Still life Ukraine
Alexander Grigorievich Maksymenko (Russian: Александр Григорьевич Максименко) was a Soviet and Ukrainian painter of the second half of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist, watercolorist, and art historian.
Alexander Maksymenko worked in the genres of still life, landscape, portrait, as well as in genre painting. His genre works cover themes of collective farm life, including "Masters of the Land" and "Innovators of Collective Farm Fields". For the latter work he received the Stalin Prize. The master actively participated in exhibitions in Ukraine and abroad. His works are in the National Art Museum of Ukraine, the Museum of the History of Ukraine in World War II, as well as in other art museums and private collections.
Taisia Kirillovna Afonina (Russian: Таисия Кирилловна Афонина) was a Soviet artist of the second half of the twentieth century. She is known as a painter, graphic artist, representative of the Leningrad school.
Taisia Afonina participated in exhibitions since 1940, creating portraits, landscapes, genre compositions, still lifes and etudes. At the beginning of her career she was interested in military subjects, and then delved into the genre of portraiture and lyrical landscape. Her style is characterized by tonal painting, the rendering of light and air environments and subtle coloristic combinations. In the 1980s she preferred the watercolor technique, painting flowers such as roses, daisies and tulips. Her works are in museums and private collections in Russia and other countries.
Vladislav Leopoldovich Anisovich (Russian: Владислав Леопольдович Анисович) was a Soviet artist of the mid-twentieth century. He is known as a painter, graphic artist and teacher, a representative of the Leningrad school of painting.
Vladislav Anisovich participated in various exhibitions since 1935. His work included portraits, historical and genre compositions, as well as landscapes. Among the famous paintings of the artist are "The passage of K. Voroshilov's detachment from Lugansk to Tsaritsyn", "Assault on Perekop" and others. The master taught at the Leningrad Institute of Painting, Sculpture and Architecture.
His works are in various museums and private collections in many countries, including the State Russian Museum.
Alexander Porfyrovych Archipenko (Russian: Александр Порфирьевич Архипенко) was a Ukrainian-American artist, renowned for his innovative contributions to modern sculpture and painting. Born in Kyiv, Ukraine, then part of the Russian Empire, Archipenko defied traditional art forms by integrating elements of Cubism, constructing sculptures that emphasized abstraction and form over realistic representation.
Archipenko's work is distinguished by its creative use of materials and exploration of space and volume. He was among the first to employ negative space as a sculptural element, a technique that would influence countless artists in the years to follow. His sculptures often depicted the human form in fragmented or reassembled states, challenging viewers' perceptions and expectations.
Notable works by Archipenko, such as "Woman Combing Her Hair" and "Walking," can be found in prestigious museums and galleries worldwide, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. These pieces exemplify his talent for blending sculptural depth with dynamic motion, making him a pivotal figure in the transition from traditional to modern art.
For collectors and experts in art and antiques, Archipenko's oeuvre represents a fascinating intersection of culture, innovation, and artistic evolution. His ability to transcend cultural boundaries while pioneering new forms and techniques in both sculpture and painting places him among the most influential artists of the 20th century.
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Vladimir Davidovich Baranov-Rossine (Russian: Владимир Давидович Баранов-Россине) was a master of the Russian avant-garde, a prolific painter, sculptor, and inventor, whose work significantly contributed to the Cubo-Futurism movement. Born on January 1, 1888, in Kherson, he was originally named Shulim Wolf Leib Baranov but is best known by his pseudonym, Daniel Rossine. His early artistic education took place in Odessa and then at the St. Petersburg Academy of Arts, laying the groundwork for his future as a revolutionary artist.
In 1910, Baranov-Rossine moved to Paris, a pivotal move that introduced him to the burgeoning European avant-garde scene. It was there, alongside other notable artists such as Marc Chagall, Osip Zadkine, Alexander Archipenko, and Chaim Soutine, that he became an inhabitant of the famous Parisian house "La Ruche." His innovative work, particularly the invention of the Optophonic Piano, which projected colors in sync with music, underscored his commitment to blending art and technology, a hallmark of his career.
Tragically, Baranov-Rossine's life was cut short when he was arrested by the Gestapo in 1943 and subsequently died in Auschwitz in 1944. Despite his untimely death, his legacy lives on through his contributions to modern art and technology. His works can be found in various museums and galleries, celebrated for their vibrant expression and avant-garde techniques that continue to inspire artists and collectors alike.
For those intrigued by Vladimir Davidovich Baranov-Rossine's pioneering work and its lasting impact on the art world, signing up for updates on new product sales and auction events related to this avant-garde master is highly recommended. This ensures enthusiasts and collectors are always informed about the latest opportunities to engage with Baranov-Rossine's remarkable legacy.
Victoria Markovna Belakovskaya (Russian: Виктория Марковна Белаковская) was a Russian Soviet artist of the mid-twentieth century. She is known as a painter, graphic artist and representative of the Leningrad school of painting.
Victoria Belakovskaya participated in exhibitions of Leningrad artists since the early 1930s. Her work covers various genres, including portraits, genre compositions, still lifes and landscapes. Her famous works include "Pioneer Girl" (1931), "Self-Portrait with a Cigarette" (1936), "Leningrad Landscape" (1953), "Spring Flowers. Still Life" (1961), a series of landscapes of Altai, Crimea, Kiev and others.
Works by the artist are in the collections of museums in Russia, Great Britain, USA, France and other countries.
Kateryna Vasilyevna Belokur (Russian: Екатерина Васильевна Белокур) was a Ukrainian Soviet artist of the mid-twentieth century. She is known as a master of folk decorative painting.
Kateryna Belokur was self-taught and became famous for her colorful paintings, mostly depicting flowers, landscapes, and portraits. Her work often included a combination of spring and fall elements, and she could take weeks to create even small details on canvas. Catherine also made her own brushes, selecting hairs from cattails, and used a separate brush for each paint. Her work was characterized by vibrant colors and style.
Georgy Nikolaevich Bibikov (Russian: Георгий Николаевич Бибиков) was a Russian and Soviet artist of the mid-20th century. He is known as a painter, graphic artist, illustrator, muralist and theater artist of the Leningrad school, working in the genres of landscape, portrait, still life and thematic painting.
Georgy Bibikov began participating in art exhibitions in 1920. Among his famous works are "Loaders", "Young Red Fleets Receive Uniforms", "Greetings to the Winners", "Trench Truth" and others. His works are in the State Russian Museum and in museums and private collections in Russia, Ukraine, Germany and France.
Moses Abramovich Blank (Russian: Моисей Абрамович Бланк) was a Ukrainian Soviet artist of the mid-twentieth century. He is known as a painter and graphic artist, distinguished for his still lifes and landscapes.
Moses Blank actively participated in art exhibitions, including national, all-Union and international exhibitions, beginning in 1927. He used various artistic techniques including lithography, etching, ink, watercolor, gouache, pastel, and sometimes oil. During the Great Patriotic War he voluntarily went to the front, after the war he served as an artist in the Air Defense Corps in Riga. The master left a noticeable trace in the history of art in Ukraine.
József Boksay (Russian: Иосиф Иосифович Бокшай) was a prominent Hungarian landscape painter and graphic artist, born on October 2, 1891, in Gyertyánliget and passing away on October 19, 1975, in Ungvár. His work significantly contributed to the artistic life of Carpathian Ruthenia, making him a notable figure in the Carpathian school of painting. Graduating from the Hungarian Academy of Fine Arts in 1914, where Imre Révész was his master, Boksay embarked on a journey of teaching and creating. His post-graduation life saw him taking study trips across European cities such as Vienna, Paris, and Budapest, further enriching his artistic vision.
