Architects 20th century
Vito Acconci was an American artist, designer, and architect. He is best known for his pioneering work in the field of performance art and for his provocative installations that explore the relationship between the human body and space.
Acconci received a Bachelor of Arts degree from Holy Cross College in 1962. He later earned a Master of Fine Arts degree from the University of Iowa.
In the late 1960s and early 1970s, Acconci became known for his groundbreaking performance works, which often involved the artist subjecting his own body to various forms of physical and psychological stress.
In the 1980s and 1990s, Acconci shifted his focus to installation art, creating immersive environments that challenged viewers' perceptions of space and their own bodies. He also worked as a designer and architect, creating public sculptures and buildings around the world.
Acconci's work has been exhibited in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Venice Biennale. He received numerous awards and honors for his contributions to contemporary art, including the Skowhegan Medal for Sculpture in 1995.
His legacy as an influential and provocative artist continues to be felt in the contemporary art world today.
Peter Alexander was an American artist who was part of the Light and Space artistic movement in southern California in the 1960s. He is notable for his resin sculptures from the 1960s and 1970s. He studied architecture in England before receiving both his BFA and MFA from the University of California, Los Angeles. Alexander started as an architect, before developing a reputation in the 1960s for creating his sculptures.
Wobbe Alkema is a Dutch artist, graphic artist, architect, designer and sculptor. He is known for his abstract and geometric works, often combining elements of constructivism and De Stijl.
Alkema was trained as an architect and then turned to art, studying at the Academy of Fine Arts in Groningen. In the 1920s he was involved with the artist collective De Ploeg, which was active in the northern Netherlands and promoted modernist art and culture.
Throughout his career, Alkema continued to explore the principles of abstraction and geometry in his work. His paintings often feature simple geometric shapes such as squares, circles and triangles arranged in complex compositions that suggest movement and depth. He was also interested in the interaction of colour, using bright, bold hues to create dynamic contrasts and harmony.
In addition to painting, Alkema created a number of sculptural works, including abstract reliefs and freestanding sculptures. He also designed furniture and other functional objects, applying his principles of abstraction and geometric form to everyday objects.
Alkema's work is held in the collections of several museums in the Netherlands, including the Groninger Museum and the Amsterdam Stedelijk Museum. He is considered an important figure in the development of abstract art in the Netherlands, and his work continues to be admired for its innovative use of form and colour.
Valery Vladimirovich Androsov (Russian: Валерий Владимирович Андросов) is a Soviet and contemporary Russian artist. He is known as a sculptor, architect, designer, painter, graphic artist and teacher.
Valery Androsov creates landscapes, still lifes and portraits, as well as fantasy works. He is also known as the author of a large collection of ex-libris that accurately convey the character and interests of book owners. At different periods he served as chief artist of the Mosstroiplastmass Combine and director of the Mytishchi Picture Gallery. He also created monuments to those who died in the Great Patriotic War and to the pilots of the Mytishchi Aero Club, showing his skill in various artistic directions.
Ron Arad (Hebrew: רון ארד) is a contemporary Israeli-born artist, architect, and designer known for his innovative and boundary-pushing creations.
Throughout his career, Arad has explored various materials and techniques, embracing both handcrafted and technological processes. His designs often blur the boundaries between art and design, challenging conventional notions of form and function. Arad's furniture pieces are characterized by their sculptural qualities, organic shapes, and a sense of fluidity.
Shusaku Arakawa was a Japanese conceptual artist and architect. He had a personal and artistic partnership with the writer and artist Madeline Gins that spanned more than four decades in which they collaborated on a diverse range of visual mediums, including: painting & printmaking, experimental filmmaking, performance art, and architectural & landscape design.
