Portrait sculpture Post War Art
Harold Ambellan is an American painter and sculptor.
He studied sculpture and fine art in Buffalo before moving to New York City. The human figure is central to Harold Ambellan's work. He created monumental figures and drew extensively, leaving thousands of drawings. Ambellan was one of the participants in Roosevelt's Federal Art Project, which hired hundreds of artists during the Great Depression who collectively created more than 100,000 paintings and over 18,000 sculptures.
Ambellan remained committed to figuration in both his sculpture and painting. He was elected president of the Sculptors Guild of America in 1941, and that same year his work was exhibited in group shows at the Metropolitan Museum of Art in New York and the Academy of Fine Arts in Philadelphia.
In 1944, Ambellan participated in the liberation of Normandy as part of the U.S. Navy, then taught three-dimensional art at the Workshop School in New York City. In 1954, for political reasons, Ambellan moved to France and remained there for the rest of his life, working and exhibiting throughout Europe.
Edgar Augustin was a German painter and sculptor.
Augustin studied sculpture in Münster with Karl Ehlers, then was a pupil of the master Gustav Zeitz in Hamburg. His oeuvre includes partly abstract figurative representations in bronze, wood and plaster as well as paintings, drawings and graphics. Some of Edgar Augustine's sculptures are located in public spaces in Hamburg and other cities.
Edgar Augustin was a member of the Free Academy of Arts in Hamburg and the Special Association of Artists in Germany. In the second half of the 20th century, Augustin was one of the pioneers of figurative wood sculpture and is considered its most important representative.
Otto Baum is a German sculptor and university lecturer and member of the German Artists' Association.
He studied painting at the Stuttgart Academy of Art and sculpture at the same time. From the mid-1930s, the National Socialists who came to power in Germany forbade Baum to exhibit or even work, and he was persecuted as a representative of "degenerate art".
After the war, Otto Baum was appointed to teach at the Stuttgart Academy of Art and was regarded as the most progressive and extremely critical teacher among the young students at the academy.
Otto Baum is considered one of the most important representatives of classical modernism, who had a significant influence on European sculpture in the second half of the 20th century both through his work and as a teacher.
Kurt Bohn was a talented German painter, sculptor, designer and writer. Born into a creative family, he learnt the basics under the guidance of his father, Oskar Bohn. His perseverance and pursuit of artistic excellence led him to Berlin, where he became a pupil of Fritz Klimsch between 1931 and 1935. Under his guidance, Kurt Bohn honed his skills and broadened his artistic horizons.
By 1938, Kurt Bohn had established his own studio in Berlin, signalling his growing independence and the development of his artistic vision. World War II forced Kurt Bohn to move to Ulm in 1945, where he lived until his death.
Kurt Bohn's work has left an indelible mark on the art world, demonstrating his versatility and dedication to art.
Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
William Reid Dick was a Scottish sculptor known for his innovative stylisation of form in his monument sculptures and simplicity in his portraits. He became an Associate of the Royal Academy in 1921, and a Royal Academician in 1928. Dick served as president of the Royal Society of British Sculptors from 1933 to 1938. He was knighted by King George V in 1935. He was Sculptor in Ordinary for Scotland to King George VI from 1938 to 1952 then held the post under Queen Elizabeth until his death in 1961.
John Stuart Dowie was an Australian painter, sculptor and teacher.
His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was nominated for Senior Australian of the Year in 2005, and was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter.
Roland Duss is a Swiss painter and sculptor.
Roland studied at the Lucerne University of Applied Sciences, then attended the Academy of Fine Arts in Munich and the Académie Julian in Paris. In the early 1930s, Duss created sculptures in Paris, returning to Lucerne during World War II.
Duss was a member of the Lucerne section of the Society of Swiss Painters and Sculptors and exhibited his work in group exhibitions.
Ed Dwight, full name Edward Joseph Dwight Jr. is an American sculptor, writer, and former test pilot.
He was the first African-American to enter the Air Force training program from which NASA selected astronauts. He resigned from the Air Force in 1966 for reasons of racial discrimination, politics and bureaucracy and turned to the arts. Dwight earned a Master of Fine Arts degree in sculpture from the University of Denver in 1977 and excelled as an artist. Most of Dwight's work depicts only black people, and his acclaimed series Jazz: The Shape of American Art focuses on the evolution of jazz and includes all iconic jazz performers.
Ed Dwight has had a thriving career in sculpture and has many high-profile projects to his credit. His unique masterpieces are displayed in several memorials across the United States. He has also become a historian and writer.
