetger and Wilhelm Lehmbruck. From time to time he turned to graphics. His work was part of the sculpture in the art competition at the 1932 Summer Olympics.
Aslan, real name Alain Gourdon, French artist, illustrator and sculptor. He is best known in France for his pin-up work. He studied at the Ecole Nationale des Beaux-Arts in Paris.
Aslan was also the author of busts and statues of many famous people (actors, politicians, singers). His works are often characterised by grace, courage and ardour. Aslan masterfully conveys the beauty and emotional depth of the female body, playing with lines, shapes and light. His compositions often evoke mixed feelings: they are both elegant and provocative, evoking a dialogue between eroticism and art.
Aslan's work has a surreal element to it, lending an air of mystery and singularity to his work. He combines reality and fantasy with ease, creating a world full of unpredictable and mystical images.
Hezekiah Augur was an American sculptor and inventor. He was self-taught and, unlike many other American sculptors of the 19th century, spent his entire career in New Haven.
Hezekiah Augur was the son of a carpenter and learned the woodcarving trade early on. He later invented a lace loom and a machine for carving piano legs. He then switched to marble.
Hezekiah Augur was a member of the Connecticut Academy of Arts and Sciences.
Edgar Augustin was a German painter and sculptor.
Augustin studied sculpture in Münster with Karl Ehlers, then was a pupil of the master Gustav Zeitz in Hamburg. His oeuvre includes partly abstract figurative representations in bronze, wood and plaster as well as paintings, drawings and graphics. Some of Edgar Augustine's sculptures are located in public spaces in Hamburg and other cities.
Edgar Augustin was a member of the Free Academy of Arts in Hamburg and the Special Association of Artists in Germany. In the second half of the 20th century, Augustin was one of the pioneers of figurative wood sculpture and is considered its most important representative.
Antun Augustinčić was a distinguished Croatian sculptor born on May 4, 1900, and he passed away on May 10, 1979. His contributions to the art world have cemented him as one of the foremost Croatian sculptors of the 20th century, alongside Ivan Meštrović and Frano Kršinić. Augustinčić is widely celebrated for his remarkable sculptures, many of which are displayed in prominent locations across the globe.
Among his notable works is the Peace monument, which holds a place of honor in front of the United Nations building in New York City. This piece, in particular, serves as a testament to his skill in creating works that encapsulate profound messages and resonate on a global scale. His portfolio also includes the Miner statue, which is another significant piece that reflects his ability to capture the essence of various subjects through sculpture.
Augustinčić's legacy is preserved through the Antun Augustinčić Gallery, which was founded in 1970 in his hometown of Klanjec, Croatia. The gallery was established following his generous donation of his works, and it showcases his artistry and the development of his sculptural pieces over the years.
His educational journey included studies in Zagreb and Paris, and his art has been exhibited in prestigious salons, demonstrating his international acclaim and influence. Augustinčić's works not only reflect his technical prowess but also embody the cultural and historical context of his era, contributing to both Croatian and international art history.
For those intrigued by the legacy of Antun Augustinčić and his artistry, staying updated on new discoveries, exhibitions, and auction events related to his work is essential. Signing up for updates ensures that collectors and art enthusiasts are the first to know about opportunities to engage with Augustinčić's enduring legacy. This subscription is a gateway to exploring the fascinating world of art and antiques, focused exclusively on new product sales and auction events tied to Antun Augustinčić.
Robert Petrosovich Avakyan (Russian: Роберт Петросович Авакян) was a Soviet and Uzbek artist of the second half of the twentieth and early twenty-first centuries of Armenian origin. He is known as a painter, graphic artist, sculptor and teacher.
Robert Avakyan was trained in painting, but he is most famous as an author of monumental sculptures. He worked actively in Tashkent, participating in numerous exhibitions, including international sculpture competitions. The master also left his mark in such Uzbek cities as Bukhara, Nukus and Yangibazar, where he created significant monumental works.