Boksay's dedication to the arts led him to co-found a free school with Béla Erdélyi in 1927, aiming to nurture the region's artistic talent. His academic contributions continued post-World War II, teaching at the Fine Arts College in Ungvár and the Industrial Art School in Lemberg (now Lviv). A significant portion of his works delves into religious themes, a testament to his deep engagement with ecclesiastical art. This involvement is vividly illustrated by his transformative work on the ceiling frescoes of the Máriapócs church, where he meticulously integrated baroque elements with his distinctive style.
His legacy is preserved not only in his contributions to Carpathian Ruthenia's art scene but also in the numerous awards he received for his work. Today, his creations can be found in the museums of Carpathian Ruthenia and the Tretyakov Gallery, showcasing his lasting influence on the region's cultural heritage.
For collectors and art enthusiasts interested in the unique blend of cultural and artistic expressions that define Carpathian Ruthenia, Boksay's work offers a captivating exploration. His contributions to ecclesiastical and landscape painting underscore the rich tapestry of this region's art history. Sign up for updates to stay informed about new product sales and auction events related to József Boksay, ensuring you never miss an opportunity to engage with the legacy of this distinguished artist.
Nikolay Stepanovich Borovsky (Russian: Николай Степанович Боровский) was a Soviet Ukrainian artist of the second half of the twentieth century. He is known as a painter and teacher.
Nikolay Borovsky became famous for his portraits, landscapes and still lifes, as well as genre paintings. Some of his works were characterized by extraordinary realism. Since the early 1960s, he actively exhibited his works and in 1964 joined the Union of Artists of the USSR. For his painting "Worker. Year 1928" he received the prize of the Union of Artists of the Ukrainian SSR.
The master created a significant number of works that are in private and public collections, including a gallery of portraits of participants in the defense and liberation of Dnepropetrovsk.
Mikhail Mikhailovich Bozhiy (Russian: Михаил Михайлович Божий) was a Soviet-Ukrainian painter, born in 1911 in Nikolaev (now Mykolaiv), Ukraine. Throughout his career, Bozhiy specialized in portraits and genre paintings, with his education grounded in the Nikolaev Art Technikum from 1930 to 1933. He began exhibiting his work in 1937, showcasing his talent in various prestigious shows, including the All-Union Art Exhibitions in Moscow during the early 1950s. His notable works, celebrated for their portrayal of Soviet citizens and landscapes, include "Svetlana Shipunova, an Outstanding Student" (1950), "A Nurse" (1955), and "My Thoughts" (1959-60), all of which are housed in the Kyiv Museum of Ukrainian Art. His contributions to Soviet art were recognized when he became a Soviet academician in 1958 and was later honored with the title of People's Artist of the USSR in 1963.
Bozhiy's life and work were deeply intertwined with the cultural and political milieu of his time. His early years were spent in Mykolaiv, but by 1936, he had moved to Odessa with his wife, where he worked as an animator at a film studio before returning to painting. His experiences during the Great Patriotic War, including creating war posters and satirical drawings, significantly influenced his artistic output. Despite health issues preventing him from serving at the front, his commitment to the war effort through his art was unwavering. Bozhiy's art is characterized by its expressive brushwork and the ability to capture the essence of his subjects, often reflecting the social and political context of the USSR.
For collectors and experts in art and antiques, Bozhiy's work offers a unique insight into Soviet-Ukrainian culture and history, highlighting the role of art in reflecting and shaping societal values. His pieces, especially those in the Kyiv Museum of Ukrainian Art, serve as a testament to his skill in portraiture and genre painting, as well as his dedication to depicting the life and people of the USSR.
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Osip Emmanuilovich Braz (Russian: Осип Эммануилович Браз) was a Russian-Jewish realist painter, celebrated for his adeptness in portraying the subtleties of human character and the serene beauty of landscapes. Born in Odessa in 1873, Braz embarked on his artistic journey at the Odessa Art School, later honing his craft in Munich under the guidance of Sandor Kholloshi and in St. Petersburg at the Academy of Arts, where he studied under the legendary Ilya Repin. His early works, marked by a series of compelling portraits, including those of eminent Russian cultural figures like Anton Chekhov, garnered him significant acclaim. Braz's portrait of Chekhov, commissioned by Pavel Tretyakov for the State Tretyakov Gallery, is particularly noted for being the only complete lifetime portrait of the writer.
Braz's contributions to art were not confined to portraiture alone; he also produced exquisite still lifes and landscapes, capturing the essence of his subjects with a delicacy and depth that reflected his mastery over the medium. His landscapes of France, Crimea, and Finland, inspired by his travels, exhibit a remarkable sense of place and mood, blending realism with an impressionistic sensitivity to light and color.
Throughout his career, Braz was deeply involved in the art community, participating in the World of Art exhibitions and influencing the artistic dialogue of his time. Despite facing adversity, including imprisonment and the confiscation of his art collections by Soviet authorities, Braz's legacy as a painter and collector endures. His works continue to be celebrated for their technical prowess and emotional depth, held in high esteem by collectors and experts alike.
For collectors and experts in art and antiques, Osip Emmanuilovich Braz's oeuvre offers a window into the soul of Russian realism and the broader currents of European art at the turn of the century. His life's work underscores the enduring power of art to capture the human condition and the natural world in all their complexity and beauty. Sign up for updates to stay informed about new product sales and auction events related to Osip Emmanuilovich Braz and delve deeper into the legacy of this remarkable artist.
Lyudmila Davidovna Burliuk-Kuznetsova (Russian: Людмила Давидовна Бурлюк-Кузнецова) was a pivotal figure in the Russian avant-garde movement, born into a family renowned for its contribution to art and poetry. Her journey into the art world began with her studies at the Higher Art School of Painting, Sculpture, and Architecture at the Imperial Academy of Arts in St. Petersburg from 1903 to 1907. During her studies, she married Vasily Kuznetsov, a master of monumental and decorative sculpture, which marked the beginning of her active engagement with the Russian art scene. She was a vibrant participant in exhibitions across Russia, including those by the Association of Kharkov Artists, the Union of Russian Artists in St. Petersburg, and the art group "Wreath-Stefanos".
After a flourishing start, the mid-1910s saw Burliuk-Kuznetsova stepping back from her artistic endeavors to focus on her family. The tragic death of her husband in 1923 due to typhus left her to support their four children through her art, creating a diverse range of works from portraits to poster designs, even for the Saratov circus. Despite the personal hardships and the loss of two sons during World War II, her resilience and dedication to art never waned.
In her later years, she moved to Prague to live with her sister Marianna, where she rediscovered her passion for art and held a personal exhibition in 1967. Her work, deeply influenced by impressionism and particularly by the works of Paul Cezanne and Camille Pissarro, demonstrated her exceptional talent and her ability to capture the subtle interplay of light and atmosphere, conveying the magic of unpretentious natural motifs with grace and sensitivity.
For collectors and experts in art and antiques, Burliuk-Kuznetsova's story is not just one of artistic achievement but also of profound personal strength and perseverance. Her legacy is a testament to the vibrant spirit of the Russian avant-garde movement and its enduring influence on the art world.