Erik Gunnar Asplund was a Swedish architect, mostly known as a key representative of Nordic Classicism of the 1920s, and during the last decade of his life as a major proponent of the modernist style which made its breakthrough in Sweden at the Stockholm International Exhibition (1930). Asplund was professor of architecture at the Royal Institute of Technology from 1931. His appointment was marked by a lecture, later published under the title "Our architectonic concept of space." The Woodland Crematorium at Stockholm South Cemetery (1935-1940) is considered his finest work and one of the masterpieces of modern architecture.
Gaetana (Gae) Aulenti was an Italian architect and designer who was active in furniture design, graphic design, stage design, lighting design, exhibition and interior design. She was known for her contributions to the design of important museums such as the Musée d'Orsay in Paris (in collaboration with ACT Architecture), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice, and the Asian Art Museum of San Francisco (in collaboration with HOK Architects). Aulenti was one of only a few women architects and designers who gained notoriety in their own right during the post-war period in Italy, where Italian designers sought to make meaningful connections to production principles, and influenced culture far beyond Italy. This avant-garde design movement blossomed into an entirely new type of architecture and design, one full of imaginary utopias leaving standardization to the past.
Carlo Bartoli is an Italian architect and designer. Author of numerous projects, such as the Gaia chair, included in the permanent design collection of the MoMA in New York and the Milan Triennale Design Museum, and the 4875 chair for Kartell, the world's first made of polypropylene, as well as part of the design collection of the Pompidou Center in Paris.
Peter Behrens was a seminal figure in modern design and architecture, heralded as the first industrial designer and a pioneer in modernist architecture. Born in Hamburg, Germany, Behrens's influence spanned across various domains, including architecture, industrial design, and graphic design. His holistic design approach was revolutionary, encompassing everything from architectural projects to corporate identities.
Behrens's association with AEG (Allgemeine Elektrizitäts-Gesellschaft) marked a significant chapter in his career. Hired as an artistic consultant in 1907, he crafted a comprehensive corporate identity for AEG, including the iconic AEG Turbine Factory (1909), a hallmark of industrial classicism and modernism. This work is celebrated for its pioneering approach to industrial architecture and design, integrating form and function with unprecedented clarity and coherence.
His architectural ventures displayed a versatility and an evolution of style, from the monumental, stripped classical form seen in the German Embassy in St Petersburg (1912) and the Administration Building for Continental AG in Hannover (1912-1914), to the expressive Brick Expressionism of the Technical Administration Building of Hoechst AG in Frankfurt (1920-1924). Behrens's work in the 1920s, including the design for the 'New Ways' house in Northampton, UK, and contributions to the Weissenhof Estate in Stuttgart, underscored his shift towards New Objectivity and modernist principles.
Moreover, Behrens's educational contributions were profound, with his teaching stints at the Academy of Fine Arts Vienna influencing a new generation of architects, including luminaries such as Ludwig Mies van der Rohe, Le Corbusier, and Walter Gropius, who would themselves go on to define the course of 20th-century architecture.
Behrens's legacy is a testament to the transformative power of design, illustrating how integrated and forward-thinking approaches can redefine our built environment and the objects we use daily. His work remains an essential study for collectors, experts in art and antiques, and anyone interested in the evolution of modern design and architecture.
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Mario Bellini is an Italian architect and designer. After graduating from the Polytechnic University of Milan in 1959, Bellini pursued a career as an architect, exhibition designer, product designer, and furniture designer, during the Italian economic boom of the late 20th century. Bellini has received several accolades in a variety of design fields, including eight Compasso d'Oro awards, and the Gold Medal for Lifetime Achievement by the Triennale di Milano. In 2019, the Italian President of the Chamber of Deputies, Roberto Fico, awarded Bellini a career medal, in recognition of his contributions to Italian architecture and design.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
Mario Botta, a Swiss architect born in 1943, is celebrated for his profound contributions to contemporary architecture. His work is characterized by a robust geometric style and profound respect for historical context, often integrating modern elements with traditional designs. Botta's designs are known for their distinct use of brick and strong shapes, such as circles, squares, and triangles, which make his buildings instantly recognizable.