Audrey L. Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, sculpture, and photography. Flack's early work in the 1950s was abstract expressionist. But gradually, Flack became a New Realist and then evolved into photorealism during the 1960s. Audrey Flack is best known for her photo-realist paintings and was one of the first artists to use photographs as the basis for painting.[6] The genre, taking its cues from Pop Art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. Flack's work brings in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit.[6] These inanimate objects often disturb or crowd the pictorial space, which are often composed as table-top still lives. Flack often brings in actual accounts of history into her photorealist paintings, such as World War II' (Vanitas) and Kennedy Motorcade. Women were frequently the subject of her photo-realist paintings. She was the first photorealist painter to be added to the collection of the Museum of Modern Art in 1966.
Fritz Fleer is a German painter and sculptor. He studied at the Hamburg University of Fine Arts in the class of Edwin Paul Scharf.
As independent artist, Fritz Fleer has been creating works for urban planning since the 1950s; in Hamburg he was commissioned for 17 sculptures by the municipal housing company SAGA.
Anneliese Henecka is a German artist, draftsman and sculptor.
She studied architecture and free sculpture at the Dusseldorf Academy of Art, and has worked in the United States, Great Britain, Italy, and Russia.
Anneliese Henecka has created many sculptural works, including fountains, large-scale bas-reliefs in bronze and concrete, marble, bronze and wooden sculptures and portraits, and ivory relief sculptures.
Peter Hohberger is a German actor, painter, and modernist sculptor.
He is considered one of the sculptors of the "New School" artistic movement that developed in France after 1945. Hohberger's exquisite sculptures of female nudes are a success and are found in many collections around the world.
Stanisław Horno-Poplawski was a Polish sculptor, artist and teacher.
In the late 1910s, young Stanisław became interested in painting and art in Moscow, where his family moved from Georgia, then continued his studies at the Warsaw School of Fine Arts. Stanisław Gorno-Poplawski made the subject of his sculpture a rough field stone, giving it the features of famous and unknown Poles' faces, creating compositions filled with life. His works can be seen in many museums in Poland and the world.
Jo Jastram, born Joachim Jastram, is a German sculptor.
Jastram studied at the Dresden University of Fine Arts and then at the University of Fine and Applied Arts in Berlin-Weißensee, earning a degree in sculpture. Later he taught himself at several universities and was a member of various state and public cultural associations. The sculptor was repeatedly awarded the Art Prize of the GDR.
Jo Jastram created an extensive collection of portraits during his long life, as well as many diverse compositions and sculptures in public spaces. Some of his most famous works are the "Fountain of the Joy of Life" on University Square in Rostock, created in 1978 in collaboration with Reinhard Dietrich, as well as "The Great African Journey" (1983), installed in Rostock's city harbor in 2008.
Jo Jastram's three sons Matthias, Michael, Jan Jastram and daughter Susanne Rast became painters and sculptors, and the sculptor Thomas Jastram is his nephew.
Nida Kadhim is an Iraqi sculptor, noted for producing a number of monumental works for Baghdad's city centre, some of which are still standing, while others were demolished or looted following the 2003 Iraqi invasion. Kadhim received his formal art education at Baghdad's Academy of Fine Arts in the 1950s. Actively involved in the Iraqi arts community, he became a founding member of the art group known as Al-Mujadidin (The Innovationists). His sculptures focus on grandiose busts and statues of leading figures taken from Iraq's history, or are based on other themes the artist considers worthy. His most well-known sculpture, which is still standing, is the Arab Woman in Zawra Park, Baghdad. It depicts an Arab woman holding a bouquet of flowers out to the new generation of Iraqis who are seeking a better future.
Vera Ignatyevna Mukhina (Russian: Ве́ра Игна́тьевна Му́хина) was a renowned Soviet sculptor and artist, celebrated for her significant contributions to Soviet art and sculpture. Born into a wealthy merchant family in Riga, Mukhina's journey into the world of art took her through the studios of notable artists in Russia and Europe, including the Académie de la Grande Chaumière in Paris under Antoine Bourdelle. Her work is deeply imbued with a sense of national pride and a commitment to the socialist cause, reflecting the tumultuous times she lived through, including both World Wars and the shifting political landscape of the Soviet Union.
Mukhina's most celebrated piece, "Worker and Kolkhoz Woman," a towering sculpture made of stainless steel, was originally created for the 1937 World's Fair in Paris. This sculpture, standing as a symbol of Soviet might and unity, showcases Mukhina's mastery in welding and her innovative approach to monumental art. The piece was acclaimed internationally and continues to be a significant symbol of Soviet and Russian culture.
Throughout her career, Mukhina experimented with a variety of materials and techniques, including glass, earning her numerous awards, such as the Stalin Prize, which she received five times, and the title of People's Artist of the USSR. Her commitment to art went beyond her own creations; she was a passionate educator and theorist, advocating for the enrichment of Soviet artistic vocabulary and experimenting with new materials and forms.