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Vasily Dmitrievich Chegodar (Russian: Василий Дмитриевич Чегодар) was a Soviet and Ukrainian artist of the second half of the twentieth century. He is known as a painter who worked in the genres of landscape and still life.
Vasily Chegodar gained recognition by starting to participate in art exhibitions since 1942. An important period in his work was the 1950s, when he fully devoted himself to painting and became known for his Kiev landscapes. The artist left a rich creative legacy, including about ten thousand paintings and graphic works, some of which are in private collections in Ukraine, Russia and Europe.
Leonid Ivanovich Chernov (Russian: Леонид Иванович Чернов) was a Soviet Ukrainian artist of the second half of the twentieth century. He is known as a painter, graphic artist and teacher.
Leonid Chernov created in various genres, including landscape, still life and genre painting. He has participated in numerous exhibitions since 1945. His work was inspired by business trips to India, Afghanistan, Bulgaria and Cuba. Notable works include cycles of landscapes "Across Ukraine", etchings "In Folk Bulgaria", drawings dedicated to Ukrainian folk songs and poems by Soviet poets.
Chernov nurtured a galaxy of Ukrainian artists and played an important role in the development of the Ukrainian art community.
Ivan Ivanovich Chorny (Russian: Иван Иванович Чёрный) was a Soviet, Ukrainian and Russian artist of the second half of the twentieth and early twenty-first centuries. He was known for his monumental and decorative works in the style of socialist realism.
Ivan Chorny reoriented his style in the late 1990s, inventing a new technique and moving away from figurativeness in favor of abstract painting. His enigmatic compositions became an expressive expression of inner feelings enriched with colors and lines.
Olga Lyudvigovna Della-Vos-Kardovskaya (Russian: Ольга Людвиговна Делла-Вос Кардовская) was a Russian painter and graphic artist, whose works and life story continue to fascinate art collectors and experts. Born in Chernigov in the Russian Empire in 1875 and passing away in Leningrad, USSR in 1952, Della-Vos-Kardovskaya's artistic journey was marked by rigorous training and profound experiences. Her educational path took her from the Schneider School in Kharkov to the Academy in Saint Petersburg, and finally to Munich, where she studied under Anton Ažbe. The year 1900 was significant for her, marking not only a milestone in her artistic education but also her marriage to the painter Dmitry Kardovsky.
Della-Vos-Kardovskaya's career was characterized by her participation in various artist societies and exhibitions, significantly contributing to her recognition in the art world. Between 1903 and 1917, she exhibited her work with the New Society of Artists and the Union of Russian Artists. Her association with the Zhar-tsvet group from 1924 to 1928 and her inclusion in a significant 1927 exhibit in Moscow commemorating the tenth anniversary of the Russian Revolution highlight her active involvement in the artistic movements of her time.
Her body of work includes a variety of subjects, from self-portraits to notable figures such as Nikolay Gumilyov and Anna Akhmatova, demonstrating her versatility and skill as both a painter and a graphic artist. These works, alongside her contributions to Russian art movements and exhibitions, underscore her lasting impact on the art world.
For collectors and experts in art and antiques, Olga Lyudvigovna Della-Vos-Kardovskaya's work represents not only a connection to the rich history of Russian art but also an opportunity to appreciate the depth and breadth of her artistic contributions. To stay updated on sales and auction events related to Della-Vos-Kardovskaya's work, signing up for updates is highly recommended, ensuring access to the latest information and opportunities to acquire pieces by this distinguished artist.
Aleksandra Aleksandrovna Ekster (Russian: Алекса́ндра Алекса́ндровна Эксте́р), a luminary of the Russian avant-garde, was a painter and designer whose work traversed the boundaries of Cubo-Futurism, Suprematism, and Constructivism, eventually influencing the Art Deco movement. Born in Białystok (then part of the Russian Empire, now Poland) and later splitting her life among Kiev, St. Petersburg, Moscow, Vienna, and Paris, Ekster played a pivotal role in bridging Russian and European artistic movements. Her innovative approach to art was characterized by dynamic movement, vibrant color contrasts, and geometric compositions, which were evident in her paintings, theater set and costume designs, and educational endeavors.
Ekster's studio became a hub for the intellectual and artistic elite, hosting figures like poets Anna Akhmatova and Osip Mandelstam, as well as painters Pablo Picasso and Georges Braque during her stays in Paris. Her involvement in significant art exhibitions, such as the Salon des Indépendants and the Salon de la Section d'Or in Paris, showcased her works alongside those of Jean Metzinger, Marcel Duchamp, and others, marking her as a key figure in the avant-garde community.
Beyond painting, Ekster's contributions to theater and design were profound. She worked on costume and set designs for Alexander Tairov's Chamber Theatre and participated in the revolutionary festivities' decoration in Kiev and Odessa. Ekster's pedagogical efforts included teaching at the Higher Artistic-Technical Workshop (VKhUTEMAS) in Moscow, fostering a new generation of avant-garde artists.
Ekster's work is housed in various international and private collections, reflecting her lasting impact on the art world. Her ability to integrate different genres and styles, along with her commitment to experimentation and innovation, made her one of the most influential women in the Russian avant-garde.
For those fascinated by the pioneering spirit of Aleksandra Aleksandrovna Ekster and the avant-garde movement, signing up for updates on new product sales and auction events related to her work is a compelling way to stay informed. This subscription ensures enthusiasts and collectors are always in the loop regarding opportunities to engage with Ekster's enduring legacy.
Stefan Ivanovich Florescu (Russian: Степан Иванович Флореску) was a Soviet and Moldovan artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist and inventor who solved complex artistic problems using the methodology of the theory of inventive problem solving.
Starting in art at a young age, Stefan Florescu sought to develop not only his knowledge but also his skills as a portrait painter, exploring the complex aspects of human nature. His work encompassed various genres, including thematic compositions, landscapes, still lifes and portraits, as well as utilizing a variety of artistic and technical methods to create expressive images.
During his career, the master created more than 10,000 sketches, sketches, and sketches; about 250 graphic works; more than 390 pictorial compositions; and two sculptural projects.
Albin Stanislavovich Gavdzinsky (Russian: Альбин Станиславович Гавдзинский) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, famous for his landscapes, genre paintings and portraits.
Albin Gavdzinsky in the early 1950s held his first solo exhibitions in Odessa, Kiev and Kharkov and showed his bright artistic personality. The artist was distinguished by his outstanding efficiency and precision in depiction, which was evident in his clear forms and bright colors. In 1961 he was recognized as Honorary Citizen of the city of Novaya Kakhovka, and his works (237 canvases) served as the basis for the creation of the city's art gallery, which in 2003 was named after him.
Valery Arutyunovich Geghamyan (Russian: Валерий Арутюнович Гегамян) was a Soviet and Ukrainian artist of the mid-twentieth century of Armenian origin. He is known as a painter, graphic artist and teacher.
Valeriy Geghamyan became famous for his monumental canvases, large thematic cycles and graphic series. He also created portraits, landscapes and still lifes. Since the early 1960s he lived and worked in Odessa and founded the art and graphic arts faculty at the Odessa Pedagogical Institute, where he taught for more than 20 years. The master raised many famous artists, some of whom are also teachers, passing on the experience of their teacher.