Among his notable projects are the San Francisco Museum of Modern Art and the Cathedral of the Resurrection in Evry, France. These structures exemplify his approach to blending new construction technologies with classical forms. The museum, in particular, showcases his ability to manipulate space and light, creating dynamic environments for displaying art. His buildings are not just structures but are often considered sculptural works that enhance their surroundings.
Mario Botta's influence extends beyond architecture into design and education, where he has mentored generations of architects. His work is displayed in numerous exhibitions worldwide and serves as a testament to the enduring power of integrating contemporary design with traditional elements. Collectors and experts in architecture appreciate Botta’s unique ability to transform ordinary spaces into extraordinary places.
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Michel Boyer was one of the last great interior designers who remained true to the principles of modernity.
Boyer collaborated with Dior, Lanvin, Balmain and designed interiors for hotels, embassies and numerous corporate headquarters. His private clients have included Elie de Rothschild, Liliane Betancourt and Karim Aga Khan.
Marcel Lajos Breuer was a Hungarian American modernist architect and furniture designer. He moved to the United States in 1937 and became a naturalized American citizen in 1944.
At the Bauhaus he designed the Wassily Chair and the Cesca Chair, which The New York Times have called some of the most important chairs of the 20th century. Breuer extended the sculpture vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world's most popular architects at the peak of 20th-century design. His work includes art museums, libraries, college buildings, office buildings, and residences. Many are in a Brutalist architecture style, including the former IBM Research and Development facility which was the birthplace of the first personal computer. He is regarded as one of the great innovators of modern furniture design and one of the most-influential exponents of the International Style.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Alfredo Castañeda was a Mexican surrealist painter.
Castañeda had been interested in painting and drawing since childhood, but first became an architect, earning a degree in architecture from the University of Mexico. During his studies, he continued to paint as a hobby, which he became more and more serious about over the years. At university, Alfredo became acquainted with the painter, sculptor and architect Matthias Goeritz, as well as the work of René Magritte. Both played a huge role in the young artist's worldview.
After his studies, Castañeda worked as an architect and in 1969 had his first solo exhibition at Galeria de Arte Mexicano. His work has also been shown internationally numerous times in the United States and in many Latin American countries, including Mexico. His work is collected in collections and museums throughout the Americas, Europe and Asia.
Alfredo Castañeda is known for his surrealist paintings, often portraits. The same character appears in many of his paintings, sometimes revealed in multiple versions of himself. This person (often resembling the artist himself) seems to be engaged in an endless dialog with himself, involving the viewer as well.
Giannino Castiglioni was an Italian sculptor and medallist. He worked mostly in monumental and funerary sculpture; his style was representational, and far from the modernist and avant-garde trends of the early twentieth century.
Giuseppe Kjachig is an artist outside the academic framework, was extremely versatile: a mosaicist, architect, decorator and painter, he was born in Russia because his parents were commercially active there, but retained Italian citizenship.
Fabrizio Clerici was an Italian painter, draftsman, illustrator, scenographer and architect.
Clerici earned a degree in architecture and was greatly influenced by antiquities, Renaissance and Baroque painting and architecture. In 1943, Clerici held his first solo exhibition at the Galleria dell'Arte Cairola in Milan, featuring drawings, watercolors, lithographs and etchings. His first book illustrations belong to the same period.
In 1947, Clerici began a prolific career in theater, ballet and opera with his debut as a stage designer in a production of George Bernard Shaw's play Mrs. Warren's Profession. The following year he participated for the first time in the Venice Biennale. There he met Salvador Dalí and created the sets and costumes for Igor Stravinsky's Orpheus, which was performed at the La Fenice Theater. In 1949 he created large-scale architectural fantasy paintings.
The further life of the multifaceted artist Fabrizio Clerici was full of work in a variety of fields of art, creative successes and exhibitions. His work has been exhibited in many museums in the United States, including MoMA and the Guggenheim Museum, as well as in France, such as the Pompidou Center.