Edward Hodges Baily was a prolific English sculptor responsible for numerous public monuments, portrait busts, statues and exhibition pieces as well as works in silver. He carved friezes for both the Marble Arch and Buckingham Palace in London. His numerous statues of public figures include that of Horatio Nelson on top of Nelson's Column and Charles Grey, 2nd Earl Grey on Grey's Monument in Newcastle upon Tyne. Throughout his career Baily was responsible for creating a number of monuments and memorials for British churches and cathedrals, including several in St Paul's Cathedral.
Elfriede Balzar-Kopp is a German ceramic artist.
She trained at the state ceramics engineering workshop in Höhr, worked in Karlsruhe at the State Maiolica Manufactory, and founded her own pottery workshop in Höhr in 1927.
Elfriede Balzar-Kopp initially focused on local Baroque vessels in her work and combined them with other styles. Her unique ceramic animal figurines, jugs, and genre scenes are sought after by collectors, and many of the objects she created adorn galleries around the world. Her son Heiner Balzar (born 1937) is one of the outstanding ceramic artists of the second half of the 20th century.
Donato di Niccolò di Betto Bardi, better known as Donatello, sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's David was the first freestanding nude male sculpture since antiquity.
He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs.
Mirko Basaldella is an Italian and American sculptor and artist.
Born into a creative family, he displayed his talent from a young age and participated in the Italian Biennale. In 1957 Basaldella moved to Cambridge, Massachusetts, and was elected a Fellow of the American Academy of Arts and Sciences in 1962.
Heinrich Baucke was a German sculptor renowned for his neo-baroque masterpieces, flourishing at the turn of the 20th century. Born in Düsseldorf on April 15, 1875, Baucke dedicated his life to the creation of statues and memorials that captured the nobility and distinguished figures of his time.
Trained at the Kunstakademie Düsseldorf under the tutelage of Karl Janssen from 1891 to 1900, Baucke's sculptures won him first prizes in competitions, solidifying his reputation as a preeminent artist. His works, primarily in bronze, are celebrated for their intricate detail and evocative presence. One of his earliest successes, "The Victorious Boxer" created in 1897, today stands in the Kunsthalle Düsseldorf, a testament to his skill and artistic vision.
Baucke's creations are not just pieces of art; they are historical dialogues in metal, with works like the bust of German Emperor Wilhelm I and the statue of King Friedrich I adorning public spaces, bridging the past with the present. His death on April 12 or 13, 1915, in Ratingen, marked the end of an era for German neo-baroque sculpture.
For collectors and art historians, Baucke's works offer a glimpse into the neo-baroque sensibilities of a bygone era. His sculptures, which often graced public spaces and exhibitions, now hold a place of honor in galleries and are sought after in auctions for their historical and artistic value.
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Otto Baum is a German sculptor and university lecturer and member of the German Artists' Association.
He studied painting at the Stuttgart Academy of Art and sculpture at the same time. From the mid-1930s, the National Socialists who came to power in Germany forbade Baum to exhibit or even work, and he was persecuted as a representative of "degenerate art".
After the war, Otto Baum was appointed to teach at the Stuttgart Academy of Art and was regarded as the most progressive and extremely critical teacher among the young students at the academy.
Otto Baum is considered one of the most important representatives of classical modernism, who had a significant influence on European sculpture in the second half of the 20th century both through his work and as a teacher.
Curt Beckmann is a German painter and sculptor.
He studied at the Düsseldorf State Academy of Art, was a member of the Rhine Secession, Das Junge Rheinland, was a member of the Malkasten Association of Artists, the Association of West German Artists and the Association of German Artists.
Beckmann's work is distinguished by the contemplative quality of the female nude bodies. He gradually moved from naturalistic figures to an almost abstract expressionist representation of them.
Ekaterina Feodorovna Belashova (Russian: Екатерина Фёдоровна Белашова) was a Russian sculptor renowned for her profound contributions to Soviet sculpture. Born in St. Petersburg in 1906, she later moved to Moscow to further her education and career. Belashova began her artistic journey at VKHUTEIN, studying under notable figures such as R. Bach and A. Matveev. Her career saw her become a revered professor at the Moscow Institute of Applied and Decorative Arts and the Moscow School of Industrial Arts.