Mikhail Markianovich Germashev (Russian: Михаил Маркианович Гермашев) was a Russian painter known for his exquisite landscape paintings. Born in 1867 in Kharkov, he studied at the Moscow School of Painting, Sculpture and Architecture. Germashev's works are celebrated for their atmospheric depictions of Russian winters and serene rural scenes.
Germashev gained significant recognition in the late 19th century. His painting "Snow Fell" won first prize at the Moscow Society of Arts in 1897 and was acquired by the renowned collector Pavel Tretyakov. Other notable works include "Gray Day" (1894), "Unfrozen River" (1898), and "Rainy Day" (1902). These paintings are displayed in various museums across Russia, reflecting Germashev's prominence in the art world.
In the 1920s, Germashev moved to Paris, where he continued to paint and exhibit his works. His landscapes, characterized by their high craftsmanship and beauty, remained popular among collectors and art enthusiasts. His works can be found in prestigious collections, including the Tretyakov Gallery and the Museum of Moscow.
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Herman Moiseyevich Gold (Russian: Герман Моисеевич Гольд) is a Soviet, Ukrainian and contemporary Israeli artist. He is known as a painter, draftsman, and watercolorist, renowned for his expressive style of painting.
Herman Gold is skilled in both oil painting and watercolor, and often gives his works a dramatic character. He is one of the few contemporary Jewish artists to be included in the legendary World Encyclopedia of Artists of All Time.
His works are in museums and galleries in many countries, including Russia, Ukraine, France, Greece, the United States and others.
Vladimir Alexandrovich Gorb (Russian: Влади́мир Алекса́ндрович Го́рб) was a Soviet Russian artist, renowned for his versatile talents in painting, graphic design, and art education. Born on December 31, 1903, in Odessa, Russian Empire, Gorb carved a niche for himself in the Leningrad art scene, contributing extensively to its richness and diversity.
Gorb's education at the Leningrad VKHUTEIN under influential teachers like Alexander Savinov and Kuzma Petrov-Vodkin equipped him with a formidable artistic foundation, which he expanded upon throughout his career. His works, characterized by their vivid portrayal of everyday life and the natural world, were regularly featured in prominent exhibitions from as early as 1925.
Over the years, Gorb became a significant figure in the Soviet art community, not only through his artwork but also through his role as a professor at the Repin Institute of Arts. His commitment to art education shaped many future artists. His works are notable for their depth and complexity, encapsulating the Soviet ethos with a unique blend of realism and personal expression.
For those interested in exploring the works of Vladimir Gorb further or acquiring pieces for their collections, more information is available through dedicated art galleries and historical art resources online. For updates on exhibitions and available works of Vladimir Gorb, you can subscribe to our newsletter, ensuring you're informed about new sales and auction events related to this distinguished artist.
Pavel Matveyevich Gorobets (Russian: Павел Матвеевич Горобец) was a Soviet Ukrainian artist of the mid-twentieth century. He is known as a painter, landscape painter who worked early in his career as an artist-journalist.
Pavel Gorobets became famous for the lyrical style of his landscapes depicting the nature of Poltava region. His works are characterized by subtle lyricism, penetration and deep affection for his native nature. Critics called the artist a "master of landscape miniature". His works are in museums of various Ukrainian and Russian cities, as well as in private collections.
Emma Ilyinichna Gurovich (Russian: Эмма Ильинична Гурович) was a Russian artist, born in 1899 and known for her contributions to painting. Throughout her lifetime, Gurovich actively participated in the art community, leaving behind a legacy that continues to be studied and appreciated. She passed away in 1980, but her work remains influential, showcasing her unique vision and artistic exploration.
Gurovich's artistic journey is marked by her involvement with the Union of Artists of the USSR, a prestigious recognition that underscores her significant role in the Soviet art scene. Her creations, primarily paintings, reflect a deep engagement with the artistic movements of her time, imbued with the historical and cultural context of the Russian Federation.
Her artworks, some of which have found their way into auctions, continue to attract attention from collectors and art enthusiasts alike. The sale of her works at auction highlights the enduring value and interest in her artistic contributions. Despite the limited availability of detailed biographical information, the auction records of Emma Iljinitschna Gurovich's works provide insight into her recognition in the art market and the lasting appeal of her artistic legacy.
For collectors and experts in art and antiques, the exploration of Emma Ilyinichna Gurovich's work offers a fascinating glimpse into the vibrancy of Russian art during her lifetime. Her contributions to the art world, marked by her unique perspective and dedication, continue to inspire and intrigue. To stay updated on new discoveries, sales, and auction events related to Emma Ilyinichna Gurovich's work, consider signing up for updates. This subscription ensures you won't miss out on the opportunity to engage with the ongoing legacy of this remarkable artist.
Mykola Petrovich Hlushchenko, a prominent Ukrainian post-impressionist painter, was born in 1901 in Novomoskovsk, Russia, and is celebrated for his diverse artistic contributions that span across various European landscapes, still life, nudes, and notable portraits. His early exposure to art in Yuzivka (now Donetsk), and further education at the Academy of Art in Berlin in 1924, laid the foundation for his illustrious career. Hlushchenko's work caught the attention of French critics soon after he moved to Paris in 1925, marking his transition from the New Objectivity style to post-Impressionism.
Hlushchenko's involvement with the Association of Independent Ukrainian Artists in the early 1930s, and his exhibitions across major European cities and the United States, underscored his role as a leading figure in Ukrainian post-impressionism. His work was characterized by vibrant color use and a unique blend of styles influenced by his time in Germany, France, and later in the Soviet Union. Throughout his life, Hlushchenko's art reflected his extensive travels and deep appreciation for landscapes, earning him numerous awards including the Shevchenko National Prize in 1972.
For art collectors and enthusiasts, Hlushchenko's pieces not only represent the zenith of Ukrainian post-impressionism but also embody the artist's rich, multifaceted life experiences. His paintings, such as the portraits of Oleksandr Dovzhenko and Volodymyr Vynnychenko, along with commissioned works for the Soviet government, showcase his adaptability and mastery over his medium.
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Pyotr Konchalovsky (Russian: Пётр Петрович Кончаловский) was a renowned Russian painter, a prominent member of the Jack of Diamonds group, which sought to blend modern French and German art with Russian primitivism. Born into an artistic family, Konchalovsky's career spanned several decades, during which he became known for his extensive use of color and innovative approach to composition. Influenced by Paul Cézanne, his works demonstrate a complex evolution of styles, from impressionism to socialist realism, without fully embracing abstraction. Konchalovsky's repertoire includes over five thousand works, comprising still lifes, landscapes, and portraits that contributed significantly to the development of Soviet realistic art. Notably, his artistry extended beyond his canvas; his family legacy includes notable figures in the arts, contributing to his lasting impact on both Russian and global art scenes.
His significant contribution to the avant-garde movement and his distinctive style, blending Fauvism and Cubism with realism, positioned him as a key figure in pre-Soviet and Soviet art. Despite challenges, including initial rejection in his homeland and a complex relationship with the Soviet regime, Konchalovsky's work received acclaim, including exhibitions at the prestigious Tretyakov Gallery. His legacy is preserved through the Petr Konchalovsky Foundation, ensuring his vibrant and dynamic works continue to inspire.
For collectors and experts in art and antiques, Konchalovsky's work offers a unique window into the evolution of Russian art during a turbulent century. His ability to synthesize various artistic influences while maintaining a distinctive voice makes his work a valuable addition to any collection.