Le Corbusier, born Charles-Édouard Jeanneret in Switzerland, was a visionary French architect, designer, and writer who profoundly influenced modern architecture and urban planning. His innovative ideas blended functionalism with bold sculptural expressionism, embodying the essence of the International Style of architecture. Notably, Le Corbusier's designs, such as the Villa Savoye and the master plan for Chandigarh, India, are celebrated for their revolutionary approaches to living spaces and urban environments.
Le Corbusier's early life in La Chaux-de-Fonds, Switzerland, where he was immersed in the art and craft of watchmaking, significantly shaped his design principles. His architectural journey began without formal training, starting with his education in decorative arts and leading to significant collaborations across Europe. Le Corbusier's philosophy was deeply rooted in the belief that architecture should improve living conditions, particularly in crowded cities. This belief drove his contributions to the Congrès International d'Architecture Moderne and his development of influential architectural principles, such as the Five Points of Architecture, which are exemplified in Villa Savoye.
Villa Savoye, located in Poissy, France, stands as a testament to Le Corbusier's innovative approach, featuring pilotis (reinforced concrete stilts), a functional roof garden, an open floor plan, horizontal windows, and a free façade design. These elements collectively embody his vision of a "machine for living," integrating the house with its environment and the modern lifestyle. Despite facing issues with structural durability and weather resistance, Villa Savoye remains a pivotal work in architectural history, symbolizing the transition to modern architectural thought.
Le Corbusier's legacy is multifaceted, extending beyond architecture to furniture design and painting, showcasing his broad artistic talents. His work continues to inspire and provoke discussion, reflecting both his groundbreaking contributions to modern architecture and the complexities of his ideologies and methodologies.
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Gino De Dominicis was an Italian artist.
Controversial protagonist of Italian art after the Second World War, he used various techniques and defined himself as a painter, sculptor, philosopher and architect. His work tends to become independent of both fashions and neo-avant-garde groups. Therefore, it cannot be framed in a specific artistic current: neither in Arte Povera, nor in the Transavanguardia, nor in the conceptual art, which rejected.
Ludovico Dias de Santigliana is an Italian artist, architect and designer.
He married Anna Venini, daughter of Paolo Venini, and became general director of Venini & C. after the owner's death and until 1985, when with the same responsibilities he moved to EOS, for which he designed a number of important collections.
Theo van Doesburg, real name Christian Emil Marie Küpper, is a Dutch painter, architect and sculptor, art theorist, co-founder of the Style Group and of Neoplasticism.
Theo van Doesburg co-founded with Piet Mondrian the De Stijl abstract art movement. The basis of van Doesburg's views was the attempt to reduce all forms of objective harmony in a work of art to certain geometric elements. These new principles soon had a significant influence on the development of architecture, literature, graphics and music.
Maurizio Duranti is a contemporary Italian artist, architect and designer. He is engaged in industrial design, designing for numerous companies in all sectors of the home. Duranti is a ten-time winner of the Chicago Good Design Award and was honoured at the Compasso d'Oro in Milan.
Charles Ormond Eames Jr. was an American designer, architect and filmmaker. In professional partnership with his spouse Ray Kaiser Eames, he was responsible for groundbreaking contributions in the field of architecture, furniture design, industrial design, manufacturing and the photographic arts.
Ray-Bernice Alexandra Eames was an American artist and designer who worked in a variety of media.
In creative partnership with her husband Charles Eames and The Eames Office, she was responsible for groundbreaking contributions in the fields of architecture, graphic design, textile design, film, and furniture. The Eames Office is most famous for its furniture, which is still being made today. Together, the Eameses are considered one of the most influential creative forces of the twentieth century.
During her lifetime, Ray Kaiser Eames was given notably less credit than she has been given posthumously in art and design literature, museum shows, and documentaries.
Ahmet Ertug is a Turkish architectural photographer and publisher.