Mukhina's legacy extends beyond her sculptures to her contributions to the art world through her theoretical writings, her influence on public and architectural sculpture, and her experimentation with art glass, transforming ordinary objects into decorative art pieces. Her works are preserved in museums and public spaces, continuing to inspire and evoke admiration.
For collectors and experts in art and antiques, Mukhina's works represent a poignant narrative of 20th-century Soviet art, characterized by its boldness, innovation, and ideological commitment. Her life's work offers a window into the complexities of Soviet art, navigating the realms of personal expression and state expectations.
For those interested in exploring Vera Ignatyevna Mukhina's significant contributions to art and sculpture, consider signing up for updates on new product sales and auction events related to her work. This subscription offers a unique opportunity to engage with the history and legacy of one of the 20th century's most influential artists.
Hermann Naumann, a distinguished German artist, has made significant contributions to the fields of painting, graphics, illustration, and sculpture. Starting his artistic journey with a stonemasonry apprenticeship, Hermann Naumann later honed his skills in sculpture under the guidance of Burkhart Ebe and Herbert Volwahsen at the HBK Dresden. Over time, he expanded his artistic repertoire to include painting and graphic arts, embracing techniques like lithography, etching, and punch cutting.
Hermann Naumann's works are celebrated for their depth and versatility, reflecting his mastery over various mediums. Notably, his illustrations for literary works, such as Heinrich Böll's "Erzählungen" and Franz Kafka's "Betrachtung," showcase his exceptional ability to complement and elevate textual narratives through visual art. His public sculptures, like the relief in Dresden and the "Fahnenschwinger" in Riesa, further attest to his prowess in creating engaging and meaningful art.
For art collectors and enthusiasts, Hermann Naumann's oeuvre offers a rich tapestry of visual narratives, each piece echoing the artist's profound engagement with his subjects and mediums. Those interested in exploring Hermann Naumann's artistic journey and his contributions to German art and culture are encouraged to stay updated on exhibitions, sales, and auctions featuring his work.
Manuel John Neri the Younger was an American sculptor who is recognized for his life-size figurative sculptures in plaster, bronze, and marble. In Neri's work with the figure, he conveys an emotional inner state that is revealed through body language and gesture. Since 1965 his studio was in Benicia, California; in 1981 he purchased a studio in Carrara, Italy, for working in marble. Over four decades, beginning in the early 1970s, Neri worked primarily with the same model, Mary Julia Klimenko, creating drawings and sculptures that merge contemporary concerns with Modernist sculptural forms.
Karl Ulrich Nuss is a German artist and sculptor who creates large-scale bronze compositions.
His father was the sculptor Fritz Nuss (1907-1999), Karl Ulrich Nuss continued his work and developed an unmistakable design style that characterizes all his sculptures. They depict single people, couples, families, as well as new fantastical creations from the animal kingdom. These works can be seen in public spaces in Bochum, Frankfurt/Main and Stuttgart.
Waldemar Otto is a German sculptor of Polish descent.
Otto studied sculpture at the Academy of Fine Arts in Berlin, won the 1957 Grosse Berliner Kunstausst Prize, lived with his family in the United States, and moved to Bremen in 1973, accepting a professorship at the University of the Arts. He founded the Bremer School of Sculpture there and then moved to Worpswede.
Waldemar Otto practiced figurative sculpture in the form of torsos, creating his figurative human images in wood, granite, bronze and cast stone. Many of his works can be seen in public spaces in various German cities.
Elsa Pletscher, also called Els, is a Swiss sculptor, painter and draftsman.
Pletscher studied at an art academy in Paris and a sculpture studio in Zurich, and attended the Accademia della Porta Romana in Florence. Her work has received art prizes in Italy and Switzerland, and some of it is located in public spaces in those countries.
Ingeborg Plockross Irminger was a Danish artist who is remembered both for her sculptures and for the miniature porcelain statues of animals and human figures she designed while working for Bing & Grøndahl. A bronze cast of her 1903 bust of the writer Herman Bang was installed on Sankt Annæ Plads in Copenhagen in 2012.
Luis Potosi, full name Luis Aníbal Potosí Suárez, is a modernist sculptor from Ecuador known for his abstract carved wood sculptures.
Potosí studied at the Daniel Reyes Institute of Fine Arts, where he honed his knowledge of art and specialized in sculpture. He graduated in 1957 and founded his own studio school, where he taught more than a hundred craftsmen.
The sculptor's work has gained a place in the cultural sphere of Ecuadorian society, contributing to the development and promotion of tourism in the country. Luis Potosi has exhibited in various cities in America and Europe.