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Olga Yurievna Kotlyarova-Prokopenko (Russian: Ольга Юрьевна Котлярова-Прокопенко) is a Soviet and contemporary Ukrainian artist. She is known as a painter and public figure, Honored Artist of Ukraine and member of the National Union of Artists.
Olga Kotlyarova-Prokopenko works in oil painting and watercolor techniques with a focus on landscapes, still lifes and portraits. Since beginning her career in 1977, she has participated in over 600 exhibitions, including 63 solo exhibitions. Her works are in many galleries in Ukraine and abroad, as well as in private collections in many countries, including France, Germany, USA and Spain. The artist holds a vice-presidential position in the Union of Marinists of Odessa and was awarded the Order of Princess Olga III degree.
Vitaly Nikolayevich Kulikov (Russian: Виталий Николаевич Куликов) was a Soviet and Ukrainian artist of the last third of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist, book designer, poster artist, as well as a teacher, who brought up several generations of artists and architects over 40 years of teaching.
Vitaly Kulikov worked in various genres, including portraiture, landscape and still life, as well as successfully engaged in graphics and design. He, according to critics, refracted the traditions of avant-garde art of the early 20th century, combining them with a philosophical outlook and sharp plastic execution.
Lev Feliksovich Lagorio (Russian: Лев Феликсович Лагорио) was a Russian painter known for his exquisite seascapes and coastal landscapes. Born in 1827 in Feodosia, Crimea, Lagorio's Italian heritage and Russian upbringing greatly influenced his artistic style.
Lagorio's paintings are celebrated for their vibrant use of color and meticulous attention to detail, capturing the dynamic beauty of the sea and coastal environments. His works often depict serene seascapes, bustling ports, and dramatic coastal scenes, showcasing his ability to convey both tranquility and movement in nature. His technique involved capturing the subtle interplay of light and shadow, giving his paintings a lifelike quality.
Some of Lagorio's notable works include "View of the Caucasus Mountains from the Sea" and "Storm on the Black Sea," which are housed in prestigious institutions such as the State Russian Museum in St. Petersburg. Collectors and art enthusiasts highly value his contributions to maritime art.
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Konstantin Matveyevich Lomykin (Russian: Константин Матвеевич Ломыкин) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and graphic artist, People's Artist of the Ukrainian SSR.
Since 1951 Konstantin Lomykin actively participated in various exhibitions both in the USSR and abroad. His work covers a variety of genres, including thematic painting, portrait, landscape and still life. One of his most famous works was the painting "Bogdan Khmelnitsky's Oath over the Body of a Tortured Cossack", presented at the Republican Exhibition in 1954.
Lomykin's works can be found in art museums in Ukraine, as well as in private collections in various countries, including Japan, France, Greece, Germany, Italy and Portugal.
Victor Mikhailovich Malyi (Russian: Виктор Михайлович Малый) is a Soviet and contemporary Russian artist. He is known as a painter and teacher, Honored Art Worker of Russia.
Victor Malyi as a painter specializes in the genres of landscape and still life. His artistic career began with a major exhibition "Soviet South" in 1967. For his contribution to art, he was awarded many certificates, diplomas and badges of honor from various organizations and departments.
His works are in museums, private collections and galleries both in Russia and abroad. Since 1976, he has also taught painting at the Surikov Moscow State Academic Art Institute and is a professor at this institution.
Gavriil Kondratyevich Malysh (Russian: Гавриил Кондратьевич Малыш) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter and watercolorist, a representative of the Leningrad school.
Gavriil Malysh worked mainly in the genres of landscape, still life and genre compositions. He became famous as a bright watercolorist, a master of lyrical landscape and decorative still life. His works are distinguished by a color palette dominated by blue, lilac and violet tonalities. His works are in numerous museums and private collections in Russia and other countries, including France, USA, Japan and Italy.
Vitold Antonovich Manastyrsky (Russian: Витольд Антонович Манастырский) was a Ukrainian and Soviet artist of the second half of the twentieth century. He is known as a painter, graphic artist, teacher, and son of the artist Anton Manastyrsky.
Vitold Manastyrsky created many works, including genre paintings, portraits, landscapes and still lifes. In his works he reflected the beauty of the Pre-Carpathian region, the life of its inhabitants, as well as portrayed his contemporaries - workers, peasants and cultural figures. He was active both creatively and in public and pedagogical spheres, he was often elected to the governing bodies of the Union of Artists of Ukraine. Many of his works are exhibited in Ukrainian museums and galleries.
Emmanuel Mané-Katz (Hebrew: מאנה כץ) was a Ukrainian-born Jewish artist who is best known for his depictions of Jewish life and culture.
Mané-Katz studied art in Kiev and Paris, where he was influenced by the Fauvist and Cubist movements. He became a prominent figure in the Jewish art world, painting scenes of Jewish life in Eastern Europe and the Middle East. He was particularly interested in Jewish religious ceremonies and rituals, and often depicted rabbis, Hasidic Jews, and other members of the Jewish community.
Mané-Katz was also a collector of Jewish art and artifacts, and his collection of Judaica became world-renowned. He wrote several books on Jewish art and culture, including "The Jew in Art" and "The Jewish Festivals in Painting."
Today, Mané-Katz's work can be found in the collections of museums such as the Israel Museum in Jerusalem, the Jewish Museum in New York City, and the Musée d'Art Moderne de la Ville de Paris. His legacy continues to be celebrated by those who appreciate his contributions to the representation of Jewish life and culture in art.
Leonid Yakovlevich Mezheritski (Russian: Леонид Яковлевич Межерицкий) was a Soviet, Ukrainian and Israeli artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter who specialized in oil painting, a representative of the South Russian (Odessa) school.
Leonid Mezheritski created mainly plein air landscapes, and also worked in the genres of portraiture and still life. His style was based on the coloristic systems of French Impressionism and Post-Impressionism. His works can be found in state art museums in Ukraine and private collections in various countries, including the United States, Canada, Germany, England, Israel and Russia.
Georgy Moiseevich Moroz (Russian: Георгий Моисеевич Мороз) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school, whose work included landscapes, still lifes, genre compositions and portraits.
Georgy Moroz, having started participating in exhibitions since 1963, traveled extensively throughout the USSR and foreign countries, including Italy, the USA and Japan. His works are in museums and private collections in Russia, Japan, Italy, Germany, Holland, France, Sweden, USA and other countries.
Samuil Grigorievich Nevelshtein (Russian: Самуил Григорьевич Невельштейн) was a distinguished Soviet Russian painter, watercolorist, graphic artist, and art teacher, known for his impactful role in the Leningrad school of painting. Born on March 22, 1903, in Kherson, Ukraine, then part of the Russian Empire, Nevelshtein made a significant mark in the art world with his expressive portraits and scenes reflecting Soviet life.
Nevelshtein's journey in the arts began at VKhuTeMas, a renowned Moscow art school, where he honed his skills before moving to Leningrad. There, he graduated from the Proletarian Institute of Fine Arts and became a pivotal member of the Leningrad Union of Artists from 1935. His artwork primarily includes portraits, genre compositions, and landscapes, showcasing his mastery in both watercolors and oil painting.
His works are held in high esteem and are part of collections in major museums and private collections across the globe, including the State Russian Museum. Nevelshtein's exhibitions were well-received, contributing significantly to the cultural tapestry of Leningrad, now Saint Petersburg, until his death on November 16, 1983.