Her works, celebrated for their delicate silhouettes and meticulous attention to proportions, delve into the emotional and physical resilience of individuals, particularly during the turbulent times of war. Belashova's sculptures often embody the spirit of her era, exploring themes of loss, hope, and the enduring strength of the human spirit. Notable works include "The Fighter," "Unvanquished," and a series dedicated to the memory of the victims of fascism, showcasing her ability to capture the essence of her subjects with both sensitivity and strength.
Belashova's sculpture, "Girl with a garland in her hair," exemplifies her skill in capturing youth and vitality, showcasing a young girl in a moment of introspection and grace. This piece highlights Belashova's mastery over bronze, a material she often utilized despite its scarcity in the post-war period.
Throughout her life, Belashova remained deeply connected to the art world, not only through her creations but also as an educator and influencer in the Soviet art scene. Her contributions were recognized with numerous awards, including the prestigious State Prize of the USSR. Belashova's legacy is one of artistic excellence and profound humanity, leaving an indelible mark on the world of sculpture.
For collectors and experts in art and antiques, Ekaterina Feodorovna Belashova's work offers a deep dive into the rich tapestry of Soviet-era sculpture, characterized by its emotional depth and aesthetic finesse. Sign up for updates on new product sales and auction events related to Ekaterina Feodorovna Belashova, and explore the enduring beauty of her contributions to the world of art.
Giovanni Lorenzo Bernini, an Italian artist, is celebrated as one of the most remarkable sculptors and architects of the Baroque era. Born in Naples in 1598, Bernini's family moved to Rome when he was a child, where he spent most of his life shaping the city's artistic landscape. His prodigious talent emerged early, evident in works created in collaboration with his father, Pietro Bernini, and soon caught the attention of influential patrons like Cardinal Scipione Borghese and Pope Paul V.
Bernini's work, characterized by dynamic and exuberant style, spanned various genres including portraiture, tomb sculpture, and religious and mythological representations. His ability to turn marble into lifelike figures and scenes, blending realism with emotional intensity, was unparalleled. Key works like "Aeneas and Anchises," "Pluto and Proserpina," and "Apollo and Daphne" exemplify this mastery.
Not confined to sculpture, Bernini was also an accomplished architect, contributing significantly to the architectural landscape of Rome. His involvement with St. Peter's Basilica, notably the Baldacchino and the design of St. Peter's Square, reflect his vision of merging architecture with sculpture to create a cohesive and impactful experience. His work on the Cornaro Chapel, including the famous "The Ecstasy of Saint Teresa," showcases this integration, combining sculpture, architecture, and light to stunning effect.
Bernini's influence extended beyond Rome. In 1665, he was invited by Louis XIV to France to work on the Louvre, though his architectural designs were not realized. His portrait bust of Louis XIV, however, remains a testament to his skill in capturing not just the likeness but the essence of his subjects.
A man of deep faith, Bernini's works often reflected his religious devotion, though he was also known for his caricatures and playful sketches, revealing a lighter side to his personality. His artistic legacy, characterized by the fusion of various art forms and the dramatic use of light and space, continues to influence and inspire.
For collectors and experts in art and antiques, Bernini's works remain a pinnacle of Baroque artistry, a testament to his innovative spirit and technical brilliance. His pieces, found in museums and galleries, continue to draw admiration for their emotional depth and exquisite craftsmanship.
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Hélène Bertaux, born Joséphine Charlotte Hélène Pilate, was a French painter and sculptor who achieved equal rights with men.
Hélène Pilate trained as a teenager in the workshop of her stepfather Pierre Hébert, where she modeled designs for watches, then regularly received commissions for small decorative bronze pieces. Aspiring to become a professional sculptor, she completed her studies with Augustin Dumont (1801-1884) in the academic tradition. The support of the imperial couple enabled her to become one of the few women to make a name for herself in the field of monumental sculpture: in 1864 she created the Fontaine Herbet for the Place Longueville in Amiens and during her career she received several prestigious commissions for religious and public buildings.