He was trained as an architect at the Architectural School of the Architectural Association in London, but developed a passion for photography.
Researching traditional architecture in Japan, Ertug traveled extensively throughout the country and photographed ancient temples, Zen gardens, and traditional festivals. Ertug photographed many of Istanbul's architectural and archaeological structures with Ottoman, Roman and Catholic influences. He founded a publisher of fine art books, and his national fame increased dramatically when he began publishing his photographs in lavish art books. Since then, Ertug's publishing house has published more than 30 such collections. Ertug has also photographed extensively the famous American libraries.
Wharton Esherick is an American artist and sculptor known for his innovative and organic approach to woodworking. He is considered one of the pioneers of the American studio furniture movement and is known for his sculptural furniture, functional objects and architectural woodworking.
Esherick's creative journey led him to experiment with various mediums, including painting, printmaking and sculpture, but it was his work in woodworking that brought him the most recognition.
Esherick developed a distinctive style characterized by organic forms, sculptural detailing and an emphasis on the natural qualities of wood. He believed that furniture design should reflect the inherent qualities of the materials used. Esherick adhered to the concept of "truth of materials", allowing wood to guide his artistic process and shape the final form of his creations.
Salvatore Fiume is an Italian artist known for his diverse talents including painting, sculpture, ceramics and graphic design.
Salvatore Fiume's artistic style has evolved throughout his career, reflecting various influences. Fiume's paintings are characterised by vivid colours, dynamic brushwork and a sense of emotional intensity. He was also a skilled sculptor and created many sculptures in different materials.
Kurt Fleckenstein is a German artist/sculptor associated with land art, minimal art and installation art. Fleckenstein was born in Heddesheim near Mannheim in Baden-Württemberg. His earlier career in landscape architecture, regional planning and horticultural art led to the establishment of several architectural studios in Germany, Austria and Poland. Since 2003 he has worked as a freelance artist with a focus on spatial objects and installations in exhibition centres and public open space. His provocative art form is designed to charm, irritate and challenge the viewer to question and compare “idealism with realism” on major social, cultural, economic and environmental issues. Fleckenstein now divides his home and work life between Mannheim, Germany and Wroclaw, Poland.
Joseph Frank was an Austrian and Swedish architect of Jewish origin. He worked with Oskar Strnad and was associated with the Vienna Circle. In 1933 he moved to Sweden, where he worked for the design company Svenskt Tenn for the rest of his life. In 1965 he was awarded the Grand Austrian National Prize for Architecture.
Gianfranco Frattini was an Italian architect and designer. He is a member of the generation that created the Italian design movement in the late 1950s through the 1960s and is considered to have played a major role in shaping it.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Naum Gabo, a pivotal figure in the evolution of twentieth-century sculpture, was a Russian-American artist renowned for his innovative approach to constructivism and kinetic art. Gabo's artistry transcended mere form to delve into the philosophical and spatial dynamics of sculpture, marking him as a pioneer in his field. He significantly influenced the avant-garde movements across Europe, particularly with his manifesto that challenged the concepts of Cubism and Futurism, advocating for art that embraced abstract reality and spiritual experience. His tenure at VKhUTEMAS, alongside notable contemporaries like Kandinsky and Rodchenko, was a testament to his influential role in post-Revolution Russian art.
Gabo's use of materials such as metal and glass was not just a stylistic choice but a profound exploration of volume and space without the reliance on mass, embodying the Constructivist ideology of functional art. His works, like "Column," showcased his interest in creating sculptures that resonated with intellectual and emotional appeal rather than just physical senses. This innovative approach to sculpture continued throughout his career, evident in his contributions to both the art and architectural domains, including his experimental architectural designs like the proposal for the Palace of the Soviets.