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Alexander Alexandrovich Osmerkin (Russian: Александр Александрович Осмёркин) was a Russian avant-garde artist celebrated for his contributions to the development of Russian art in the early 20th century. His journey into the arts was deeply influenced by his childhood exposure to art and literature, which was nurtured by his family and the artistic environment of Moscow, where he later moved to study and work. Osmerkin's early fascination with the works of great artists like Vrubel and his admiration for Pushkin's poetry significantly shaped his artistic development.
Throughout his career, Osmerkin was an influential figure in the Russian avant-garde movement, closely associated with the "Jack of Diamonds" group. His work displayed a vibrant expression of color and form, which he explored alongside notable contemporaries such as Ilya Mashkov and Pyotr Konchalovsky. Osmerkin's versatility spanned painting, graphic art, stage design, and art teaching, leaving a lasting impact on the Soviet art scene. His dedication to art education saw him teaching at prestigious institutions like VKhUTEMAS and the Surikov Institute of Fine Arts in Moscow, influencing a generation of artists.
Despite facing significant challenges during the Stalin era, including accusations of formalism and a ban from teaching and exhibiting, Osmerkin's creative spirit remained undiminished. He continued to produce a vast body of work, including over 700 pieces, ranging from landscapes to still lifes, which are now housed in major Russian museums like the Tretyakov Gallery, the Museum of Fine Arts in Moscow, and the State Russian Museum in St. Petersburg.
For collectors and experts in art and antiques, Alexander Alexandrovich Osmerkin's work represents a critical link in the evolution of Russian avant-garde art, offering insights into the cultural and political landscape of early 20th-century Russia. His legacy continues to inspire and captivate audiences, underscored by his profound influence on his students and the broader artistic community.
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Ivan Pavlovich Pokhitonov (Russian: Иван Павлович Похитонов) was a Russian artist of the late 19th and early 20th centuries. He is known as a painter and graphic artist, a master of landscape, who lived and worked in Europe for much of his career.
Ivan Pokhitonov created mainly miniature landscapes, made with a small brush on planks of red or lemon wood, treated and primed with a special technology. He worked mostly in plein air. The most common motif of his miniature paintings during the years of emigration were city and seascapes of France. In his works, always built on a combination of the finest shades of color, the artist organically combined the techniques of Barbizon, of which he was a fan, and the traditions of the Russian landscape school. He also turned to the genre of still life and portraiture.
Vasily Andreyevich Ponikarov (Russian: Василий Андреевич Поникаров) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist and watercolorist, master of landscape and still life.
Vasily Ponikarov used the technique of "wet" watercolor, applying paints on pre-moistened paper, which gave his works a special softness. The artist worked exclusively with watercolor, not using other techniques. His landscapes often depicted Odessa and its surroundings, and still lifes were distinguished by bright colors and depiction of abundant natural gifts of the south of Ukraine. The master's individual style brought him wide recognition and success.
Viktor Grigorievich Puzyrkov (Russian: Виктор Григорьевич Пузырьков) was a Ukrainian artist, celebrated for his contributions to the Socialist Realism art movement. Born on October 4, 1918, in Dnipro, Ukraine, Puzyrkov's career spanned through significant historical periods, culminating in his recognition as a People's Artist of the USSR in 1979. His educational journey included studies at the Dnepropetrovsk art school, the Kiev art Institute, and further refinement of his skills in Samarkand during the evacuation of Kiev and the Moscow art institutes. Graduating in 1946, he later became a professor at the Kiev art Institute in 1957.
Puzyrkov's artistry was deeply rooted in themes of naval and maritime life, evident in his thematic paintings such as "Chernomorets" (1947), "Surf" (1952), and "After the storm" (1957), among others. His mastery in painting was recognized with several accolades, including the prestigious Shevchenko National Prize in Ukraine in 1976. His artworks, characterized by a vibrant depiction of life at sea and Soviet-era themes, have been featured in various exhibitions and auctioned, with pieces like "Staline sur la rade" (1949) attaining notable auction prices.
For art enthusiasts and collectors, Viktor Grigorievich Puzyrkov's oeuvre presents a fascinating exploration of Socialist Realism, maritime beauty, and historical depth. His works like "Black Sea Fleet," "Silence," "Immortality," "Peace Ahead," and "Yachts in the Sea" showcase his versatility and profound understanding of his subjects.
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Maria Dmitreyevna Raevskaia-Ivanova (Russian: Мария Дмитриевна Раевская-Иванова) was a Russian artist of the last third of the 19th and early 20th centuries. She is known as a painter and teacher and as the first woman in the Russian Empire to be awarded the title of artist by the St. Petersburg Academy of Arts.
Maria Raevskaia-Ivanova worked in oil and watercolor in various genres, created portraits, including group portraits, landscapes, and still lifes. She is considered a representative of academism. The artist was the author of the textbook "The ABCs of Drawing for Family and School", as well as a number of articles and brochures on artistic and pedagogical issues.
Raphael Schwartz was a multifaceted Russian artist with Ukrainian origins, celebrated for his work as a painter, printmaker, and sculptor. Born on October 1, 1874, in Kiev, he later settled in Paris in 1892 after marrying a French aristocrat. His presence in the artistic hub of Paris, particularly at the Villa des Ternes, allowed him to nurture a vibrant social life, described by his friend, sculptor Jacques Loutchansky, as active and filled with humor.
Schwartz's artistic versatility is showcased in works like the 'Seated female Nude', a bronze sculpture noted for its brown patina and fine craftsmanship. This piece is signed 'Raphael Schwartz' and carries the foundry mark 'CIRE C. VALSUANI PERDUE', indicating the quality and authenticity valued by collectors and auctioneers.
Educated at Académie Julian, Schwartz's contributions to the art world were acknowledged when he was awarded the Legion of Honour. His legacy as an artist is grounded in the Russian and French traditions, despite the tragic end to his life by suicide in Pau, France, on August 3, 1942.
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Ivan Fyodorovich Seleznyov (Russian: Иван Федорович Селезнёв) was a Russian and Soviet artist of the last third of the 19th - first third of the 20th centuries. He is known as a painter of academic direction and a teacher.
Ivan Seleznyov worked in historical, portrait and domestic genres, as well as painted landscapes and still lifes. He became famous for his paintings on the subjects of Russian history, life scenes and realistic genre portraits. He also created and restored frescoes in churches in Kiev and was one of the organizers of the Kiev Fellowship of Religious Painting.
Mikhail Andreevich Sharonov (Russian: Михаил Андреевич Шаронов) was a Russian, Soviet and Ukrainian artist of the first half of the twentieth century. He is known as a painter, graphic artist and teacher.
As an artist, Mikhail Sharonov worked in the genres of portrait, landscape, still life and historical genre. He was also a professor and rector of the Kiev Art Institute. An important aspect of his life was art collecting; he amassed a significant collection of etchings by the Spanish artist Goya and donated 60 sheets from this collection to the Khanenko Museum in Kiev in 1941.
Vladimir Yakovlevich Shcherban (Russian: Владимир Яковлевич Щербань) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter.
Vladimir Shcherban fought on the Stalingrad front during the Great Patriotic War and received his art education at the Moscow City Art Studio for war invalids. His art was largely devoted to historical-revolutionary and military themes. The artist also made creative journeys to different regions, which inspired him to create a series of genre paintings, portraits and landscapes.