After achieving success and official recognition, Hélène Bertaux advocated for equality between men and women in the arts. In 1873, Hélène Bertaux opened her first sculpture studio, and in 1879, she opened another one with a sculpture school for women. Her students, including Clémence-Jeanne Eymard de Lanchâtre (1854-1894) and Jenny Weil (1851-1933), later won prizes at the Salon. The creation in 1881 of the Union of Women Painters and Sculptors, of which she was president from 1881 to 1894, marked a new step in her fight for gender equality in academic education. Hélène Bertaux became the first female member of the Salon jury and received a gold medal at the 1889 World's Fair.
Richard Walter Bock was an American sculptor and associate of Frank Lloyd Wright. He studied art in Europe: at the Berlin Academy and the École des Beaux-Arts in Paris.
Richard W. Bock won a competition to create an exterior sculpture at the Indianapolis Public Library in 1892. He became head of the sculpture department at the University of Oregon in 1929.
Kurt Bohn was a talented German painter, sculptor, designer and writer. Born into a creative family, he learnt the basics under the guidance of his father, Oskar Bohn. His perseverance and pursuit of artistic excellence led him to Berlin, where he became a pupil of Fritz Klimsch between 1931 and 1935. Under his guidance, Kurt Bohn honed his skills and broadened his artistic horizons.
By 1938, Kurt Bohn had established his own studio in Berlin, signalling his growing independence and the development of his artistic vision. World War II forced Kurt Bohn to move to Ulm in 1945, where he lived until his death.
Kurt Bohn's work has left an indelible mark on the art world, demonstrating his versatility and dedication to art.
François Joseph Bosio was a French Neoclassical sculptor.
François Joseph Bosio was a pupil of the sculptor Augustin Pajou. With the support of the latter he made a study trip to Italy, where he studied statues by antique masters. He was also court sculptor to Kings Louis XVIII and Charles X.
At that time, he was favored by the French monarchs: Napoleon I decorated him with the Legion of Honor, Louis XVIII awarded him with the royal order of Saint Michail, he became an Institute of France member (in 1816) and in 1822, was granted the title of royal sculptor.
He was the director of the Academy of Fine Arts in Paris. The influence of Antonio Canova is noticeable in his sculptures.
Matteo Bottiglieri was an Italian sculptor and painter from Naples. One of his first works is a marble "Dead Christ" (1724), in the crypt of the Capua Cathedral, perhaps executed after drawings by Francesco Solimena. In 1733 he executed three works for the Church of the Crucifix in Salerno, and in the same year he took part in the decoration of San Giuseppe dei Ruffi in Naples. He also executed numerous drawings portraying shepherds, later used as models for figures in Nativity scenes. Also attributed to him is a group of "Christ and the Samaritan" in the cloister of San Gregorio Armeno, as well as the sepulchre of Alessandro Vicentini in the right transept of the church of San Domenico Maggiore.
Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
James Walter Butler is a British sculptor, member of the Royal Academy of Arts, member of the Royal Academy of West Anglia and the Royal British Society of Sculptors.
Numerous monuments and memorials created by Butler stand in London and other British cities, as well as in many countries around the world - in Kenya, Zambia, Saudi Arabia, France, Singapore, Madeira and the USA. His small and medium-sized bronze pieces are in many private collections.
Jean-Jacques Caffieri was an 18th-century French sculptor. He is known as a brilliant representative of academism. Caffieri was famous for his marble images of figures of science and culture, sculptures on biblical and mythological themes. In particular, he made a series of busts and sculptures of artists, composers and playwrights for the Comédie Française theater.
Jean-Jacques Caffieri was the most famous, but by no means the only representative of the family dynasty of hereditary artists - the largest in France. In addition to him, his grandfather Philippe Caffieri, his father Jacques Caffieri, as well as his uncle and three brothers made significant contributions to French art.
Caffieri was made an honorary member of the Royal Academy of Arts, was appointed to the prestigious post of court sculptor to King Louis XV, became a professor at the Royal Academy of Arts and held that position for almost 20 years. His works today adorn the collections of major French museums.
Carmen Calvo, full name Carmen Calvo Sáenz de Tejada, is a Spanish conceptual artist and sculptor.