Throughout his life, Gabo's artistic journey was marked by a constant exploration of the interplay between space and time, evident in pieces such as "Spiral Theme" and his involvement in kinetic sculpture. His move across countries, from Russia to the United States, was reflective of his quest for new artistic contexts and his escape from political turmoil. Gabo's legacy is preserved in significant collections and museums worldwide, including the Museum of Modern Art (MoMA) in New York, where his works continue to inspire and captivate audiences.
For those intrigued by Naum Gabo's profound impact on modern sculpture and constructivism, signing up for updates can enrich your knowledge and keep you informed about upcoming sales and auction events featuring his work. This is an opportunity to explore the depths of Gabo's contributions to art and architecture, ensuring enthusiasts and collectors stay connected to his enduring legacy.
Eugène Gaillard was a French art nouveau industrial designer, architect and advocate of modern design. Gaillard abandoned a career in law for that of interior design and decoration. He was employed for some time by Siegfried Bing along with Georges de Feure and Edouard Colonna to work on his pavilion at the 1900 Paris Universal Exposition.
Julio Galán was a Mexican artist and architect. Galán was one of Latin America's neo-expressionist painters of the end of the last century and the beginning of this one. His paintings and collages are full of elements that usually represent his life.
Nicolás García Uriburu was an Argentine contemporary artist, landscape architect, and ecologist. His work in land art was aimed at raising consciousness about environmental issues such as water pollution.
Aleksandr Mikhailovich Gerasimov (Russian: Алекса́ндр Миха́йлович Гера́симов) was a Russian and Soviet painter, born on August 12, 1881, in Kozlov (now Michurinsk), in the Tambov Governorate of the Russian Empire. He is best recognized for his leading role in promoting socialist realism in visual arts, notably through his portraits of Joseph Stalin and other Soviet leaders. Gerasimov's education at the Moscow School of Painting, Sculpture, and Architecture honed his skills, guided by masters like K.A. Korovin, A.E. Arkhipov, and V.A. Serov. His style, a blend of academic realism with impressionistic influences, vividly depicted the Russian landscape, leaders, and the daily life of the Soviet era.
His works, rich in emotionality and composition mastery, span across various themes from state portraits to landscapes and still lifes, showcasing a deep love for the Russian landscape's innate beauty. Gerasimov's contributions to art include not only significant political portraits but also captivating scenes of nature and life in Russia, marked by their emotional depth and vibrant colors. His paintings like "Stalin and Voroshilov in the Kremlin" won him the Stalin Prize in 1941, cementing his status in Soviet art history.
Gerasimov's artistry extends beyond his political work; his landscapes and portrayals of Russian expanses convey a deep lyrical sentiment, reflecting his profound connection and love for his homeland. His mastery across various mediums—oil, watercolor, gouache, and more—allowed him to explore and express a wide range of subjects, from portraits and landscapes to still lifes, showcasing his versatility and depth as an artist.
For those interested in the intersection of art and history, Aleksandr Mikhailovich Gerasimov's work offers a fascinating window into Soviet-era Russia, its leaders, and its landscapes. To stay updated on exhibitions and sales of Gerasimov's works, sign up for updates specifically focused on new product sales and auction events related to this distinguished artist.
Gertrud Goldschmidt, full name Gertrud Louise Goldschmidt, also known by her pen name Gego, is a Venezuelan painter, architect and sculptor of German descent.
She graduated from the University of Stuttgart with a degree in engineering and architecture, and emigrated to Venezuela with the outbreak of World War II, settling in Caracas. Gertrud Goldschmidt was engaged in design and architectural commissions. And she began her artistic career in the 1950s, developing her own style of geometric abstraction, which became a symbol of artistic modernity in Venezuela.
Gego then began to create sculptures and wire mesh constructions, and was also active in kinetic art. In 1969, the Museum of Fine Arts in Caracas exhibited her three-dimensional installation consisting of an extensive modular wire mesh that unfolds in the gallery space through the floor, walls and ceiling. Goldschmidt is best known for her geometric and kinetic sculptures made in the 1960s and 1970s.