Aleksandr Vasilievich Shevchenko (Russian: Александр Васильевич Шевченко) was a Ukrainian modernist painter and sculptor, whose career spanned from the late 19th to the mid-20th century. Born in Kharkiv in 1882 and passing away in Moscow in 1948, Shevchenko's educational journey took him from private drawing lessons in his youth to prestigious art institutions in Moscow and Paris, where he honed his skills under the tutelage of renowned artists like Valentin Serov and Konstantin Korovin.
Shevchenko's artistic journey was marked by his involvement with avant-garde movements and his contributions to art theory. He explored and experimented with Neo-Primitivism and Rayonism, engaging with the avant-garde community through exhibitions and theoretical works. Notably, his time in Paris allowed him to interact with influential circles that included Mikhail Larionov and members of the Academy Julian.
Shevchenko's legacy is preserved in the Pushkin State Museum of Fine Arts, the State Tretyakov Gallery, and the State Russian Museum, among others. His work from the 1920s onward reflects a blend of experimental and traditional techniques, exploring themes of Russian folk art and oriental influences, which he believed were the origins of Russian art.
For art collectors and enthusiasts, Aleksandr Vasilievich Shevchenko's body of work offers a rich exploration of modernist themes and a bridge between traditional Russian art and avant-garde movements. His contributions to both the practical and theoretical aspects of art make him a pivotal figure in understanding the evolution of Russian modernism.
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Sergei Fedorovich Shishko (Russian: Сергей Фёдорович Шишко) was a distinguished Soviet painter, renowned for his profound contributions to the landscape and still-life genres of art. Born in 1911 in the town of Nosivka, Ukraine, Shishko's early exposure to art in school laid the foundation for his lifelong passion. Despite the tumultuous backdrop of the Soviet regime, his works exhibited a distinct impressionistic flair, diverging from the state-sanctioned socialist realism of the time. His remarkable series of canvases, particularly those depicting Mariyinski Park and the Carpathian Mountains, showcase an exploratory spirit and a bold embrace of color and light, earning him acclaim far beyond the borders of his homeland.
Shishko's life was not without its trials; he navigated the complexities of Soviet politics and personal challenges with resilience, balancing his artistic endeavors with the demands of family life. His dedication was recognized through numerous awards, including the prestigious title of People's Artist of the USSR. Shishko's works, which continue to be celebrated for their vibrant depiction of Ukrainian landscapes and still lifes, reflect a deep-rooted love for his country and an unyielding commitment to artistic freedom.
His legacy extends beyond his paintings, serving as a testament to the power of art to transcend political and personal adversity. Shishko passed away in 1997, but his influence endures, with his masterpieces residing in museums and private collections worldwide, reminding us of the enduring beauty of the Ukrainian landscape and the indomitable spirit of its people.
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Alexey Shovkunenko (Russian: Алексей Алексеевич Шовкуненко), an eminent Ukrainian and Soviet artist, is celebrated for his vast contributions across painting, graphic arts, and education. His birth on March 21, 1884, in Kherson, within the bounds of the then Russian Empire, and his passing on March 12, 1974, in Kiev, USSR, spanned a timeline of significant historical and artistic evolutions. Renowned for his work in modernist and socialist realism styles, Shovkunenko's repertoire includes landscapes, still lifes, and portraits, crafted through oil, watercolor, and pastel mediums.
His educational journey at the Grekov Odesa Art School and the Saint Petersburg Academy of Arts set the foundation for his illustrious career in both creation and mentorship. Shovkunenko was deeply integrated into the art community, engaging with the Society of South Russian Artists and the Kostandi Society of Artists. His academic roles, notably at the Kyiv State Art Institute, positioned him as a mentor to generations of artists.
Shovkunenko's artwork spans various themes, from the industrial to the intimate. His "Dneprostroy" series, lauded at international exhibitions, and his psychological portraits of significant Ukrainian figures, such as Pavlo Tychyna, Mykola Lysenko, and Oleksandr Bohomolets, underscore his versatility and depth. These works serve not only as artistic expressions but also as historical narratives, capturing the spirit and challenges of his times.
For aficionados of art and antiquities, Shovkunenko's legacy offers a rich tapestry of Eastern European cultural and artistic traditions. His influence, through both his pedagogical endeavors and his diverse body of work, continues to enchant and inspire.
For those keen on delving deeper into Alexey Shovkunenko's remarkable contributions and staying abreast of the latest developments related to his work, including sales and auction events, signing up for updates is highly recommended. This initiative promises to be a gateway to understanding the profound impact and enduring legacy of this distinguished artist.
David Petrovich Shterenberg (Russian: Давид Петрович Штеренберг) was a Ukrainian-born Russian artist, recognized for his significant contributions to painting and graphic art. Born into a Jewish family in Zhitomir, Ukraine, Shterenberg's journey in art began in Odessa, leading him to Paris between 1906 and 1912, where he immersed himself in the vibrant artistic community. His studies at the Académie Vitti and interactions with notable artists like Kees van Dongen shaped his early artistic endeavors. Shterenberg's work, influenced by Paul Cézanne and Cubism, is celebrated for its expressive imagery, clear composition, and the strategic use of space.
Shterenberg's art evolved significantly over time, reflecting his deep engagement with the cultural shifts of his era. After returning to Russia post-1917 Revolution, he became an influential figure in Soviet art, leading the Department of Fine Arts at the People's Commissariat for Education and founding the Institute of Artistic Culture. Despite facing challenges under Soviet authority, which pushed him towards a more 'realistic' style, Shterenberg remained true to his unique artistic vision. His later years saw a return to themes of lyrical contemplation, notably in his Biblical Subjects series, completed before his death in 1948.
Today, Shterenberg's legacy lives on in major public galleries in Russia, including the Tretyakov Gallery, the Pushkin Museum, and the Russian Museum, as well as in private collections worldwide. His work encompasses a broad spectrum, from avant-garde experiments to intimate expressionist pieces, securing his place in the annals of modern art.
For enthusiasts and collectors alike, David Petrovich Shterenberg's oeuvre offers a rich exploration of early 20th-century art, marked by its innovative use of form and color, and its reflective engagement with the artist's cultural heritage and contemporary political landscape. Sign up for updates on new product sales and auction events related to Shterenberg, and discover more about this pivotal artist's contributions to the world of art.
Ivan Nikolayevich Shulga (Russian: Иван Николаевич Шульга) was a Ukrainian Russian and Soviet artist of the first half of the twentieth century. He is known as a master of painting and drawing and a teacher. His name is included in the "Unified Art Rating of the world's 10,000 best artists" and in the list of the 100 most outstanding artists of Ukraine.
Ivan Shulga worked in different genres: he painted portraits, genre paintings, landscapes (marine, landscape, architectural, industrial), created still life paintings, panels, drawings for art postcards, political posters. His artistic legacy also includes pictures in the genre of nude and historical genre. The artist also illustrated magazines and books, designed theatrical sets.
Shulga worked in watercolor, pencil drawing, gouache, ink and sanguine, pastel, oil and tempera painting.
Marc Sigizmundovich Sterling (Russian: Марк Сигизмундович Стерлинг) was a multifaceted artist whose work spanned various genres and styles. His nationalities are diverse, reflecting affiliations with Germany, Russia, Ukraine, France, Switzerland, and the Russian Empire, showcasing a life lived across different cultures.