Carmen Calvo is one of the most representative Spanish conceptual artists of our time. She studied at the School of Arts and Crafts and then at the School of Fine Arts of Valencia, worked in a ceramic factory and since then always incorporates fired clay in her plastic compositions. The artist also works in scenography using photography and other, very diverse formal, technical and thematic resources.
In 2013, Carmen Calvo was awarded the National Award for Plastic Arts by the Ministry of Education, Culture and Sport, and in 2014 she was appointed Academician of the Royal Academy of Fine Arts of San Carlos de Valencia.
Antonio Canova was an Italian sculptor of the late 18th and early 19th centuries. He is known as a bright representative of neoclassicism in European fine art. Canova was a follower of traditions of artists of antiquity and Renaissance. Among admirers of his creativity there were many representatives of ruling dynasties of Europe.
Antonio Canova himself created more than 50 statues, and together with his assistants - about 180 works. He gained influential patrons and had a reputation as the most important European sculptor of his time. Among his customers was Napoleon Bonaparte, whose statue Canova carved from marble, depicting the emperor as Mars.
Most of Canova's works today decorate the expositions of the world's leading museums, such as the halls of the Louvre and the Hermitage.
Terence Carr is a German painter and sculptor originally from Kenya.
Terence Carr, whose family emigrated to Africa from Ireland, was born in Nairobi, Kenya, where he spent the first 19 years of his life. In 1971, he traveled to England, where he became an officer in the British Army and then served in Germany. After gaining life experience, Carr enrolled at Augsburg University to study art education.
There is always an African influence in Carr's wooden sculptures, his peculiar language of forms. The artist hardly makes any sketches and immediately works directly on the wood with a chainsaw. Terence Carr uses constantly recurring symbols that reflect opposites - good and evil, love and hate, war and peace, pain, fear, suffering, tolerance and humanity. Animals with human features and people who look animal-like. Overall, it touches on the root issues of being human.
Over time, Terence Carr has become one of the most famous artists in the world. His works can be seen at exhibitions in different parts of the world and are represented in many significant collections.
Peter Jakob Freiherr Clodt von Jürgensburg (Russian: Пётр Карлович Клодт фон Юргенсбург) was a Russian sculptor of Baltic German descent, renowned for his significant contributions to Russian monumental art during the reign of Nicholas I. Born on June 5, 1805, in Saint Petersburg, Clodt initially embarked on a military career before pursuing his artistic ambitions. He studied at the Imperial Academy of Arts in Saint Petersburg, where he honed his skills in horse sculpture, eventually earning acclaim from the Emperor himself.
Clodt's most celebrated works include the "Horse Tamers" sculptures on the Anichkov Bridge, unveiled in 1851, and the first monument to a poet in the Russian Empire, the statue of Ivan Krylov in the Summer Garden (1848-1855). His mastery in equestrian statues is evident in the Monument to Nicholas I on Saint Isaac's Square, notable for its technical innovation as the world's first equestrian statue supported solely by the horse's two rear legs. This piece, installed between 1856 and 1859, remains a historic achievement in sculptural engineering.
Clodt's works are celebrated for their dynamic representation and precision in detail, characteristics that have kept his legacy alive in the realms of Russian and European art. His sculptures can be viewed in various prominent locations across Saint Petersburg, serving as cultural landmarks that attract both art aficionados and general tourists.
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Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
Antonio Corradini was an Italian painter and sculptor of the Baroque period.
He was a pupil of the sculptor Antonio Tarsia (1663 - c. 1739) and worked in Venice, Dresden and St. Petersburg. In Vienna, he was court sculptor to Holy Roman Emperor Charles VI for 10 years.
Corradini became famous for his sculptures "under the veil", through which the contours of the face and body are discernible. Contemporaries were delighted by this inscrutable art. In 1716-1717 Antonio Corradini executed eighteen busts and two statues for the Summer Garden in St. Petersburg by special order of the Russian Tsar Peter the Great.
Then the master was followed by orders from all over Europe, he created many more sculptures on religious, mythical and allegorical subjects. His works can still be seen in many museums and private collections around the world.
Guillaume Coustou the Elder was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris.