Marc Sterling's artistic endeavors included painting, engraving, and graphic art, with his talents extending to landscape and portrait painting. He was part of significant art movements and groups such as La Ruche, Salon d'Automne, and the School of Paris, indicating his active participation in dynamic artistic communities. His art, which embraced genres like flower still lifes, landscapes, and portraits, showcased a blend of Constructivism, Realism, and Synthetic Cubism, utilizing techniques ranging from engraving to oil painting.
For art collectors and experts, Marc Sterling's work offers a glimpse into the rich tapestry of 20th-century art, characterized by its diverse influences and innovative expressions. His contributions to the art world are reflected in his varied body of work, which continues to attract interest at art auctions and among collectors.
To delve deeper into the world of Marc Sigizmundovich Sterling and explore his creations, one can visit auction archives and collections that feature his work, providing insights into his artistic journey and the legacy he left behind in the realms of painting and graphic arts.
Vladimir Evgrafovich Tatlin (Russian: Владимир Евграфович Татлин) was a pioneering Russian and Soviet avant-garde artist, architect, and designer, celebrated for his innovative contributions to modern art, sculpture, and architecture. Born in Moscow, Tatlin's work transcended traditional boundaries, blending art with technology and ideology in a way that was revolutionary for his time. His dedication to merging functional design with artistic vision marked him as a key figure in the Constructivist movement, which sought to apply art to practical and social purposes.
Tatlin is best known for his ambitious but never-realized project, the Monument to the Third International, commonly referred to as Tatlin's Tower. This monumental structure, intended to serve as the headquarters for the Comintern in Petrograd, symbolized the utopian aspirations of the Soviet Union in the early 1920s. The tower's design, featuring a spiraling iron frame reaching 400 meters in height, embodied the avant-garde's commitment to innovation and the belief in art's power to shape a new societal order. Though it remained unbuilt, the tower's visionary design continues to influence architects and artists worldwide.
Beyond Tatlin's Tower, his contributions to the world of art include significant works in painting and sculpture. His approach to material and form, particularly his counter-reliefs, challenged traditional artistic conventions and opened new avenues for exploration in modern art. Tatlin's legacy extends to educational realms as well, where his tenure at the Moscow Vkhutemas (the Higher Art and Technical Studios) helped shape a generation of artists and designers. His works are preserved in major museums and galleries around the globe, serving as a testament to his enduring influence on culture and art.
For collectors and experts in art and antiques, Vladimir Tatlin's oeuvre represents a pivotal moment in the evolution of modernist expression. His innovative spirit and radical designs continue to inspire and provoke. If you wish to stay informed about new discoveries, sales, and auction events related to Vladimir Evgrafovich Tatlin, we invite you to sign up for our updates. This subscription is an excellent opportunity for enthusiasts and collectors to stay ahead in the dynamic world of art and antiques.
Victor Ivanovich Tolochko (Russian: Виктор Иванович Толочко) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a decorated participant of the Great Patriotic War, a master of landscape, still life, battle and historical genres.
When working in the historical genre Victor Tolochko tried to live in the historical atmosphere. Working on the painting "Defenders of the Brest Fortress", he lived in the fortress for six months and created more than 50 sketches and sketches. In addition to the military theme, the master's life-affirming landscapes were also highly appreciated by critics.
Karp Demyanovich Trokhimenko (Russian: Карп Демьянович Трохименко) was a Soviet Ukrainian painter known for his significant contributions to socialist realism. Born in 1885, Trokhimenko's works primarily depicted scenes of everyday life, socialist construction, and the natural beauty of Ukraine.
Trokhimenko's distinctive style is characterized by his detailed, realistic portrayal of his subjects, capturing the spirit and ideals of the Soviet era. He was celebrated for his ability to convey the human experience within the broader context of socialist society. His paintings often featured vibrant colors and meticulous attention to detail, making them stand out in exhibitions.
Among his notable works are "Shevchenko and Engelhardt" (1939), "Kateryna" (1959), and "May Days in Old Kyiv" (1975), all housed in the National Art Museum of Ukraine. These paintings exemplify his talent in depicting historical and rural life with a sense of warmth and authenticity. Trokhimenko's legacy continues to influence contemporary Ukrainian artists, and his works remain highly regarded in art circles.
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Revekka Moiseevna Tsuzmer (Rena Tsuzmer) was a Soviet and Russian ceramic artist. She studied painting with Robert Falk and Vladimir Favorsky.
Revekka Tsuzmer's style combined elements of contemporary art with influences from the Russian avant-garde school. Her works are characterised by bright colours, dynamic compositions and a bold use of form. She experimented with different genres, including portraits, still life and abstract compositions.
Valentina Petrovna Tsvetkova (Russian: Валентина Петровна Цветкова) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. She is known as a painter and graphic artist, a master of landscape, still life and portraiture, who mastered various painting and drawing techniques, including oil, pastel, watercolor, acrylic, pencil and felt-tip pen.
Valentina Tsvetkova in her work focused on the diversity of forms of nature, unique features of climate, flora, architecture and the way of life of people. Her landscapes were characterized by originality and decorativeness, and portraits reflected the main features of appearance and inner essence of each depicted person. The artist painted portraits of war heroes, as well as scientists and representatives of the creative intelligentsia.
Vitaly Georgievich Yablonovsky-Snadzsky (Russian: Виталий Георгиевич Яблоновский-Снадзский) is a Soviet and contemporary Russian artist. He is known as a painter specializing in landscapes and still lifes.
Vitaly Yablonovsky-Snadzsky is also known for his monumental paintings of sanatoriums in Sochi, where he lives permanently. He has been actively creating since the early 1970s. Among his most famous works are the paintings "Gifts of Autumn", "Red Poppies", "Dry Grasses", "Clusters of Rowanberries", "Crayfish" and others.
His works are in museums and private collections in Russia and other countries - in Germany, Poland, Yugoslavia, Finland, Syria, France, Spain, USA, Turkey.
Stepan Petrovich Yaremich (Russian: Степан Петрович Яремич) was a multifaceted Ukrainian artist and art historian, whose career spanned the late 19th and early 20th centuries. His profound contributions to art history and preservation, particularly during the tumultuous post-revolutionary period in Russia, underscore his significance beyond his work as a painter. Yaremich's expertise in Western European drawing, bolstered by his years in Paris where he amassed an impressive collection featuring masters like Watteau and Fragonard, highlighted his remarkable connoisseurship.
Educated in Kiev and Paris, Yaremich was associated with the "World of Art" movement and worked closely with figures like Alexandre Benois. He was not just an artist but a respected art expert, often involved in the restoration and cataloging of Russian and Western European art. His time at the Hermitage and Russian Museum showcased his dedication to art preservation, contributing significantly to the fields of art history and conservation.
Yaremich's artistic legacy includes landscapes of St. Petersburg, Venice, and other locales, characterized by a unique approach to color and form that distinguished his work from his contemporaries. Despite the critical acclaim, it was his behind-the-scenes work as an art historian and conservator that solidified his enduring impact on the art world.
Collectors and experts in art and antiques will find Yaremich's work both compelling and significant, underlining the importance of not only creating art but also preserving it for future generations. For updates related to Stepan Petrovich Yaremich, including sales and auction events, sign up for our newsletter. This subscription will keep you informed about the latest findings and opportunities to acquire works associated with this remarkable figure in art history.
